http://borderlineacademy.org/ this is the V2V video syndication newsfeed for the distribution of high resolution video material through P2P-networks V2V video syndication network V2V This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Curator Eduardo Thomas was presenting contemporary experimental documentaries in his series “authorship”, “authority” and “authenticity” at the Berlin Documentary Forum. He selected films, that erode the seemingly immutable conventions of the consistent abuse of hierarchical structures within the field of documentary filmmaking. In this in-depth interview by Alan Toner, Eduardo Thomas introduces the films he selected, reflects on his series and discusses the questions he encounters when thinking about documentary practices today. 2010-06-28T11:49+00:00 en 2010 bdf.tv http://hkw.de/bdf.tv 797837634 01:40:24.040 Ogg Theora/Vorbis - 640x360/Stereo http://borderlineacademy.org/v2v/show/HQIHCJEJVLOZNBCAV7CFBH444A6XH7Z3 ed2k://|file|v2v bdf.tv Interview Eduardo Thomas.ogv|797837634|8da3cb8749817c7684c6f68e7d98ea19| magnet:?dn=v2v+bdf.tv+Interview+Eduardo+Thomas.ogv&xt=urn%3Asha1%3AHQIHCJEJVLOZNBCAV7CFBH444A6XH7Z3 http://borderlineacademy.org/files/ba/torrents/v2v%20bdf.tv%20Interview%20Eduardo%20Thomas.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Filmmaker Florian Schneider has organised a retrospective about Michal Mraktisch for the Berlin Documentary Forum on June 2-6 2010 under the title "Missing Image". Alan Toner asks Florian Schneider about the background of this remarkable film-maker and his role and influence for the development of the Documentary Film as we know it today. 2010-06-28T11:46+00:00 en 2010 bdf.tv http://hkw.de/bdf.tv 110596190 00:57:00.360 Ogg Theora/Vorbis - 640x360/Stereo http://borderlineacademy.org/v2v/show/26WJDEMQFG74R5GXAHYUSMMG5M7MPEHI ed2k://|file|v2v bdf.tv Interview Florian Schneider.ogv|110596190|14e0a277f22a5d41dc5e9e9e1e07ec3d| magnet:?dn=v2v+bdf.tv+Interview+Florian+Schneider.ogv&xt=urn%3Asha1%3A26WJDEMQFG74R5GXAHYUSMMG5M7MPEHI http://borderlineacademy.org/files/ba/torrents/v2v%20bdf.tv%20Interview%20Florian%20Schneider.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Alan Toner asks Angela Melitopoulos and Bettina Knaup about their performance "Möglichkeitsraum - Feminism and Performance Art" presented at the Berlin Documentary Forum on June 3rd 2010. Most of the program cannot be screened online due to copyright problems that burden much video performance art. Bettina Knaup and Angela Melitopoulos explain the particular situation of that genre, and how it is effecting their work with an archive of feminist performance art. 2010-06-28T11:45+00:00 en 2010 bdf.tv http://hkw.de/bdf.tv 137110015 00:52:19.960 Ogg Theora/Vorbis - 640x360/Stereo http://borderlineacademy.org/v2v/show/XFL6EGC46HHHLNJYH4POL5ENNVOIVVLF ed2k://|file|v2v bdf.tv Interview Angela Melitopoulos and Bettina Knaup.ogv|137110015|c5c59afff10aee4a69b56d05bea01835| magnet:?dn=v2v+bdf.tv+Interview+Angela+Melitopoulos+and+Bettina+Knaup.ogv&xt=urn%3Asha1%3AXFL6EGC46HHHLNJYH4POL5ENNVOIVVLF http://borderlineacademy.org/files/ba/torrents/v2v%20bdf.tv%20Interview%20Angela%20Melitopoulos%20and%20Bettina%20Knaup.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. In this in-depth interview film historian Stella Bruzzi and Alan Toner discuss the development of documentary film in relation to advances in film technology, and consider possible perspectives for the future. This conversation took place during the Berlin Documentary Forum, where Stella Bruzzi investigated in conversation with Frederick Wiseman questions about “direct” cinema and the potential of the documentary image to produce truth. 2010-06-28T11:44+00:00 en 2010 bdf.tv http://hkw.de/bdf.tv 169236042 01:08:53.880 Ogg Theora/Vorbis - 640x360/Stereo http://borderlineacademy.org/v2v/show/EEZLAWUGWMQCG5FO5OPBZLYP3SIN4MQS ed2k://|file|v2v bdf.tv Interview Stella Bruzzi.ogv|169236042|f9d67e30c5f5497c5c30c8043be2124b| magnet:?dn=v2v+bdf.tv+Interview+Stella+Bruzzi.ogv&xt=urn%3Asha1%3AEEZLAWUGWMQCG5FO5OPBZLYP3SIN4MQS http://borderlineacademy.org/files/ba/torrents/v2v%20bdf.tv%20Interview%20Stella%20Bruzzi.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Rabih Mroué opened the Berlin Documentary Forum with his performance "The Inhabitants of Images" on June 2nd 2010. In this interview, Alan Toner and Rabih Mroué discuss implications that images might have and the possibility that they bear an reality of their own. Rabih Mroué also gives some insights about his performance, for those who didn't get a chance to see it. 2010-06-28T11:43+00:00 en 2010 bdf.tv http://hkw.de/bdf.tv 76096864 00:40:04.760 Ogg Theora/Vorbis - 640x360/Stereo http://borderlineacademy.org/v2v/show/6DZGLWUEENWDCG6DIGAUAAYQAZAE2ETS ed2k://|file|v2v bdf.tv Interview Rabih Mroue.ogv|76096864|0be2ca2e5aa754f82fbc589f3498b0c1| magnet:?dn=v2v+bdf.tv+Interview+Rabih+Mroue.ogv&xt=urn%3Asha1%3A6DZGLWUEENWDCG6DIGAUAAYQAZAE2ETS http://borderlineacademy.org/files/ba/torrents/v2v%20bdf.tv%20Interview%20Rabih%20Mroue.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Conceived by filmmaker Eyal Sivan, the long-term project “Documentary Moments” that was for the first time presented at the Berlin Documentary Forum, elaborates documentary film practice through screenings and encounters with filmmakers who shaped particular moments of the practice’s history. In this interview, Alan Toner discusses with Eyal Sivan the background of the "Documentary Moments" and questions that evolve from revisiting films and filmmakers who have shaped the concept of the Documentary so strongly. 2010-06-28T11:42+00:00 en 2010 bdf.tv http://hkw.de/bdf.tv 68468538 00:41:38.880 Ogg Theora/Vorbis - 640x360/Stereo http://borderlineacademy.org/v2v/show/WVEEG37BKTFICNLXMZKMMLHAP3727XZ3 ed2k://|file|v2v bdf.tv Interview Eyal Sivan.ogv|68468538|735dc9050a11feb292279bff41dc9a7c| magnet:?dn=v2v+bdf.tv+Interview+Eyal+Sivan.ogv&xt=urn%3Asha1%3AWVEEG37BKTFICNLXMZKMMLHAP3727XZ3 http://borderlineacademy.org/files/ba/torrents/v2v%20bdf.tv%20Interview%20Eyal%20Sivan.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Artists Eileen Simpson and Ben White re-animate the film "Struggle in Jerash" by appropriating the tactic of the commercial DVD director’s commentary, subverting its standard authorial voice and placing the audience at the centre of a copyright-expired film. The film offers access to the process of self-understanding through the careful compilation of new commentary voiceover by contemporary Jordanian thinkers on the first feature film shot in Jordan (D: Wassif Sheik Yassin, 1957). At the Berlin Documentary Forum, curator Eduardo Thomas interviews the artists about their work and on the (re)production of conventional notions such as “authorship”, “authority” and “authenticity” in documentary film making. (Conversation and Film) 2010-06-28T11:40+00:00 en 2010 bdf.tv http://hkw.de/bdf.tv 772974685 01:17:09.680 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/DR3V2BG4AR6TQHBSJ7AYMFO4LSQFZZLM ed2k://|file|v2v bdf.tv Struggle in Jerash_ conversation and film.ogv|772974685|29df6f642d3995cf39643cbcc48bfe3f| magnet:?dn=v2v+bdf.tv+Struggle+in+Jerash_+conversation+and+film.ogv&xt=urn%3Asha1%3ADR3V2BG4AR6TQHBSJ7AYMFO4LSQFZZLM http://borderlineacademy.org/files/ba/torrents/v2v%20bdf.tv%20Struggle%20in%20Jerash_%20conversation%20and%20film.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Filmmaker Florian Schneider has organised a retrospective about Michal Mraktisch for the Berlin Documentary Forum on June 2-6 2010 under the title "Missing Image". This conversation between Florian Schneider and Rick Prelinger, founder of the Prelinger Archives sums up the series "Missing Image". 2010-06-28T11:37+00:00 en 2010 bdf.tv http://hkw.de/bdf.tv 227794142 01:03:42.800 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/FUHNR363VQBDXIUNJDM4VXPB7IDGR74Y ed2k://|file|v2v bdf.tv 20100606 Missing Image.ogv|227794142|1c9435ab923c4d0e7b4da0acad8b0b0d| magnet:?dn=v2v+bdf.tv+20100606+Missing+Image.ogv&xt=urn%3Asha1%3AFUHNR363VQBDXIUNJDM4VXPB7IDGR74Y http://borderlineacademy.org/files/ba/torrents/v2v%20bdf.tv%2020100606%20Missing%20Image.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Conceived by film-maker Eyal Sivan, the long-term project “Documentary Moments” elaborates documentary film practice through screenings and encounters with film-makers who shaped particular moments of the practice’s history. Its initial chapter is an homage to artists who contributed to the renaissance of documentary film in the post-war period: Alain Resnais (b. 1921), Edgar Morin (b. 1921), Marcel Ophuls (b. 1928), and Frederick Wiseman (b. 1930). In this 4th take of the Documentary Moments, Eyal Sivan introduces Marcel Ophuls' use of the documentary interview and montage to review and re-edit historical narration, subverting the hegemony of authority. His epic oeuvre – both in scope and in length – is a landmark of the critical historical essay. 2010-06-28T11:36+00:00 en 2010 bdf.tv http://hkw.de/bdf.tv 57646450 00:21:25.400 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/MVS2NKC6KAQPHPHQZCR4LUXVSBNCNYDP ed2k://|file|v2v bdf.tv 20100606 Documentary Moments Take 4.ogv|57646450|a51625db14f2663a770f075e2807b3cb| magnet:?dn=v2v+bdf.tv+20100606+Documentary+Moments+Take+4.ogv&xt=urn%3Asha1%3AMVS2NKC6KAQPHPHQZCR4LUXVSBNCNYDP http://borderlineacademy.org/files/ba/torrents/v2v%20bdf.tv%2020100606%20Documentary%20Moments%20Take%204.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Conceived by film-maker Eyal Sivan, the long-term project “Documentary Moments” elaborates documentary film practice through screenings and encounters with film-makers who shaped particular moments of the practice’s history. Its initial chapter is an homage to artists who contributed to the renaissance of documentary film in the post-war period: Alain Resnais (b. 1921), Edgar Morin (b. 1921), Marcel Ophuls (b. 1928), and Frederick Wiseman (b. 1930). In Take 3 of the Documentary Moments, Eyal Sivan and film historian Stella Bruzzi introduce Frederick Wiseman and "direct" cinema. Frederick Wiseman has scrutinised American life and institutions revealing the mechanisms of administration and hierarchy. As a benchmark in the history of social documentary, as both a school and a genre, Wiseman’s infinitely re-qualified and “direct” cinema is indispensable in any debate on the potential of the documentary image to produce truth. The introduction was followed by a screening of Primate (F. Wiseman, USA 1974, 105 min) and by a conversation between Frederick Wiseman, the film historian Stella Bruzzis and Eyal Sivan, both of which could not be included in this documentation. 2010-06-28T11:35+00:00 en 2010 bdf.tv http://hkw.de/bdf.tv 41695461 00:13:32.000 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/PRUPO67RPCXDHX6NTKM2UDUWKLB65RTM ed2k://|file|v2v bdf.tv 20100605 Documentary Moments Take 3.ogv|41695461|0a983497f28eba0126236be3dd50c496| magnet:?dn=v2v+bdf.tv+20100605+Documentary+Moments+Take+3.ogv&xt=urn%3Asha1%3APRUPO67RPCXDHX6NTKM2UDUWKLB65RTM http://borderlineacademy.org/files/ba/torrents/v2v%20bdf.tv%2020100605%20Documentary%20Moments%20Take%203.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Video artist Angela Melitopoulos engages Media Activism Brian Holmes at the Berlin Documentary Forum in a dialogue on extra-disciplinary Art Practices and Media Activism while he is presenting his archives and research. Holmes examines four audiovisual regimes that have emerged in the, USA since WW II: broadcast television in the Cold War consumer society; video as a subversion of the televisual norm; networked computing and its new forms of “control environments”; and new communication tactics of migration movements. 2010-06-28T11:33+00:00 en 2010 bdf.tv http://hkw.de/bdf.tv 214376102 01:42:31.960 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/QDQT3KEJ424OPI4O2RRRP4YUA4NRZLDS ed2k://|file|v2v bdf.tv 20100604 Moeglichkeitsraum - Extra-disciplinary Art and Media Activism.ogv|214376102|7fb5f13858dca07264ad01faa14a75ff| magnet:?dn=v2v+bdf.tv+20100604+Moeglichkeitsraum+-+Extra-disciplinary+Art+and+Media+Activism.ogv&xt=urn%3Asha1%3AQDQT3KEJ424OPI4O2RRRP4YUA4NRZLDS http://borderlineacademy.org/files/ba/torrents/v2v%20bdf.tv%2020100604%20Moeglichkeitsraum%20-%20Extra-disciplinary%20Art%20and%20Media%20Activism.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Conceived by film-maker Eyal Sivan, the long-term project “Documentary Moments” elaborates documentary film practice through screenings and encounters with film-makers who shaped particular moments of the practice’s history. Its initial chapter is an homage to artists who contributed to the renaissance of documentary film in the post-war period: Alain Resnais (b. 1921), Edgar Morin (b. 1921), Marcel Ophuls (b. 1928), and Frederick Wiseman (b. 1930). Take 2 focuses on "Chronicle of a Summer" by Jean Rouch and Edgar Morin (FR 1961, 76 min.). The film builds truth through constructed or almost fictional situations. When released, it provoked heated debates on the relationship between cinema, reality and truth. In 2007, artists Ayreen Anastas, François Bucher and Rene Gabri unearthed an interview with Edgar Morin, in which he mentioned a cache of original rushes. Take 2 introduces shots from the original 16 mm rushes of Chroniqle of a summer and discusses them between the artists Rene Gabri, Ayreen Anastas, François Bucher and Eyal Sivan. 2010-06-28T11:31+00:00 en 2010 bdf.tv http://hkw.de/bdf.tv 184711454 01:14:05.960 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/BJEDVC4BWGLXOSGYDLHRZF4SS7SZPB75 ed2k://|file|v2v bdf.tv 20100604 Documentary Moments Take 2.ogv|184711454|b4a20d4f4473a11e64b486e11cf4839a| magnet:?dn=v2v+bdf.tv+20100604+Documentary+Moments+Take+2.ogv&xt=urn%3Asha1%3ABJEDVC4BWGLXOSGYDLHRZF4SS7SZPB75 http://borderlineacademy.org/files/ba/torrents/v2v%20bdf.tv%2020100604%20Documentary%20Moments%20Take%202.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. The Arsenal - Institute for Film and Video Art works on establishing new relations between the conservation and actualization of a film archive. Video artist Angela Melitopoulos engages curator Stefanie Schulte Strathaus at the Berlin Documentary Forum, who presents the idea of a "living" film archive in a selection of feminist and queer films from three historic cinematic events at the Arsenal. (German only) 2010-06-28T11:29+00:00 de 2010 bdf.tv http://hkw.de/bdf.tv 215177985 02:16:04.840 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/OXEBXOTKREALC4YIKWSW64FXAW4ZMUU3 ed2k://|file|v2v bdf.tv 20100603 Moeglichkeitsraum - The Life of an Archive.ogv|215177985|ca161f4227a217d601f78e8eaba74711| magnet:?dn=v2v+bdf.tv+20100603+Moeglichkeitsraum+-+The+Life+of+an+Archive.ogv&xt=urn%3Asha1%3AOXEBXOTKREALC4YIKWSW64FXAW4ZMUU3 http://borderlineacademy.org/files/ba/torrents/v2v%20bdf.tv%2020100603%20Moeglichkeitsraum%20-%20The%20Life%20of%20an%20Archive.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. A conversation between Catherine David and Joachim Koester at the Berlin Documentary Forum. The project evolves around key art works from the past fifteen years as well as new pieces that explore the link between aesthetics, history and politics. David’s prologue to a subsequent exhibition (BDF 2,2012) highlights the work of artist Joachim Koester, who explores the tension between imaginary sites, aesthetic tropes and physical places. In “Morning of the Magicians” (2005) and in “One + One + One” (2006), Koester visits a house in Cefalú, Sicily, known as “The Abbey of Thelema”, which once served as a communal home for the occultist Aleister Crowley and his group of devotees. 2010-06-28T10:51+00:00 en 2010 bdf.tv http://hkw.de/bdf.tv 188214792 01:01:27.040 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/X66M4KEFTKI53GICMOAKG73FT2YOCEVN ed2k://|file|v2v bdf.tv 20100604 A Blind Spot.ogv|188214792|bd167b9f578456cdb354dbb9b145c33c| magnet:?dn=v2v+bdf.tv+20100604+A+Blind+Spot.ogv&xt=urn%3Asha1%3AX66M4KEFTKI53GICMOAKG73FT2YOCEVN http://borderlineacademy.org/files/ba/torrents/v2v%20bdf.tv%2020100604%20A%20Blind%20Spot.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Conceived by film-maker Eyal Sivan, the long-term project “Documentary Moments” elaborates documentary film practice through screenings and encounters with film-makers who shaped particular moments of the practice’s history. Its initial chapter is an homage to artists who contributed to the renaissance of documentary film in the post-war period: Alain Resnais (b. 1921), Edgar Morin (b. 1921), Marcel Ophuls (b. 1928), and Frederick Wiseman (b. 1930). In Take 1, Eyal Sivan discusses with Marie-José Mondzain and Adrian Rifkin Alain Resnais documentary practice and the narration of genocide, that Alain Resnais has created with Nuit et brouillard (Night and Fog), where he quintessentially demonstrates the use of images to establish an independent authority. This video has two audio channels, first English/French, second english translation 2010-06-28T10:48+00:00 en 2010 bdf.tv http://hkw.de/bdf.tv 275191605 01:34:50.800 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/FJI6IAU2KNOADKLSQMGCEO757WVF7FJW ed2k://|file|v2v bdf.tv 20100603 Documentary Moments Take 1.ogv|275191605|99f914f99a350efbcaf6251031fb1c10| magnet:?dn=v2v+bdf.tv+20100603+Documentary+Moments+Take+1.ogv&xt=urn%3Asha1%3AFJI6IAU2KNOADKLSQMGCEO757WVF7FJW http://borderlineacademy.org/files/ba/torrents/v2v%20bdf.tv%2020100603%20Documentary%20Moments%20Take%201.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Cultural historians Ariella Azoulay and Issam Nassar discuss at the Berlin Documentary Forum the representation of Palestinian refugees in photographs from 1947 to the early 1950s. Their conversation addresses theoretical and aesthetic aspects of interpreting photographs, as well as the role photography can play in questioning the dominant discourse on the creation of the State of Israel. 2010-06-28T10:38+00:00 en 2010 bdf.tv http://hkw.de/bdf.tv 226403125 01:48:44.600 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/GVHPPANPMQD67BAL7VIUCSDM75GVLTQE ed2k://|file|v2v bdf.tv 20100603 Catastrophe.ogv|226403125|9cef5ada7381433eb7116eb269414028| magnet:?dn=v2v+bdf.tv+20100603+Catastrophe.ogv&xt=urn%3Asha1%3AGVHPPANPMQD67BAL7VIUCSDM75GVLTQE http://borderlineacademy.org/files/ba/torrents/v2v%20bdf.tv%2020100603%20Catastrophe.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Lecture by Clare Davies “The connoisseurs of fine living often look back fondly on old downtown Cairo in the 1920s. Everything about life was so French. The pace, the architecture, the settings. Life was unhurried, untouched by pollution and congestion and marked by quaint buildings, café boulevards and premium arcades." So begins an advertisement for the Rivoli compound at Centre Ville, New Cairo, a real estate project of development giant, DAMAC, designed to capitalise on nostalgia for the old city's downtown, an area which now represents to many some of the prime reasons for urban flight: pollution, high population density, and dilapidation. While areas of medieval Cairo are being restored or reconstructed to recapture something of their supposed original appearance, new versions of the city's early "modern" quarters are being rebuilt at its outskirts. As the expansion of the Greater Cairo Region continues apace, the old city offers parallel models for imagining a future Cairo. The newness of New Cairo and the oldness of the old city are shown to be relative, the products of intersecting projects. Clare Davies is a Ph.D. candidate in art history and Erwin Panofsky Fellow at the Institute of Fine Arts. She divides her time between Cairo and New York. 2010-01-04T10:21+00:00 en 2009 Kharita http://pericentreprojects.org 101917922 00:31:23.281 Ogg Theora/Vorbis - 640x360/Mono http://borderlineacademy.org/v2v/show/PGS2CHTN3SHZRGNGIW67QHM2TLOQ4Y2D ed2k://|file|Clare Davies-Remembering a Future Cairo.ogv|101917922|00cc6b0bfaae4c597c61fef011be9313| magnet:?dn=Clare+Davies-Remembering+a+Future+Cairo.ogv&xt=urn%3Asha1%3APGS2CHTN3SHZRGNGIW67QHM2TLOQ4Y2D http://borderlineacademy.org/files/ba/torrents/Clare%20Davies-Remembering%20a%20Future%20Cairo.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Too Early/Too Late shows certain aspects of Danièle Huillet and Jean-Marie Straub’s work at their most radical. But what does the film show precisely? What exactly do we see, when watching those “panoramas” of the French and Egyptian cities and countryside around 1980? What we hear may give us clues: something about history is at stake here. So the question could be: when we are looking at a landscape, what do we see of its history? Other artists have worked on this matter. Some of them have also shared with the Straubs other problems and principles: the “Objectivist” poets, a group formed in the USA around 1930, featuring Louis Zukofsky, George Oppen, Charles Reznikoff and William Carlos Williams. They wanted a highly innovative poetry that could also be politically radical, a poetry that would engage at the same time vision (they were influenced by Ezra Pound’s Imagism), and history. They proposed solutions that have to do with the films of Danièle Huillet and Jean-Marie Straub, and with us. Landscape, History, Poetry, Film 2009-11-22T16:46+00:00 en 2009 KEIN TV admin@kein.org http://www.ofapeoplewhoaremissing.net 222763339 00:39:12.680 Ogg Theora/Vorbis - 512x384/Stereo http://borderlineacademy.org/v2v/show/33JTNZLMSPSDAHHFG3JBZKA2Z3B5723A ed2k://|file|turquety(1).ogv|222763339|8ecc06dc2b425eedd7360426439f2b82| magnet:?dn=turquety%281%29.ogv&xt=urn%3Asha1%3A33JTNZLMSPSDAHHFG3JBZKA2Z3B5723A http://borderlineacademy.org/files/ba/torrents/turquety%281%29.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. New York, September 26th 2009, 16:00 Technology in the service of virtue has given rise to a global form of virtual violence, virtuous war. In virtuous war, made-for-TV wars and Hollywood war movies blur, military war games and computer video games blend, mock disasters and real accidents collide, producing on screen a new configuration of virtual power, the military-industrial-media-entertainment network. James Der Derian 2009-10-11T20:35+00:00 en 2009 DICTIONARY OF WAR multitude@kein.org http://dictionaryofwar.org 553295720 00:21:17.409 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/XQPITQEQTBTPA4SOTTBFJQ7NX3DTMZBI ed2k://|file|v2v_wdk_Virtuous_war_James_Der_Derian.ogv|553295720|14325f23b74af34d418fbee7f6dfdfa7| magnet:?dn=v2v_wdk_Virtuous_war_James_Der_Derian.ogv&xt=urn%3Asha1%3AXQPITQEQTBTPA4SOTTBFJQ7NX3DTMZBI http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Virtuous_war_James_Der_Derian.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. New York, September 26th 2009, 15:30 2009-10-01T18:06+00:00 en 2009 DICTIONARY OF WAR http://dictionaryofwar.org/ 628099419 00:20:50.782 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/2VBDRT3J7BMMXL3FQXIIYGK7OIB3GV7H ed2k://|file|v2v_wdk_Urban_Warfare_Gar_Smith.ogv|628099419|1ebcbb9bd97eaf7527d53cc627ec041f| magnet:?dn=v2v_wdk_Urban_Warfare_Gar_Smith.ogv&xt=urn%3Asha1%3A2VBDRT3J7BMMXL3FQXIIYGK7OIB3GV7H http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Urban_Warfare_Gar_Smith.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. New York, September 26th 2009, 18:00 2009-09-29T17:43+00:00 en 2009 DICTIONARY OF WAR http://dictionaryofwar.org/ 733266325 00:21:23.148 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/UO2H327E7C35ZBSDZP2CUASWOMBUAJNJ ed2k://|file|v2v_wdk_Wounded_Cities_Ida_Susser_and_Jan_Schneider.ogv|733266325|cb364c9bf3bc765153a76775bd6763d9| magnet:?dn=v2v_wdk_Wounded_Cities_Ida_Susser_and_Jan_Schneider.ogv&xt=urn%3Asha1%3AUO2H327E7C35ZBSDZP2CUASWOMBUAJNJ http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Wounded_Cities_Ida_Susser_and_Jan_Schneider.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. New York, September 26th 2009, 17:30 2009-09-29T17:39+00:00 en 2009 DICTIONARY OF WAR http://dictionaryofwar.org/ 291456223 00:24:49.554 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/GQOILA2QWD2TXQEYTWUMOB3NKPOGPCA5 ed2k://|file|v2v_wdk_When_a_riot_becomes_a_war_Suketu_Mehta.ogv|291456223|be5f2bf707b8f1ce603f91c0e1d37bd5| magnet:?dn=v2v_wdk_When_a_riot_becomes_a_war_Suketu_Mehta.ogv&xt=urn%3Asha1%3AGQOILA2QWD2TXQEYTWUMOB3NKPOGPCA5 http://borderlineacademy.org/files/ba/torrents/v2v_wdk_When_a_riot_becomes_a_war_Suketu_Mehta.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. New York, September 26th 2009, 17:00 In EXPOLSION IMPOSION: War in Our Time, I show four series of paintings and works on paper that are concerned with war and/ or terrorism and torture. I talk about its affect on society the society. The four series are, FIRES OF WAR, 9-1, ABU GHRAIB: Abuse of Power and IN OUR NAME: Black Sites and Guantanamo. These works explore the sensory and experiential nature of violence, war and torture as distinct from their conceptual and historical dimensions. 2009-09-29T17:38+00:00 en 2009 DICTIONARY OF WAR http://dictionaryofwar.org/ 304420733 00:27:07.125 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/SSMBK6GHCRLONCUR5U2UJG3XQXHQX2WE ed2k://|file|v2v_wdk_Explosion_Implosion_war_in_our_time_Susan_Crile.ogv|304420733|99d38db9df164bde29b78d9f2eacd146| magnet:?dn=v2v_wdk_Explosion_Implosion_war_in_our_time_Susan_Crile.ogv&xt=urn%3Asha1%3ASSMBK6GHCRLONCUR5U2UJG3XQXHQX2WE http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Explosion_Implosion_war_in_our_time_Susan_Crile.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. New York, September 26th 2009, 16.30 When Schiller penned his Aesthetic Letters shortly following the French Revolution, he saw the "play drive" as a virtuous alternative to the violence that had engulfed the world of politics, a force capable of reconciling the conflict between human beings' material, sensuous nature and their capacity for reason. Much of the subsequent history of aesthetic theory hinges on this vision of creativity as a redemptive alternative to the fallen world of modernity. But gaming is serious business. 2009-09-29T17:28+00:00 en 2009 DICTIONARY OF WAR http://dictionaryofwar.org/ 260009556 00:27:07.158 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/4JGR7ACG4FNXMFNNPHUNNUWDJ32PHPPU ed2k://|file|v2v_wdk_War_Games_Ashley_Dawson.ogv|260009556|22cdd9f2e13753e9d0d887f455037f2f| magnet:?dn=v2v_wdk_War_Games_Ashley_Dawson.ogv&xt=urn%3Asha1%3A4JGR7ACG4FNXMFNNPHUNNUWDJ32PHPPU http://borderlineacademy.org/files/ba/torrents/v2v_wdk_War_Games_Ashley_Dawson.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. New York, September 26th 2009, 16:00 Technology in the service of virtue has given rise to a global form of virtual violence, virtuous war. In virtuous war, made-for-TV wars and Hollywood war movies blur, military war games and computer video games blend, mock disasters and real accidents collide, producing on screen a new configuration of virtual power, the military-industrial-media-entertainment network. 2009-09-29T17:27+00:00 en 2009 DICTIONARY OF WAR http://dictionaryofwar.org/ 240543196 00:20:50.749 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/N5IX2UGXSHMVB2Z6ZRQESI575URYVNLK ed2k://|file|v2v_wdk_Virtuous_War_James_Der_Derian.ogv|240543196|0f422e9518a4a466ab315fab91b23b64| magnet:?dn=v2v_wdk_Virtuous_War_James_Der_Derian.ogv&xt=urn%3Asha1%3AN5IX2UGXSHMVB2Z6ZRQESI575URYVNLK http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Virtuous_War_James_Der_Derian.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. New York, September 26th 2009, 15:00 2009-09-29T17:22+00:00 en 2009 DICTIONARY OF WAR http://dictionaryofwar.org/ 262029468 00:26:00.258 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/2B3ZINEP2CVDEFUTTVVGIXVYXHUSYDR4 ed2k://|file|v2v_wdk_The_Wall_Richard_Sennett.ogv|262029468|8696a668bf876b86d288af93ce48e914| magnet:?dn=v2v_wdk_The_Wall_Richard_Sennett.ogv&xt=urn%3Asha1%3A2B3ZINEP2CVDEFUTTVVGIXVYXHUSYDR4 http://borderlineacademy.org/files/ba/torrents/v2v_wdk_The_Wall_Richard_Sennett.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. New York, September 26th 2009, 14:30 The unexpected degree to which having a job is not only selling your time, but is also selling your voice. The annexpression job divide is a ragged edge, in which those with expressive options overlap with job holders in certain ways; still, the overwhelming preponderance of those with jobs have sold their voices almost completely, as their outlook has been annexed to corporate enterprise - and as they have moreover introjected the workplace values, political postures, and social outlooks of their employers. 2009-09-29T16:49+00:00 en 2009 DICTIONARY OF WAR http://dictionaryofwar.org/ 489011373 00:24:33.238 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/2KLUOCICOVBRWSYH53P7PBKDSZ4BYBEB ed2k://|file|v2v_wdk_Annexpression_Tony_Conrad.ogv|489011373|dae808ce4fc34585706caac310fe5925| magnet:?dn=v2v_wdk_Annexpression_Tony_Conrad.ogv&xt=urn%3Asha1%3A2KLUOCICOVBRWSYH53P7PBKDSZ4BYBEB http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Annexpression_Tony_Conrad.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. New York, September 26th 2009, 14:00 In times of war commercial considerations present new ways to promote culturally available sentiments of nationalism, previously sustained by state institutions. As governments withdraw from managing emergency services this vacuum may be taken up by private agents, particularly at the local-municipal level. This question of marketing war is examined in a case-study of a commercial radio station in the city of Haifa during the 2006 Lebanon War. 2009-09-29T16:44+00:00 en 2009 245031222 00:17:19.071 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/J2QX7R4YRGXOABO7BN6UNL2HF7CMKEJQ ed2k://|file|v2v_wdk_Marketing_War_Danny_Kaplan.ogv|245031222|9a18e92bb556922d41b0c36862559d08| magnet:?dn=v2v_wdk_Marketing_War_Danny_Kaplan.ogv&xt=urn%3Asha1%3AJ2QX7R4YRGXOABO7BN6UNL2HF7CMKEJQ http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Marketing_War_Danny_Kaplan.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. New York, September 26th 2009, 13:30 Fear is seen to be one of the defining political emotions of late modernity. Filmmakers, sociologists, artists, philosophers and pundits see fear everywhere. If fear has become a way of life, the contemporary city is seen by many to be one of its most prominent and productive social laboratories. But while fear is seen to be so politically significant, the way it is studied often both naturalizes and exteriorizes fear from politics. As a result, fear's more complex and antagonistic status as both a social relation and an arena of political action is submerged. 2009-09-29T16:43+00:00 en 2009 DICTIONARY OF WAR http://dictionaryofwar.org/ 390123070 00:19:55.961 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/IYWKE3R4LTW74OE26CF6KPNPDO7OH4PN ed2k://|file|v2v_wdk_Re-appropriating_the_city_of_fear_Fiona_Jeffries.ogv|390123070|111fc9cd20127dba9ac6c825a176d842| magnet:?dn=v2v_wdk_Re-appropriating_the_city_of_fear_Fiona_Jeffries.ogv&xt=urn%3Asha1%3AIYWKE3R4LTW74OE26CF6KPNPDO7OH4PN http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Re-appropriating_the_city_of_fear_Fiona_Jeffries.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. New York, September 26th 2009, 13:00 "La colombe qui fait bourn!" The dove that goes boom! Similar to other animals pigeon is lending out their features to the war techniques. Like Trojan horse and Medici’s giraffe, Warhorses and Elephants, Durer’s Rhinoceros and bomber dolphins , pigeons become devices that share their belonging to both – nature and techne. Animals lending their skin to the camouflage patters, logic of their movements to the one of robots, their muscles to carrier of ammunitions, their senses to control protocols, their species names to name technologies or war. 2009-09-29T16:42+00:00 en 2009 DICTIONARY OF WAR http://dictionaryofwar.org/ 432161924 00:30:13.511 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/AZTUGU65EDBRXFZFU5SYRWZRKECJNFDG ed2k://|file|v2v_wdk_Pigeon_Gediminas_Urbonas.ogv|432161924|5081ed0b7b4d8fb481d10829c134503b| magnet:?dn=v2v_wdk_Pigeon_Gediminas_Urbonas.ogv&xt=urn%3Asha1%3AAZTUGU65EDBRXFZFU5SYRWZRKECJNFDG http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Pigeon_Gediminas_Urbonas.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. New York, September 26th 2009, 12:00 2009-09-29T16:34+00:00 en 2009 DICTIONARY OF WAR http://dictionaryofwar.org/ 255795554 Unknown Ogg - http://borderlineacademy.org/v2v/show/NH246UI6NF37DCZDQLAF5S75OODIT334 ed2k://|file|v2v_wdk_Not-not-war_Rosalind_C._Morris.ogv|255795554|58eb01535b3667cf7ecf17021bde2277| magnet:?dn=v2v_wdk_Not-not-war_Rosalind_C._Morris.ogv&xt=urn%3Asha1%3ANH246UI6NF37DCZDQLAF5S75OODIT334 http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Not-not-war_Rosalind_C._Morris.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. New York, September 26th 2009, 11:30 Information is, first and foremost, an English-language word with a checkered past -- in hermeneutics, jurisprudence, physics, genetics. Its current use is partly defined by context, communications, and partly by the baggage it carries from its prior incarnations, which are irreconcilable. Those tensions are precisely what lends the word the dynamism it needs to function as it does, as a sort of universal solvent. 2009-09-29T16:33+00:00 en 2009 DICTIONARY OF WAR http://dictionaryofwar.org/ 70183271 Unknown Ogg - http://borderlineacademy.org/v2v/show/ENL3VNQG3GGX5BZ4KTL2MHUE6OUZN7OL ed2k://|file|v2v_wdk_Information_Ted_Byfield.ogv|70183271|2ffcf1e5668c563f25f8b40a53bf9a8b| magnet:?dn=v2v_wdk_Information_Ted_Byfield.ogv&xt=urn%3Asha1%3AENL3VNQG3GGX5BZ4KTL2MHUE6OUZN7OL http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Information_Ted_Byfield.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. New York, September 26th 2009, 11:00 Cold war physical planning is frequently invoked in contemporary discussions about post 9/11 urban planning in the US, but another equally important/pervasive aspect of collaborations between defense planners and urban planners in the Cold War era is forgotten in these discussions. I'll talk about several technology-focused collaborations in the 1960s and suggest why this more expansive definition of Cold War planning history is important and relevant for thinking about cities and war today. 2009-09-29T16:32+00:00 en 2009 DICTIONARY OF WAR http://dictionaryofwar.org/ 91806192 Unknown Ogg - http://borderlineacademy.org/v2v/show/RZLMI3RWIZVQDH334OK2BNI5A2K4RL54 ed2k://|file|v2v_wdk_Cold_war_planning_Jennifer_S._Light.ogv|91806192|cf7d1a89e219a626755f533bf66b212a| magnet:?dn=v2v_wdk_Cold_war_planning_Jennifer_S._Light.ogv&xt=urn%3Asha1%3ARZLMI3RWIZVQDH334OK2BNI5A2K4RL54 http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Cold_war_planning_Jennifer_S._Light.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. "Que viva Mexico!", is the film Eisenstein came to shoot in Mexico, and he would tragically be excluded from editing it. The film's hybrid images depict Mexican life as a simultaneity of past and present. Reminiscent of, and yet surpassing the modern 'primitivist' fascination with the 'archaic', Mexico presented for Eisenstein a tableau of dialectic imagery that allowed him to re-conceptualize the role of modern art and revolutionary cinema in traversing the modern dichotomies of subject and object, rational and irrational, inside and outside, individual and collective, and even death and life. Oksana Bulgakowa is Eisenstein's biographer and, together with Anselm Franke, co-curator of Sergei Eisenstein: The Mexican Drawings. The lecture has been recorded on April 3, 2009 in MuHKA_media, Antwerp. http://www.extracity.org 2009-05-27T23:21+00:00 en 2009 KEIN.TV info@kein.org http://kein.org 400508743 00:49:33.760 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/ELIPIIV2ZXE7GDG6IJDRFYXZ23Q4RNNP ed2k://|file|bulgakowa1a.ogv|400508743|ae7e99cdf36536d3438d945bb05dadc3| magnet:?dn=bulgakowa1a.ogv&xt=urn%3Asha1%3AELIPIIV2ZXE7GDG6IJDRFYXZ23Q4RNNP http://borderlineacademy.org/files/ba/torrents/bulgakowa1a.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Kharita 01: Symposium on Urban Trajectories in Cairo Saturday, January 17th, 2009
 Presentation by Marion von Osten, Katja Reichard, Peter Spillmann (in English) Throughout the history of human common areas, the park has played the role of both model and stage. It has functioned as an artificial paradise, a showcase for innovative technologies, and a masterpiece of the latest engineering arts; a proof of man's mastery over nature, a mirror of its times, a celebration of the transformation of ideology into materiality, a political arena, and a governmental terrain; finally the park has often offered itself as a place of retreat, idyll, freedom, a place outside of society's utility zones. In the park, the world shows itself in its subtlest variation, and the world comes to the parks to be entertained there, or to contemplate, perceive and encounter. Today, park-like ensembles are conceived as consumption zones, amusement parks, or as places to live and/or work. The future trend in architectonic projects calls for an island, separated from the surrounding urban or rural landscape, a gated community in which all daily needs are covered within a park-like setting. The rules of concentration foresee having everything in one place in the future. The citizen becomes a parkizen. 2009-02-28T13:03+00:00 en 2009 Kharita http://pericentreprojects.org/ 582877482 01:02:32.252 Ogg Theora/Vorbis - 640x368/Stereo http://borderlineacademy.org/v2v/show/Q4PBBUML6LGZELD2TQBX74QIHRY6MOSD ed2k://|file|Katja, Marion, Peter-The Park.ogv|582877482|1174f7e232fe36c259d38f02d7efc0e5| magnet:?dn=Katja%2C+Marion%2C+Peter-The+Park.ogv&xt=urn%3Asha1%3AQ4PBBUML6LGZELD2TQBX74QIHRY6MOSD http://borderlineacademy.org/files/ba/torrents/Katja%2C%20Marion%2C%20Peter-The%20Park.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Kharita 01: Symposium on Urban Trajectories in Cairo Saturday, January 17th, 2009
Marwan Fayed proposes alternative approaches to conventional urban design practices. In Fayed’s interventions, function is not dictated by design, but rather, is ascribed by city inhabitants who constantly reprogram the use of public space. Based on observations of public behaviour, his site-specific applications lend themselves adaptable to the spontaneity of a constantly mutating landscape. 2009-02-28T12:59+00:00 ar 2009 Kharita http://pericentreprojects.org/ 132904058 00:24:25.296 Ogg Theora/Vorbis - 640x368/Mono http://borderlineacademy.org/v2v/show/RGO3F2QMD3P2QLYKMVF7W52ZDMYCXRCG ed2k://|file|Marwan Fayed-Legalising the Urban Tumour.ogv|132904058|44d1b8271fcf4b0a3c6d9576d91a3dbd| magnet:?dn=Marwan+Fayed-Legalising+the+Urban+Tumour.ogv&xt=urn%3Asha1%3ARGO3F2QMD3P2QLYKMVF7W52ZDMYCXRCG http://borderlineacademy.org/files/ba/torrents/Marwan%20Fayed-Legalising%20the%20Urban%20Tumour.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Kharita 01: Symposium on Urban Trajectories in Cairo Saturday, January 17th, 2009
 Mixed-use communities have been a traditional mode of urban habitation. Cairo's historic core is exemplary of such pedestrian environs. In the nineteenth century precincts of the city, people moved on foot, depending sometimes on horses and cattle for the circulation of goods. They resided in buildings that provided space for both domestic life and economic activity. The mixed-use pattern of development declined in Egypt during the mid 1950s in favour of large-scale single-function zoning, reflected in areas such as Medinat Nasr, al Mohandiseen and parts of Giza. Drawn by governmental and industrial job opportunities, people migrated from rural to urban areas. This mass influx of workers created a demand for housing. New single-use urban districts emerged; housing, industrial and governmental complexes separated; and reliance on automobiles and mass transit increased. The combination of poor regulations, mediocre urban design practices, and a rapidly growing population contributed to the proliferation of these single-use enclaves. Recent development patterns are changing this trend around Cairo. The rise in land-costs, along with the realisation of the benefits of high-density commercial, domestic, and entertainment habitats, is prompting development corporations and government institutions to revisit mixed-use planning strategies. 2009-02-28T12:52+00:00 en 2009 Kharita http://pericentreprojects.org/ 164165376 00:24:02.941 Ogg Theora/Vorbis - 640x368/Mono http://borderlineacademy.org/v2v/show/SEP2O4SMXQDPBO7WXRC4YRCJ3SXKVMDO ed2k://|file|Markus ElKatsha-The Return of Mixed Use Spaces.ogv|164165376|af67431d69ddcb799eb03e0f8bf1acae| magnet:?dn=Markus+ElKatsha-The+Return+of+Mixed+Use+Spaces.ogv&xt=urn%3Asha1%3ASEP2O4SMXQDPBO7WXRC4YRCJ3SXKVMDO http://borderlineacademy.org/files/ba/torrents/Markus%20ElKatsha-The%20Return%20of%20Mixed%20Use%20Spaces.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Kharita 01: Symposium on Urban Trajectories in Cairo Saturday, January 17th, 2009
 The “new development paradigm,” integrating at once technical and human rights criteria, is not very new. The long development of human rights norms pertaining to adequate housing and corresponding state obligations dates back some 40 years. What urban technicians in both private and public sectors may discover as new in those norms is their relevance to project implementation. The housing rights norms in international law have developed over time through a process of trial and error in the field, as well as through jurisprudence. This presentation unpacks these criteria to show how state compliance with current treaty obligations to respect, protect and fulfil the human right to adequate housing, which include the corresponding regulation of private actors and markets, also coincide with both project success and achievement of the relevant Millennium Development Goal No. 7. 2009-02-28T12:41+00:00 en 2009 Kharita http://pericentreprojects.org/ 85909698 00:25:59.424 Ogg Theora/Vorbis - 640x368/Mono http://borderlineacademy.org/v2v/show/RQST2CGADVON74KZ2ZJ7AHYTBRJO637M ed2k://|file|Joseph Schechla-Housing Rights and the New Urbanism.ogv|85909698|45472a328f6b2bb1a54e1818b91d52fa| magnet:?dn=Joseph+Schechla-Housing+Rights+and+the+New+Urbanism.ogv&xt=urn%3Asha1%3ARQST2CGADVON74KZ2ZJ7AHYTBRJO637M http://borderlineacademy.org/files/ba/torrents/Joseph%20Schechla-Housing%20Rights%20and%20the%20New%20Urbanism.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Kharita 01: Symposium on Urban Trajectories in Cairo Friday, January 16th, 2009 In the nineteenth century, French colonial city planning set up trade and industry ports all over the world. After the Second World War, this expansionist strategy drastically changed and, with liberation struggles against French colonial rule, it finally ended. Establishing a Fordist consumer society in the colonies and in Europe was a major goal of the colonial project, which, as Franz Fanon pointed out, had clear economic incentives. In the 1950s, the French urban planning office in Casablanca started to build scores of affordable housing estates for Moroccans in the frame of a large-scale extension plan for the city. The planning strategies varied from the re-ordering of slum settlements (restructuration), to temporary re-housing of the occupants (relogement), and finally to the creation of new housing estates (habitations à loyer moderé). The spatial organisation of the residential and urban planning projects was based on a standard hierarchical grid: the Moroccan population was divided into religious groups of Jews and Muslims, while the Europeans remained a universal category. The estates for the locals were built on the edge of the colonial European city in an empty intermediate area, known as the ‘Zone Sanitaire.’ This lecture focuses on the French urban planning office in Casablanca, while reflecting on contemporary urban developments at the peripheries of post-colonial Cairo. 2009-02-28T12:36+00:00 en 2009 Kharita http://pericentreprojects.org/ 203449669 00:22:32.217 Ogg Theora/Vorbis - 640x368/Mono http://borderlineacademy.org/v2v/show/3BPKD2G7ZF4F5XAEKEJLQXVS6ANUK5JS ed2k://|file|Marion von Osten-The Colonial Modern.ogv|203449669|8f889d60a54489d973e4ec44922e78dd| magnet:?dn=Marion+von+Osten-The+Colonial+Modern.ogv&xt=urn%3Asha1%3A3BPKD2G7ZF4F5XAEKEJLQXVS6ANUK5JS http://borderlineacademy.org/files/ba/torrents/Marion%20von%20Osten-The%20Colonial%20Modern.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Kharita 01: Symposium on Urban Trajectories in Cairo Friday, January 16th, 2009 For the last three decades, Cairo has been a battleground for competing urban orders manifest in incoherent planning policies, and often conflicting practices in public space. This presentation offers a historical perspective to the city’s long urban struggle, situating contemporary conditions within recurrent spatial and discursive paradigms of conflict and reconciliation. Structured around critical junctures, where the sharp juxtapositions of competing urban orders are most apparent, the discussion refers to the palatial Fatimid city, the dual urbanism of the nineteenth century, and the secular modernism of the twentieth. 2009-02-28T12:25+00:00 en 2009 Kharita http://pericentreprojects.org/ 232147112 00:29:32.070 Ogg Theora/Vorbis - 640x368/Mono http://borderlineacademy.org/v2v/show/SZ4I6FUZW5QE6FAG3ROLSGOX65BR4H4B ed2k://|file|Omar Nagati-Competing Urban Orders in Cairo.ogv|232147112|3dd4a3722eeee3186fdf41c45dd47be8| magnet:?dn=Omar+Nagati-Competing+Urban+Orders+in+Cairo.ogv&xt=urn%3Asha1%3ASZ4I6FUZW5QE6FAG3ROLSGOX65BR4H4B http://borderlineacademy.org/files/ba/torrents/Omar%20Nagati-Competing%20Urban%20Orders%20in%20Cairo.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Kharita 01: Symposium on Urban Trajectories in Cairo Friday, January 16th, 2009 The process of inhabiting the desert transgresses a fundamental interdiction of settlement. Market expansion and real estate construction has succeeded in invading a void, which had thus far resisted occupation. This achievement is a strong indication of the leverage of private development. Open to the world, the elite can afford to transcend their local boundaries and domesticate this hostile environment. But this privilege is not simply based on material and financial resources. It entails converting to a newer myth: the neoliberal dogma. Abandoning the social diversity of the city, the elite opt for a globalised milieu. The move to gated communities outside the city walls separates the elite from those who lack the means of such mobility. This presentation analyses the articulation between the emergence of new regulations, new narratives and the massive adhesion to the development of a new urban space. 2009-02-28T12:16+00:00 en 2009 Kharita http://pericentreprojects.org/ 164766835 00:25:09.407 Ogg Theora/Vorbis - 640x368/Stereo http://borderlineacademy.org/v2v/show/3NKNZOKMV7QPITJLI7DZXKIXR432KMRS ed2k://|file|Eric Denis-Cairo Reversed, Values and Spaces.ogv|164766835|5993eb1d3ff0e54b782201e9751b1f03| magnet:?dn=Eric+Denis-Cairo+Reversed%2C+Values+and+Spaces.ogv&xt=urn%3Asha1%3A3NKNZOKMV7QPITJLI7DZXKIXR432KMRS http://borderlineacademy.org/files/ba/torrents/Eric%20Denis-Cairo%20Reversed%2C%20Values%20and%20Spaces.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Interview with Jean-Marie Straub and Danièle Huillet by Rembert Hüser, Robert Bramkamp and Hubertus Müll, november 1988, Münster. The filmmakers talk about the making of "Der Tod des Empedokles", questions of different text editions, the search for film locations, orchestration, usage of language and working with strata and geologie. Production and broadcast: Einer Keiner Hundertausend, Nr. 1. Kulturmagazin der Filmerkstätten NRW / Kanal4. 2009-01-19T13:11+00:00 de 1988 Einer Keiner Hundertausend robert@bramkamp.info http://straub-huillet.net 34423024 00:11:16.360 Ogg Theora/Vorbis - 384x288/Stereo http://borderlineacademy.org/v2v/show/VPWWFD7D34XTIOZSOTNBZ3ZG3RVMIV6Q ed2k://|file|interview_emp.ogg|34423024|0c342bab8713c6e6ade2d231023725c8| magnet:?dn=interview_emp.ogg&xt=urn%3Asha1%3AVPWWFD7D34XTIOZSOTNBZ3ZG3RVMIV6Q http://borderlineacademy.org/files/ba/torrents/interview_emp.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Conference Verbindingen / Jonctions - 10 *** Artist and programmer based in Glasgow, Scotland. He is a developer in the spring_alpha and Social Versioning System (SVS) projects. He has helped setup and run a number of hacklab and free media labs in Scotland including the Chateau Institute of Technology (ChIT) and Electron Club, as well as the Glasgow branch of OpenLab. He has written on aspects of Free Software and cultural praxis and has contributed to publications such as Software Studies (MIT Press, 2008), the FLOSS Manuals and Digital Artists Handbook project (GOTO10 and Folly). Part 2 of 3 2008-11-19T16:03+00:00 en 2006 constant info@constantvzw.com http://data.constantvzw.org/site/spip.php?rubrique46 43065772 Unknown Ogg - http://borderlineacademy.org/v2v/show/7DTUJOM6NYRCRIOSALSJJH2QHTPIPP42 ed2k://|file|02-12-07-Yuill2.ogg|43065772|535b3c07c5758f511ff12a1fb0af3211| magnet:?dn=02-12-07-Yuill2.ogg&xt=urn%3Asha1%3A7DTUJOM6NYRCRIOSALSJJH2QHTPIPP42 http://borderlineacademy.org/files/ba/torrents/02-12-07-Yuill2.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Dokumentation der Tagung: Kreative Arbeit und Urheberrecht - 26.-28. September 2008 in der PHOENIX Halle Dortmund - Die Tagung ist eine Kooperation von HMKV und iRights.info *** 13:15 Die Tagung im Rückblick: Zusammenfassung und offene Diskussion 13:15 Die Tagung im Rückblick 2008-10-31T20:07+00:00 de 2008 kein.tv http://irights.info 453259112 00:50:46.480 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/KOWMCOJYBGYLLSM7LLD42WWJVQ46TZZB ed2k://|file|kau_so_1300_1300.ogv|453259112|2c77b44f2182cae4f9c21adea104c3e0| magnet:?dn=kau_so_1300_1300.ogv&xt=urn%3Asha1%3AKOWMCOJYBGYLLSM7LLD42WWJVQ46TZZB http://borderlineacademy.org/files/ba/torrents/kau_so_1300_1300.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Dokumentation der Tagung: Kreative Arbeit und Urheberrecht - 26.-28. September 2008 in der PHOENIX Halle Dortmund - Die Tagung ist eine Kooperation von HMKV und iRights.info *** 11:00 Organisation von Kreativarbeitern // Diskussion Veronika Mirschel, Leiterin des ver.di-Referats Selbstständige, Berlin Dr. Alexandra Manske, Institut für Gesellschaftswissenschaften und historisch-politische Bildung, Technische Universität Berlin Manuela Zechner, Künstlerin, London Marc Röbbecke, Heimatdesign, Dortmund Moderation: Valie Djordjevic, iRights.info  *** Arbeitnehmer schließen sich traditionell zu Gewerkschaften zusammen, um gemeinsam ihre Interessen durchzusetzen. Viele Kreative jedoch reiben sich als Einzelkämpfer in Verhandlungen mit Verlagen, Galerien oder Plattenfirmen auf. Wer vertritt die Interessen der prekarisierten Kulturarbeiter im 21. Jahrhundert? Was bieten Gewerkschaften den kreativen Freiberuflern, können sie die Vielfalt der Beschäftigungsformen erfassen? Sind alternative Zusammenschlüsse außerhalb der institutionalisierten Künstler- und Autorenorganisationen eine Lösung? Oder gehört die Zukunft sozialen Netzwerken, die ihren Kampf für eine faire Bezahlung in Facebook organisieren? 11:00 Uhr Organisation von Kreativarbeitern 2008-10-31T15:53+00:00 de 2008 kein.tv http://irights.info 1155871879 Unknown Ogg - http://borderlineacademy.org/v2v/show/FA3WLMBGH26MV3MRXNRYK7MR3IJ3HYMZ ed2k://|file|kau_so_1100.ogv|1155871879|b03107ddc816ceda54de361f2191e004| magnet:?dn=kau_so_1100.ogv&xt=urn%3Asha1%3AFA3WLMBGH26MV3MRXNRYK7MR3IJ3HYMZ http://borderlineacademy.org/files/ba/torrents/kau_so_1100.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Dokumentation der Tagung: Kreative Arbeit und Urheberrecht - 26.-28. September 2008 in der PHOENIX Halle Dortmund - Die Tagung ist eine Kooperation von HMKV und iRights.info *** # 17:00 Remix Culture // Diskussion mit # Dr. Felix Stalder, Dozent Theorie der Mediengesellschaft, Züricher Hochschule der Künste, Vertiefung Neue Medien # Martin Conrads, freier Autor; Dozent am Institut für Transmediale Gestaltung, Universität der Künste Berlin # Frank Dostal, Textdichter, Producer, stellvertretender Aufsichtsratsvorsitzender der GEMA, Hamburg # Johannes Kreidler, Komponist und Musiktheoretiker, Hochschule für Musik und Theater Rostock, Hochschule für Musik Detmold, Berlin # Thierry Chervel, Journalist, Mitbegründer des Online-Magazins Perlentaucher, Berlin Moderation: Dr. Inke Arns, HMKV *** Kultur war schon immer Bezugnahme auf und produktive Verarbeitung von vorhergehenden kulturellen Äußerungen. Neue Technologien machen heute diese Aneignungen leichter - und führen zu einer massenhaften Re-Kreativität („Sampling“). Das Panel beschäftigt sich mit zeitgenössischen aneignenden Kulturpraktiken, die sich in rechtlichen Grauzonen bewegen und fragt, inwiefern das derzeitige Urheberrecht Kultur effektiv be- oder sogar verhindert. Heute entscheidet sich, ob wir in Zukunft in einer „Remix Culture“ – also einer Gesellschaft, die die Entstehung abgeleiteter („derivativer“) Werke erlaubt bzw. explizit fördert – oder in einer „Permission Culture“ („Erlaubniskultur“) leben werden, in der jede aneignende Bezugnahme einer expliziten Erlaubnis des Rechteinhabers bedarf. 17:00 Uhr Remix Culture 2008-10-31T01:27+00:00 de 2008 kein.tv http://irights.info 1030464988 01:55:33.720 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/AASKAA4PYOJLIE3WPMG7ACQHGDDLY5RG ed2k://|file|kau_sa_1700_1800.ogv|1030464988|7672ef5f439b3b103b1cdde0d6fea5fc| magnet:?dn=kau_sa_1700_1800.ogv&xt=urn%3Asha1%3AAASKAA4PYOJLIE3WPMG7ACQHGDDLY5RG http://borderlineacademy.org/files/ba/torrents/kau_sa_1700_1800.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Dictionay of War Taipei, October 25th 2008 Manray Hsu 2008-10-31T01:15+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 372057160 Unknown Ogg - http://borderlineacademy.org/v2v/show/KMC3SFAQD7TTPHYQ72N7H2SDIXVMI26C ed2k://|file|the_informal.ogv|307266965|9f55768aeb41bfcf63a6ea5e2be27516| magnet:?dn=The_Informal.ogv&xt=urn%3Asha1%3AKMC3SFAQD7TTPHYQ72N7H2SDIXVMI26C http://borderlineacademy.org/files/ba/torrents/The_Informal.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Dokumentation der Tagung: Kreative Arbeit und Urheberrecht - 26.-28. September 2008 in der PHOENIX Halle Dortmund - Die Tagung ist eine Kooperation von HMKV und iRights.info *** 13:30 Rekreativität und Urheberrecht // Vortrag von Dr. Volker Kitz, LL.M. (New York University), Höcker Rechtsanwälte, Köln / Max-Planck-Institut für Geistiges Eigentum, München, Moderation: Philipp Otto, iRights.info *** Kreativität ist zu weiten Teilen immer auch Rekreativität: Sampling, Remixing, Appropriation, Cut-Ups und Mashups sind weit verbreitete Phänomene. Betroffen sind alle Bereiche kreativen Schaffens. Insbesondere der User Generated Content lebt von Rekreativität. Welche legalen Möglichkeiten für Rekreativität gibt es derzeit? Wie haben sich die rechtlichen Voraussetzungen für Zitat, Parodie und andere freie Benutzung im Lauf der Zeit verändert? Wie können neue Lizenzierungsmodelle die Rekreativität fördern? Welche rechtspolitischen Forderungen kann die kreative Klasse realistischerweise erheben? 13:30 Uhr Rekreativität und Urheberrecht 2008-10-31T00:40+00:00 de 2008 kein.tv http://irights.info 623878714 01:16:13.760 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/MGFCD4CQRUREE2XLJSRFTKUNJBCGN73T ed2k://|file|kau_sa_1330.ogv|623878714|85097cc59338426283d65d45adced9c4| magnet:?dn=kau_sa_1330.ogv&xt=urn%3Asha1%3AMGFCD4CQRUREE2XLJSRFTKUNJBCGN73T http://borderlineacademy.org/files/ba/torrents/kau_sa_1330.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Dokumentation der Tagung: Kreative Arbeit und Urheberrecht - 26.-28. September 2008 in der PHOENIX Halle Dortmund - Die Tagung ist eine Kooperation von HMKV und iRights.info *** 11:00 Anticopyright in künstlerischen Subkulturen // Vortrag von Dr. Florian Cramer, Course Director Media Design M. A. und Professorial Coordinator (Lector) des Forschungsprojektes „Communication in a Digital Age“, Piet Zwart Institute, Willem de Kooning Academy, Rotterdam University of Applied Sciences. Moderation: Dr. Inke Arns, HMKV *** Der Vortrag erzählt eine Kulturgeschichte von Anticopyright-Kunst und -Aktivismus vor allem des späten 20. Jahrhunderts. Inspiriert von Lautréamonts Lob des Plagiats und Marcel Mauss' Anthropologie von „Geschenkökonomien“ propagieren Situationisten, Neoisten, Festivals of Plagiarism, Plunderphonics und das Luther Blissett-Projekt eine Kultur ohne geistiges Eigentum. Im Internet schreibt sich ihr Diskurs fort und ist neue Allianzen mit GNU-Copyleft, Open Source und Filesharing-Aktivismus eingegangen. Doch bleibt in diesem Mainstream des Anti-Copyrights ästhetische Radikalität auf der Strecke? 11:00 Uhr Anticopyright in künstlerischen Subkulturen 2008-10-30T18:28+00:00 de 2008 kein.tv http://irights.info 526210998 01:09:45.800 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/5A5SRITE2QP4JIHE7KUYANARU7GTJL2V ed2k://|file|kau_sa_1100_1200.ogv|526210998|216f35fa69f7d5b12017d6e569a0e14d| magnet:?dn=kau_sa_1100_1200.ogv&xt=urn%3Asha1%3A5A5SRITE2QP4JIHE7KUYANARU7GTJL2V http://borderlineacademy.org/files/ba/torrents/kau_sa_1100_1200.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Dokumentation der Tagung: Kreative Arbeit und Urheberrecht - 26.-28. September 2008 in der PHOENIX Halle Dortmund - Die Tagung ist eine Kooperation von HMKV und iRights.info*** # 20:30 Wir spielen, was wir wollen // Konzert # Christian von Borries, Dirigent, Komponist und Produzent, Berlin mit Schülerinnen und Schülern der Musikschule Dortmund (Uraufführung) *** Der Berliner Dirigent und Musiker Christian von Borries erarbeitet zusammen mit Dortmunder MusikschülerInnen eine neue Musik, die aus der Lieblingsmusik der TeilnehmerInnen besteht. Die Stücke verschiedenster Musikgenres, die in Form von Xerox Kopie, mp3, gepfiffener Melodie oder Erinnerung vorliegen, werden verschiedenen Kopier- und Scanvorgänge unterzogen. Dabei entstehen zwangsläufig Übersetzungsfehler und Unschärfen, die zu zentralen Elementen der neu entstehenden Komposition bzw. deren Notation werden. Handelt es sich bei den neuen, live gespielten Stücken um Medleys, Cover-Versionen, Adaptationen, Interpretationen oder gar eigenständige neue Kompositionen – oder gar nichts von alledem? Die Beantwortung dieser Frage wirkt sich unmittelbar auf die – möglicherweise unbezahlbaren – (Lizenz-)Gebühren aus. Dürfen wir wirklich spielen, was wir wollen? 20:30 Uhr Wir spielen, was wir wollen 2008-10-30T16:14+00:00 de 2008 kein.tv http://irights.info 232318970 00:20:35.880 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/QYI2CZ67COMUK6NGWEUUOTGQC43OMKTH ed2k://|file|kau_fr_2030.ogv|232318970|d9b69c1d75f20bf952254c87e9534f10| magnet:?dn=kau_fr_2030.ogv&xt=urn%3Asha1%3AQYI2CZ67COMUK6NGWEUUOTGQC43OMKTH http://borderlineacademy.org/files/ba/torrents/kau_fr_2030.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Dokumentation der Tagung: Kreative Arbeit und Urheberrecht - 26.-28. September 2008 in der PHOENIX Halle Dortmund - Die Tagung ist eine Kooperation von HMKV und iRights.info *** 17:45 Kunst und ihre technische Reproduktion // Diskussion mit Cornelia Sollfrank, Netz- und Konzeptkünstlerin, Hamburg, derzeit Dundee, sowie Prof. Dr. Gerhard Pfennig, Geschäftsführender Vorstand VG Bild-Kunst, Bonn und Christoph Irrgang, freier Fotograf, Hamburg sowie Hanns-Peter Frentz, Leiter Bildarchiv der Stiftung Preußischer Kulturbesitz. Moderation durch Dr. Volker Grassmuck, iRights.info. *** Die Künstlerin malt. Das Museum kauf an. Der Fotograf reproduziert. Die Agentur vermarktet. Die Verwertungsgesellschaft verwertet. So weit so einfach. Aber wie werden die Erlöse aufgeteilt und wie verändern sich die Verhältnisse durch die Digitalisierung der Medienwelt? Die Umsätze auf dem Kunstmarkt entwickeln sich positiv, wie die Enquete-Kommission Kultur des Deutschen Bundestages feststellte. „Doch nur wenige Künstlerinnen und Künstler haben daran auch teil.“ Sammeln, Bewahren, Forschen, Ausstellen im Dienste der Öffentlichkeit sind die Aufgaben des Museums. Heute kommt eine hinzu: Verwerten. Wird das Museum zum Anhang seines Shops oder erfüllt sich Benjamins Vorstellung von der Demokratisierung der Anteilnahme an Kunst durch ihre technische Reproduzierbarkeit? 17:30 Uhr Kunst und ihre technische Reproduktion 2008-10-30T13:24+00:00 de 2008 kein.tv http://irights.info 982641832 Unknown Ogg - http://borderlineacademy.org/v2v/show/LMUCOVFOBMHODWDR7BQOQEGYUUA6RGYW ed2k://|file|kau_fr_1730_1930.ogv|982641832|a4a9063e8c5546623723005cfb98d32b| magnet:?dn=kau_fr_1730_1930.ogv&xt=urn%3Asha1%3ALMUCOVFOBMHODWDR7BQOQEGYUUA6RGYW http://borderlineacademy.org/files/ba/torrents/kau_fr_1730_1930.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Dokumentation der Tagung: Kreative Arbeit und Urheberrecht - 26.-28. September 2008 in der PHOENIX Halle Dortmund - Die Tagung ist eine Kooperation von HMKV und iRights.info *** 15:30 Wer bezahlt Kreativität? // Diskussion mit Paul Keller, Senior-Projektleiter Creative Commons Niederlande & Vorstandsmitglied iCommons, Amsterdam und Peter Grafe, Referatsleiter K16 Kulturwirtschaft im BKM (Der Beauftragte der Bundesregierung für Kultur und Medien), Bonn, sowie Meike Richter, Kulturwissenschaftlerin, Dozentin, Kuratorin und freie Journalistin überwiegend für den NDR, Hamburg und Martin Juhls, Musiker, Kulturmanagement, sternschaltung, Dortmund. Moderiert vion Matthias Spielkamp, iRights.info. *** Kreative arbeiten in aller Regel freischaffend. Das Panel erkundet, wo sie Abnehmer und Förderer für ihre Werke finden. Wie sieht es tatsächlich aus in der Kultur- und Kreativwirtschaft, die von der Politik als Wachstumsmotor gesehen und besonders gefördert wird? Ist es möglich, Werke unter Creative Commons frei zu lizenzieren und dennoch Geld damit zu verdienen? Wo streckt sich Kulturschaffenden die öffentliche Hand entgegen: in Rundfunk und Theater, mit Wettbewerben und Residencies? Oder bleibt für die meisten Bohemiens doch nur der prekäre Mix aus Kneipenjob, Arbeitslosenhilfe und einem seltenen Taschengeld für die eigentliche kreative Arbeit? 15.30 Uhr Wer bezahlt Kreativität? 2008-10-29T17:19+00:00 de 2008 kein.tv http://irights.info 803876429 01:46:08.000 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/LGQZXF7G44UZ33CHCGMAQA6XLG2RI2LV ed2k://|file|kau_fr_1530.ogv|803876429|c0f09447a08f615baabbb89a7658cca5| magnet:?dn=kau_fr_1530.ogv&xt=urn%3Asha1%3ALGQZXF7G44UZ33CHCGMAQA6XLG2RI2LV http://borderlineacademy.org/files/ba/torrents/kau_fr_1530.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Dokumentation der Tagung: Kreative Arbeit und Urheberrecht - 26.-28. September 2008 in der PHOENIX Halle Dortmund - Die Tagung ist eine Kooperation von HMKV und iRights.info *** 13:45 Einkommensverhältnisse von Kreativen - Vortrag von Prof. Dr. Martin Kretschmer, Lehrstuhl für Informationsrecht & Direktor des Centre for Intellectual Property Policy & Management, Bournemouth University und 
Moderation von Dr. Volker Grassmuck, iRights.info *** Martin Kretschmer und Philip Hardwick haben die erste umfassende empirische Studie zum Einkommen von Autoren aus Urheberrechten vorgelegt. Dazu haben sie 25.000 britische und deutsche Autoren befragt und Daten von Verwertungsgesellschaften, Künstlersozialkasse, Einkommenssteuer und Arbeitsämtern ausgewertet. Das Ergebnis: Die Einnahmen von Autoren liegen deutlich unter dem gemittelten nationalen Lohnniveau. Wenige Stars erzielen einen überproportionalen Anteil daraus. In Deutschland mit seiner stärkeren Regulierung von Urheberrechtsverträgen ist die Verteilung weniger stark verzerrt, aber die Einnahmen noch niedriger als in England. Autorinnen verdienen deutlich weniger als ihre männlichen Kollegen. Die zunehmende Verwertung im Internet hat sich nicht in zusätzliche Einnahmen übersetzt. Die typischen Autoreneinnahmen sind seit 2000 in beiden Ländern zurückgegangen. 13:45 Uhr Einkommensverhältnisse von Kreativen 2008-10-29T14:23+00:00 de 2008 kein.tv http://irghts.info 632682179 01:19:10.120 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/IKDCQI5QLNQ5XHBFEQ6F23XAQJRSEOMS ed2k://|file|kau_fr_1345_1500.ogv|632682179|c9bb9b89d5347e6806cdb32f47cb6b0c| magnet:?dn=kau_fr_1345_1500.ogv&xt=urn%3Asha1%3AIKDCQI5QLNQ5XHBFEQ6F23XAQJRSEOMS http://borderlineacademy.org/files/ba/torrents/kau_fr_1345_1500.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Dictionay of War Taipei, October 25th 2008 ZOOM begins with a popular film from the 1970's that was said to define the "look of the 20th Century". We wonder about the powers of then, and the powers of now. The look acts at collapsable distances, and varying focal lengths. The captured subjects will not know whose eyes their bodies will receive, (even though they will imagine it), in which galaxies their images will wander, in blackholes of memory or as data-stamps of unique flesh. At various levels of X, equations emerge, governing the relationship between the subject/ actor and the explicit or phantasmic, but always-powerful "viewer". We take a closer look at some of these ratios and their registers of violence: in visual anthropology, CCTV, iris scans and more. 2008-10-29T13:23+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 250078963 00:32:49.834 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/RWWE6ZGRVFV2H4NBPFBLEX7RVWASRZ5M ed2k://|file|Zoom.ogv|250078963|6b4c9600742af99ed261427e86135502| magnet:?dn=Zoom.ogv&xt=urn%3Asha1%3ARWWE6ZGRVFV2H4NBPFBLEX7RVWASRZ5M http://borderlineacademy.org/files/ba/torrents/Zoom.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Dictionay of War Taipei, October 25th 2008 Leaving behind the 20th century, the 21st century has appeared with two directions. On the one hand, a hope for the world with more freedom after the fall of the Berlin Wall; on the other hand, the hegemony of capital which has been named ‘Empire’ is as the imperial system based on the military operations and the occupations over multitude. A reaction has been created by the opponents which are called and conceptualized as ‘Multitude’ in a sensibility which has occurred not only with the former leftist anarcho-gochist groups but also with an ecological market rethinks a multi-dynamics ecological world and unites with multitude. These multi-dynamics come out as the players of today’s dictionary of war. In this political situation, there is an international immigration practice emerging from the movements of labor and capital becomes too mobile, so that it makes the fact of hybridization composing with multiculturalism, post-colonial discourse and the “third space” possible. At this point, by turning to a conceptual approach, it is proper to look at the grammar of war in the dictionary of the thought of Tarde in the beginning of the 20th century. 2008-10-29T13:21+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 265054684 00:35:49.080 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/TB42M4TYKUZ4DIDNV3ULVC32VMAO5TDW ed2k://|file|War_and_Multitude.ogv|265054684|9388aa558df04821d9a214ad3db8a201| magnet:?dn=War_and_Multitude.ogv&xt=urn%3Asha1%3ATB42M4TYKUZ4DIDNV3ULVC32VMAO5TDW http://borderlineacademy.org/files/ba/torrents/War_and_Multitude.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Dictionay of War Taipei, October 25th 2008 War is mostly about waiting. In strategy there is delay. In fear there is hesitation. In engagement there is exit. Languor, boredom, nullity: waiting around for orders, mobilization or attack. Capture and detention, setbacks and impediments, quagmires and fog: in all there is a tendency to confusion and deferral. Far from the politics of decision and the friend/enemy divide, waiting reminds us of all that is uncertain or undecidable in war. And if, by other means, war is politics, it signals the importance, perhaps the virtue, of patience in political life. Waiting, in other words, is a register of all that cannot be won or lost in war. Above all, it is a tonality of experience triggered by a sense of finitude, by the expectation that war will end. But what becomes of this expectation when war becomes permanent, perpetual or infinite? In a war without limits of time or place, what is the sense of waiting? 2008-10-29T13:20+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 205125134 00:24:58.196 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/LCPCCTIYLDLPKHJVAFH3M6UWH5II54TP ed2k://|file|Waiting.ogv|205125134|cfc67f43510cff5e1a3047501b972c1f| magnet:?dn=Waiting.ogv&xt=urn%3Asha1%3ALCPCCTIYLDLPKHJVAFH3M6UWH5II54TP http://borderlineacademy.org/files/ba/torrents/Waiting.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Dictionay of War Taipei, October 25th 2008 Subtle! Subtle! It approaches the formless. ─ Sun Tze, Art of War, 500 BC Micro-urbanism came out of a shifting paradigm of city and philosophy, which suggests there are internal realities to be investigated in order to describe how things interact and coordinate in the micro-scale realm, and which manifest the true spirit of a city and its people. Architects not only need to work within these inner systems but also to forge tactics in the micro-zones, in order to propel the self-healing potential that has been forgotten and dumped in the cultural politics of design. 2008-10-29T13:19+00:00 zh 2008 DICTIONARY OF WAR http://dictionaryofwar.org 343314234 00:42:09.226 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/BG5LHC5GLBSOSZCZLPORCMZB5DV5CFZN ed2k://|file|Vacuity,_topo,_deception,_detour,_bunker.ogv|343314234|fbb065cdf202d41a74b4ad8a26b583d6| magnet:?dn=Vacuity%2C_topo%2C_deception%2C_detour%2C_bunker.ogv&xt=urn%3Asha1%3ABG5LHC5GLBSOSZCZLPORCMZB5DV5CFZN http://borderlineacademy.org/files/ba/torrents/Vacuity%2C_topo%2C_deception%2C_detour%2C_bunker.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Dictionay of War Taipei, October 25th 2008 This paper looks at the phenomenon of media piracy on the internet and in real space. As I live in the Philippines, I will focus on the piracy here, but my remarks will not be limited to the local situation. I will look at the phenomenon of piracy as such and try and outline some observations about how piracy works. First of all, I will look at piracy as a means of distributing films, and - drawing on interviews with some traders of pirated media material - on how the piracy market functions in the Philippines. I will also discuss the effect that the access to quality films has on the local film culture and media literacy in general and on the teaching of film in particular. Then I will discuss the unprecedented rise of media piracy in the last couple of years as one of the most prominent issues of the "digital millennium". The "Pirates of the New World Image Order" (Patricia R. Zimmermann) are not only piggy-backing on the new globalized economy that has arisen due to the world-wide deregulation and liberalization of markets in the 1980s and 1990s. They are also profiteers of a number of technological developments in the computer sciences such as the international expansion of the Internet, which has challenged traditional notions of copy right and intellectual property on a very fundamental level. 2008-10-29T13:17+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 358812854 00:36:56.881 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/KRUOGXJ6QQGJ2UUEVGSII73TJZBSEC3P ed2k://|file|Piracy.ogv|358812854|47d2bf416eae00dbfca39d52b8e5d34a| magnet:?dn=Piracy.ogv&xt=urn%3Asha1%3AKRUOGXJ6QQGJ2UUEVGSII73TJZBSEC3P http://borderlineacademy.org/files/ba/torrents/Piracy.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Dictionay of War Taipei, October 25th 2008 The tactic of killing in the name of loyalty places the non-fighter, the peacemaker - the journalist, the ordinary person - in to the war and the zone of fire. The Tamil Tigers, a militant group, branded terrorists by the US, Europe and Canada, has a track record of killing people from their own ethnicity, who challenge their strategy. Journalists who write critically against the Government or contribute to "demoralising" the army are attacked, disappeared and killed. The concept of "loyalty" will be explored through the Sri Lankan experience, a bloody war over land and power has been waging for over 25 years. Are you with us or against us 2008-10-29T13:15+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 155031353 00:18:11.290 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/NGYD7NF4YETUXR47XFOASRXAOABLUYZM ed2k://|file|Loyalty.ogv|155031353|d6abff8f54230b2825c8fc65dda05ed6| magnet:?dn=Loyalty.ogv&xt=urn%3Asha1%3ANGYD7NF4YETUXR47XFOASRXAOABLUYZM http://borderlineacademy.org/files/ba/torrents/Loyalty.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Dictionay of War Taipei, October 25th 2008 Insulation is the silent twin of "mediation". It is the wrapper of refusal that surrounds and protects an act of transmission, of exchange, or of transport. It is then a systemic, "objective" part of the ways in which we distribute ideas, information, and materials. When visible, insulation provides an image in outline, of the symbolic order: shapes that tell the story of distribution, mark the boundaries of commodities, their flows, and provide a surface for continuous conflict... a Wall across which to imagine and produce an outside, and an interior. But then, do not these very materials also produce the shelters, camouflages, isolations, prophylactics, inductions and touch-me-nots that mark the conceptual limits of an era of advancing "networks" ? Could there be a political possibility here, a line of defence? Lenin once made a proposal to melt down enough church bells to provide the copper conductors necessary to wire yet un-electrified Soviet villages. In a contemporary response, we should be melting down and reusing things with quite the opposite properties, offering a different articulation of what is urgent, and a different order of sacrifice. 2008-10-29T13:11+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 251976713 00:27:39.190 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/KV74ZJPWPIICOFLSDTBWFF44HY4LW22J ed2k://|file|Insulation.ogv|251976713|14f922646173267c3d0249616b25343f| magnet:?dn=Insulation.ogv&xt=urn%3Asha1%3AKV74ZJPWPIICOFLSDTBWFF44HY4LW22J http://borderlineacademy.org/files/ba/torrents/Insulation.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Dictionay of War Taipei, October 25th 2008 2008-10-29T13:09+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 457678373 00:47:15.365 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/GOH2WSU5MUQWKVA4ZVQ3V3CSACIZBUMH ed2k://|file|Four_Notions_on_war.ogv|457678373|ef90805e4eec09c9c5144d4aabc8c929| magnet:?dn=Four_Notions_on_war.ogv&xt=urn%3Asha1%3AGOH2WSU5MUQWKVA4ZVQ3V3CSACIZBUMH http://borderlineacademy.org/files/ba/torrents/Four_Notions_on_war.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Dictionay of War Taipei, October 24th 2008 Sholette's research into politically-engaged artists' collectives raises the following proposition: cultural economies are secretly dependent upon a sphere of hidden social production involving cooperative networks, systems of gift exchange, unwaged labor, and collective forms of practice that act as a type of missing mass or dark matter, which the art world typically refuses to acknowledge. Thanks in large part to the spread of digital networks, however, this dark matter is getting brighter. By looking at more than 30 years of contemporary artists' collectives, Sholette's research attempts to map this materializing missing mass politically, as part of a broader history from below. 2008-10-29T11:50+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 331909108 00:36:29.887 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/QF4O7NDQ4YH422HUUDDTJ2ISICFAIFOR ed2k://|file|Dark_Matter.ogv|331909108|3546da4245630b9fe47a02836f91598d| magnet:?dn=Dark_Matter.ogv&xt=urn%3Asha1%3AQF4O7NDQ4YH422HUUDDTJ2ISICFAIFOR http://borderlineacademy.org/files/ba/torrents/Dark_Matter.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Dictionay of War Taipei, October 24th 2008 In his lecture entitled Conflicts within Peace, Peace within Conflicts, Dr. Chen will discuss the unique situation of simultaneous war and peace that seems to exist across the Taiwan Strait. It goes without saying that the cross-strait political relationship is an extremely unusual case in international politics, and although most countries don't acknowledge Taiwan's nationhood and maintain it is a part of China, Taiwan is active on the international stage as a sovereign and independent national entity. 2008-10-29T11:47+00:00 zh 2008 DICTIONARY OF WAR http://dictionaryofwar.org 440253060 00:32:36.287 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/EU3EV4A5ZGMFFLN6DM5DJDTFF5CR3NBV ed2k://|file|Conflict_Within_Peace,_Peace_Within_Conflict.ogv|440253060|743d2e4e9bd9f3b0f83835603290e1c8| magnet:?dn=Conflict_Within_Peace%2C_Peace_Within_Conflict.ogv&xt=urn%3Asha1%3AEU3EV4A5ZGMFFLN6DM5DJDTFF5CR3NBV http://borderlineacademy.org/files/ba/torrents/Conflict_Within_Peace%2C_Peace_Within_Conflict.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Dictionay of War Taipei, October 24th 2008 As the Russian army invaded the Georgian territory, right in the same day China celebrating its "one world, one (Olympic) dream", mainstream media soon were flooded with the term "new cold war". Russia is back, and right now United States of America is facing its most serious, urgent, catastrófico economic Recession that is going to influence the world. For the western journalist, cold war was over decades ago, and the "new" is coming back to haunt the world with it's new axis, new friends, and new competition. But there are certain places on the earth that still under the same old coldness. Just like the South Eastern Asian jungle where Japanese soldiers hided into and waited for long term resistance, people there just missed the institutional de-frozen message: the Emperor/tennō/Mikado's radio lecture announcing "unconditional surrender". Post-war period after World War II is called "Cold War", and when is the end of "Cold War"? Are we officially providing any equipment, or any institutionalized effort, to terminate the coldness? In post WWII situation, Taiwan was deemed the important freedom fighting fortress on the Pacific Ocean. An un-sinkable aircraft carrier. A free China, China outside of China. A kind of democracy window to let people look into the iron curtained Chinese mankind. Taiwanese development was deemed strategically aligned with US's interests. Embracing the financial (mostly in the form of raw material, just like the extended market for USA national production) support and accompanied ideologies, we are connected with the center of the war. Show our loyalty, going nowhere but embracing the superpower, even the enlightenment is coming from most US then coming back to our own people. Taiwan is not only a free China, better China, civilized China, but also an unsinkable refrigerator. Taiwan is a cold generating device. Taiwan is institutionalized into the generator of our own coldness, and help in sustaining other people's coldness. When our enlightened intellectuals coming back to Taiwan, they found Taiwanese people are so "cold", not responding to external International situations: don't go out to protest against the Viet Nam war, for example. How do we react to this situation? We don't even know who we are! The only thing we know is to produce things. We are hardworking people, and we are doing really good. As no one is officially announcing "the cold war is over" (they don't announce it when it began neither!) , the coldness generating device, the unsinkable freedom carrier on the Pacific Ocean, is still hardworkingly outputting its coldness. No one yet to check the ruins so very few people know it's still working. Some politician knows the product these people produced, so smartly find a way to utilize these coldness-related products. At least to better their political lives. I would like to propose a research/re-search into coldness, to uncover the cold war's technical sides: cold war's instrumentality, how did it terminated or even everlasting? What are the strategies and tactics of cold war initiator / collaborators? Do they know we are the children of coldness, and those are even extending to today? 2008-10-29T11:42+00:00 zh 2008 DICTIONARY OF WAR http://dictionaryofwar.org 208119153 00:20:01.133 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/OHT4USUZKABQFK3BLRY6SDPNSSBO2F74 ed2k://|file|Cold,_Coldness,_the_War_of_Coldness.ogv|208119153|2d1f6828a723a1c034af9f2fcf6e506a| magnet:?dn=Cold%2C_Coldness%2C_the_War_of_Coldness.ogv&xt=urn%3Asha1%3AOHT4USUZKABQFK3BLRY6SDPNSSBO2F74 http://borderlineacademy.org/files/ba/torrents/Cold%2C_Coldness%2C_the_War_of_Coldness.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Dokumentation der Tagung: Kreative Arbeit und Urheberrecht - 26.-28. September 2008 in der PHOENIX Halle Dortmund - Die Tagung ist eine Kooperation von HMKV und iRights.info*** 11:30 Was für ein Urheberrecht braucht kreative Arbeit? // Standpunkte mit RA Wolfgang Schimmel, Sekretär im Fachbereich Medien, Kunst und Industrie, ver.di, Stuttgart und Ilja Braun, freier Journalist, Köln sowie Paul Keller, Senior-Projektleiter Creative Commons Niederlande & Vorstandsmitglied iCommons, Amsterdam und Christian von Borries, Dirigent, Komponist und Produzent, Berlin Moderation: Dr. Till Kreutzer, iRights.info *** Das Urheberrecht schützt die ideellen und materiellen Interessen der Urheber – sagt jedenfalls das Urheberrecht. Aber tut es das wirklich? Und tut es das in seiner gegenwärtigen Form? Was für ein Urheberrecht brauchen denn die Kreativen, die „Arbeiter 2.0“? Diesen Fragen werden vier Referenten nachgehen, die von den Antworten unmittelbar betroffen sind. Die kurzen, zehnminütigen Statements bilden den Auftakt zur Konferenz. Sie werden ein breites Spektrum unterschiedlicher Meinungen von Personen aufzeigen, die eigentlich alle „auf der gleichen Seite“, auf der Seite der Urheber stehen, jedoch ganz unterschiedliche Positionen vertreten. Dies dient nicht nur der Einführung in die Thematik, sondern auch dazu, einen Eindruck davon zu vermitteln, wie kontrovers über die Ausgestaltung eines zeitgemäßen Urheberrechts diskutiert wird. 11.30 Uhr: Was für ein Urheberrecht braucht kreative Arbeit? 2008-10-29T11:37+00:00 de 2008 kein.tv http://http;//irights.info 560118832 Unknown Ogg - http://borderlineacademy.org/v2v/show/UM2A7RP55VLFSPOS3YCOQKWFBTE6FDNO ed2k://|file|kau_fr_1130.ogv|560118832|22a17e521963ee36de1dd1cf040203e0| magnet:?dn=kau_fr_1130.ogv&xt=urn%3Asha1%3AUM2A7RP55VLFSPOS3YCOQKWFBTE6FDNO http://borderlineacademy.org/files/ba/torrents/kau_fr_1130.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Dictionay of War Taipei, October 24th 2008 "To open to civilization the only part of our globe which it has not yet penetrated, to pierce the darkness which hangs over entire peoples..." With these words the "King of the Belgians", Leopold II. welcomed the participants of the "Geographical Conference" that took place in September 1876 at the Royal Palace in Brussels. Only nine years later nearly one million square miles in central Africa, an area that Joseph Conrad once called "the blankest of all blank spaces", has been named the "Congo Free State". For the next 23 years it was the private property of Leopold II. During that period at least 8 million people lost their lives under a regime of terror and exploitation. 2008-10-29T11:36+00:00 en 2008 221099322 00:25:15.514 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/G2P6TQS3DW4ACKPUA4HL6TVAVWXNTIJP ed2k://|file|Blank_Space.ogv|221099322|f103b2bfae07a1df6828a1bccd38ac32| magnet:?dn=Blank_Space.ogv&xt=urn%3Asha1%3AG2P6TQS3DW4ACKPUA4HL6TVAVWXNTIJP http://borderlineacademy.org/files/ba/torrents/Blank_Space.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Dictionay of War Taipei, October 24th 2008 Ever since September 11th not only has the perception of risk escalated but the meaning of fear has changed. At a personal level people have been speculating over their exposure to danger and institutions revising their security measures. Their capacity to cope with threats has been undermined by a loss of trust and morale. Fear has saturated every aspect of life. The American government has had to measure their ambition for global domination against the simmering prospects of revenge and sabotage occurring in their own locale. This level of anxiety is different to earlier forms of fear. It was easier to gain a sense of ironic distance from the earlier renditions of an invasion. Who can you trust? The enemy could be anyone or anywhere. The colonizer’s greatest fear is not the confrontation of the otherness in the enemy but the unexpected risks in intimacy. The intimate enemy can not only do greater harm than the visible foe but also sustain a state of perpetual anxiety that undermines any relief found in conquest. Ultimately, this state of being – when even silence is pregnant with danger, and where every stranger is also a potential enemy – is precisely the goal of the avenging colonized. Their aim is to disperse fear into the whole environment: to make anxiety ubiquitous and unlocatable. In this lecture I will examine a number of individual artistic and collective collaborative responses to the new politics of ambient fear. 2008-10-29T11:34+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 382909872 00:32:39.824 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/PCLRLJTAYODCUK67B37H5354CDWK4ZJS ed2k://|file|Ambient_Fears.ogv|382909872|df37ca313cde775ac2fcfba26373ec08| magnet:?dn=Ambient_Fears.ogv&xt=urn%3Asha1%3APCLRLJTAYODCUK67B37H5354CDWK4ZJS http://borderlineacademy.org/files/ba/torrents/Ambient_Fears.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Dictionay of War Taipei, October 24th 2008 The accident has been seen as an origin myth for a new prosthetic enhancement to the body in its drive to war (Marinetti). Recently, Paul Virilio calls the accident the diagnostic of technology, its inherent drive to catastrophe. What about the accident as the image of everyday danger in a city? Not an outside, not an inside. 2008-10-29T11:31+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 145910497 00:16:50.142 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/P3OYBZJXAQH5WBVDYDP6CNFCER3IU5DY ed2k://|file|Accident.ogv|145910497|13a4214352ca8514b8cc12eae6e679af| magnet:?dn=Accident.ogv&xt=urn%3Asha1%3AP3OYBZJXAQH5WBVDYDP6CNFCER3IU5DY http://borderlineacademy.org/files/ba/torrents/Accident.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Dokumentation der Tagung: Kreative Arbeit und Urheberrecht - 26.-28. September 2008 in der PHOENIX Halle Dortmund - Die Tagung ist eine Kooperation von HMKV und iRights.info 11:00 Eröffnung: Udo Mager, Geschäftsführer Wirtschaftsförderung Stadt Dortmund Dr. Inke Arns, HMKV Dr. Volker Grassmuck, iRights.info 11 Uhr Eröffnung 2008-10-28T21:40+00:00 de 2008 kein.tv http://irights.info 368876846 Unknown Ogg - http://borderlineacademy.org/v2v/show/JSAIILNMTGI65G2FIFLEVS42JIUV6I3V ed2k://|file|kau_fr_1100.ogv|368876846|1ec3e22c5a5f5107d084ad028a68a9cc| magnet:?dn=kau_fr_1100.ogv&xt=urn%3Asha1%3AJSAIILNMTGI65G2FIFLEVS42JIUV6I3V http://borderlineacademy.org/files/ba/torrents/kau_fr_1100.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Dictionary of War 7th Edition, Meta-edition, Bolzano September 20-21 2008 Annett Busch 2008-10-06T09:24+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 54880282 00:06:24.680 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/HMUCVCNMVF3JKRARP6HUDTEDX6MQM4XY ed2k://|file|v2v_wdk_Alphabetical_Order_take2.ogv|54880282|2605b464e75056bac5c594cee37f6269| magnet:?dn=v2v_wdk_Alphabetical_Order_take2.ogv&xt=urn%3Asha1%3AHMUCVCNMVF3JKRARP6HUDTEDX6MQM4XY http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Alphabetical_Order_take2.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Dictionary of War 7th Edition, Meta-edition, Bolzano, September 20-21 2008 Sebastian Luetgert 2008-10-06T09:21+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 34015978 00:03:32.520 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/SH5TYXKV2JYUBB46AU6TYYY4KW32L35R ed2k://|file|v2v_wdk_War.ogv|34015978|9d889d3646c8209a89d531fb05b18e49| magnet:?dn=v2v_wdk_War.ogv&xt=urn%3Asha1%3ASH5TYXKV2JYUBB46AU6TYYY4KW32L35R http://borderlineacademy.org/files/ba/torrents/v2v_wdk_War.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Dictionary of War 7th Edition, Meta-edition, Bolzano September 20-21 2008 Florian Schneider 2008-10-06T09:20+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 98628796 00:10:45.120 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/HRIGRZCP65AQAGTGCDA5ANGWYOXD4FP4 ed2k://|file|v2v_wdk_Concept_Person.ogv|98628796|14fc9d70cd460c4cc33ca4dbdc8b85e8| magnet:?dn=v2v_wdk_Concept_Person.ogv&xt=urn%3Asha1%3AHRIGRZCP65AQAGTGCDA5ANGWYOXD4FP4 http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Concept_Person.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Truppen nach Afghanistan? Ohne sich dabei die 'Radikale' Attitüde ans Revers zu heften wirkt die Antikriegs-Szene, anders als ihr nachgesagt wird, wenig Illusionsgeschwängert. 2008-10-01T00:26+00:00 de 2008 cut@kill-hup.de cut@kill-hup.de http://einstellung.so36.net 125632002 00:03:34.820 Ogg Theora/Vorbis - 720x576/Stereo http://borderlineacademy.org/v2v/show/MN6WJTU67SQFQGC7PGJR2LFM4S2XZ3UA ed2k://|file|antikrieg.ogv|125632002|8251540c5f02d9707d8ca7462f2138fe| magnet:?dn=antikrieg.ogv&xt=urn%3Asha1%3AMN6WJTU67SQFQGC7PGJR2LFM4S2XZ3UA http://borderlineacademy.org/files/ba/torrents/antikrieg.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Florian L., Axel H. und Oliver R. were arrested after they allegedly tried to set fire on military trucks, made by MAN-AG in Brandenburg/Havel. Today they had their first court-day... 2008-09-26T05:54+00:00 de 2008 rene@so36.net http://einstellung.so36.net 11112536 00:07:18.600 Ogg Theora/Vorbis - 384x288/Stereo http://borderlineacademy.org/v2v/show/NLUJWD236SDR7CDKMMNEMHDSBSU2PEOA ed2k://|file|pt_01.ogv|11112536|705a3891f1189e78d672da7d997f4311| magnet:?dn=pt_01.ogv&xt=urn%3Asha1%3ANLUJWD236SDR7CDKMMNEMHDSBSU2PEOA http://borderlineacademy.org/files/ba/torrents/pt_01.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Dictionary of War 6th Edition Gwangju September 4-6 2008 2008-09-07T06:43+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org/ 145249770 00:20:34.903 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/UECN6M5EEPGJPLGGRHPHUOCL4DZN3EAK ed2k://|file|v2v_wdk_Textbook_Hyunjin_Kim.ogv|145249770|09375c63ac521215a97fa542ce3d220d| magnet:?dn=v2v_wdk_Textbook_Hyunjin_Kim.ogv&xt=urn%3Asha1%3AUECN6M5EEPGJPLGGRHPHUOCL4DZN3EAK http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Textbook_Hyunjin_Kim.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Dictionary of War 6th Edition Gwangju September 4-6 2008 2008-09-07T06:42+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org/ 205657186 00:20:06.909 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/VQ6YTCFJCELEAB4UMH6MATO3UI67KUXM ed2k://|file|v2v_wdk_Statelessness_Ursula_Biemann.ogv|205657186|f5d92b59ed42578394dbb825af962990| magnet:?dn=v2v_wdk_Statelessness_Ursula_Biemann.ogv&xt=urn%3Asha1%3AVQ6YTCFJCELEAB4UMH6MATO3UI67KUXM http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Statelessness_Ursula_Biemann.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Dictionary of War 6th Edition Gwangju September 4-6 2008 2008-09-07T06:41+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org/ 442861697 00:40:42.146 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/IXQHP3E7MTUKY5KZQPE35BLXPEYEUAHA ed2k://|file|v2v_wdk_State_of_Emergency_Jo_Ractliffe.ogv|442861697|f93078f306ce6d96f723056e2c825003| magnet:?dn=v2v_wdk_State_of_Emergency_Jo_Ractliffe.ogv&xt=urn%3Asha1%3AIXQHP3E7MTUKY5KZQPE35BLXPEYEUAHA http://borderlineacademy.org/files/ba/torrents/v2v_wdk_State_of_Emergency_Jo_Ractliffe.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Dictionary of War 6th Edition Gwangju September 4-6 2008 2008-09-07T06:39+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org/ 40232789 00:03:40.687 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/2GQBPXFIBXERAXW47CHN6MXI2Y7VDN7X ed2k://|file|v2v_wdk_Reconquest_Patrick_D._Flores.ogv|40232789|c2587e91553ae27db78cddf069cc4da8| magnet:?dn=v2v_wdk_Reconquest_Patrick_D._Flores.ogv&xt=urn%3Asha1%3A2GQBPXFIBXERAXW47CHN6MXI2Y7VDN7X http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Reconquest_Patrick_D._Flores.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Dictionary of War 6th Edition Gwangju September 4-6 2008 2008-09-07T06:38+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org/ 69888037 00:06:42.403 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/5B7AACHSOBQIRFAMPD45GVLG3MHJUOLV ed2k://|file|v2v_wdk_Pundit_James_Merle_Thomas.ogv|69888037|80fbd73240a4ce5d27bdd6e9d116f70d| magnet:?dn=v2v_wdk_Pundit_James_Merle_Thomas.ogv&xt=urn%3Asha1%3A5B7AACHSOBQIRFAMPD45GVLG3MHJUOLV http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Pundit_James_Merle_Thomas.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Dictionary of War 6th Edition Gwangju September 4-6 2008 2008-09-07T06:37+00:00 ko 2008 DICTIONARY OF WAR http://dictionaryofwar.org/ 73529888 00:07:24.745 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/XGZ3NTWIK227KE3BYOSSBAJQP7CIEWKB ed2k://|file|v2v_wdk_Pig_Jang_Un_Kim.ogv|73529888|37c0b1f65544f283de3b1d8b3af0f546| magnet:?dn=v2v_wdk_Pig_Jang_Un_Kim.ogv&xt=urn%3Asha1%3AXGZ3NTWIK227KE3BYOSSBAJQP7CIEWKB http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Pig_Jang_Un_Kim.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Dictionary of War 6th Edition Gwangju September 4-6 2008 2008-09-07T06:35+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org/ 106340903 00:11:49.911 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/E5YJ2NQBRTEOYIZF7IIMFSOPQIM74VBT ed2k://|file|v2v_wdk_Narrating_a_time_of_war_Praneet_Soi.ogv|106340903|d70146e5616b1a88798f0f922508c721| magnet:?dn=v2v_wdk_Narrating_a_time_of_war_Praneet_Soi.ogv&xt=urn%3Asha1%3AE5YJ2NQBRTEOYIZF7IIMFSOPQIM74VBT http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Narrating_a_time_of_war_Praneet_Soi.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Dictionary of War 6th Edition Gwangju September 4-6 2008 2008-09-07T06:34+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org/ 530353620 00:38:31.048 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/BYSYUZAQRCRGWBRANFIOZQHAWHZCSSNQ ed2k://|file|v2v_wdk_Jihad_Okwui_Enwezor.ogv|530353620|82511560d41a257f50c81e853dc53f14| magnet:?dn=v2v_wdk_Jihad_Okwui_Enwezor.ogv&xt=urn%3Asha1%3ABYSYUZAQRCRGWBRANFIOZQHAWHZCSSNQ http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Jihad_Okwui_Enwezor.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Dictionary of War 6th Edition Gwangju September 4-6 2008 2008-09-07T06:32+00:00 fr 2008 DICTIONARY OF WAR http://dictionaryofwar.org/ 26855149 00:02:14.501 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/HXBKSZZBRHPV332HJVZMCNC4DY525W3M ed2k://|file|v2v_wdk_Jeunesse_fougue_Abdoulaye_Konate.ogv|26855149|75b4322b2a613858833c9d97d4a116bc| magnet:?dn=v2v_wdk_Jeunesse_fougue_Abdoulaye_Konate.ogv&xt=urn%3Asha1%3AHXBKSZZBRHPV332HJVZMCNC4DY525W3M http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Jeunesse_fougue_Abdoulaye_Konate.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. An associative and casual listening session to examples of shaabiyat tracks produced and distributed in Cairo over the past three years. Khan will discuss how the taboo becomes totem, the self hysterically claims a space, and aggression and paranoia become productive cultural operations, his evidence a collection of tracks that he finds to be the most interesting, surprising, and exciting cultural product to come out of his home town for a very long time. Dictionary of War 6th Edition Gwangju September 4-6 2008 2008-09-07T06:31+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org/ 361798224 00:29:04.881 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/74G2CQNJDVJPCPOLC67NDPGXQJVFZXVP ed2k://|file|v2v_wdk_Hysteria_Hassan_Khan.ogv|361798224|0d584d464e48783c78ff61b3b85ab941| magnet:?dn=v2v_wdk_Hysteria_Hassan_Khan.ogv&xt=urn%3Asha1%3A74G2CQNJDVJPCPOLC67NDPGXQJVFZXVP http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Hysteria_Hassan_Khan.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Hindutva and Islamism are both movements of revanchism and annihilatory impact, which claim to speak in the name of a pure religious tradition that has been tainted and threatened by alien influences. In a zone of cultural confluence such as South Asia, these global movements are at war with one another: to Hindutva, secular modernity as well as Islam and Islamism are the enemy; to Islamism, secular modernity as well as Hinduism and Hindutva are the enemy. Dictionary of War 6th Edition Gwangju September 4-6 2008 2008-09-07T06:29+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org/ 424631409 00:35:36.807 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/QURU43RK3IHE3JZZFHNEK3IRCYKKZBA2 ed2k://|file|v2v_wdk_Hindutva_and_Islamism_-_Twins_in_Annihilation_Ranjit_Hoskote.ogv|424631409|8a69507219f76006db9784d24e679729| magnet:?dn=v2v_wdk_Hindutva_and_Islamism_-_Twins_in_Annihilation_Ranjit_Hoskote.ogv&xt=urn%3Asha1%3AQURU43RK3IHE3JZZFHNEK3IRCYKKZBA2 http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Hindutva_and_Islamism_-_Twins_in_Annihilation_Ranjit_Hoskote.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Dictionary of War 6th Edition Gwangju September 4-6 2008 2008-09-07T06:28+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org/ 323256733 00:23:39.989 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/XCVD7AZEARFG6E2TH3IKXWSHTNVTLU5B ed2k://|file|v2v_wdk_Full_Spectrum_Dominance_Kerry_James_Marshall.ogv|323256733|6fee36edbf8ad0a19c91b038d75f696c| magnet:?dn=v2v_wdk_Full_Spectrum_Dominance_Kerry_James_Marshall.ogv&xt=urn%3Asha1%3AXCVD7AZEARFG6E2TH3IKXWSHTNVTLU5B http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Full_Spectrum_Dominance_Kerry_James_Marshall.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. We could find a definition for the word "continuity" as such: "A detailed script or scenario consulted to avoid discrepancies from shot to shot in a film, allowing the various scenes to be shot out of order." While all possible kinds of "wars" are going on in the world all "possible details" disappear. But details are the bridge towards what makes life more real and interesting. By disappearance of the detail, absurdity evolves in reality and the aspire to continuity is a strong contest around this absurdity. Dictionary of War 6th Edition Gwangju September 4-6 2008 2008-09-07T06:26+00:00 ko 2008 DICTIONARY OF WAR http://dictionaryofwar.org/ 29900406 00:02:58.945 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/CTILE5EXOWNZME5OU5WTJBUVW4F2VGC4 ed2k://|file|v2v_wdk_Continuity_Chung_Seoyoung.ogv|29900406|39d59f4f033d20f098f79950395ebcc7| magnet:?dn=v2v_wdk_Continuity_Chung_Seoyoung.ogv&xt=urn%3Asha1%3ACTILE5EXOWNZME5OU5WTJBUVW4F2VGC4 http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Continuity_Chung_Seoyoung.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Dictionary of War 6th Edition Gwangju September 4-6 2008 2008-09-07T06:24+00:00 pt 2008 DICTIONARY OF WAR http://dictionaryofwar.org/ 347898949 00:22:17.302 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/6ZXLFRRPY5OYGWB3DW3MXWLM5J7U6RZI ed2k://|file|v2v_wdk_Change_of_Game_Jarbas_Lopes.ogv|347898949|29920dd521a9aa30d127ef1c45f14f35| magnet:?dn=v2v_wdk_Change_of_Game_Jarbas_Lopes.ogv&xt=urn%3Asha1%3A6ZXLFRRPY5OYGWB3DW3MXWLM5J7U6RZI http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Change_of_Game_Jarbas_Lopes.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Dictionary of War 6th Edition Gwangju September 4-6 2008 2008-09-07T06:20+00:00 en 2008 DICTIONARY OF WAR 280473675 00:26:01.464 Ogg Theora/Vorbis - 640x480/Stereo http://borderlineacademy.org/v2v/show/WT4I4WLGDDOXJWEFHFBHIEI6LUFR7XFW ed2k://|file|v2v_wdk_Al_Mukaddima_-_Le_Bout_du_Monde_-Anwal_Abdellah_Karroum.ogv|280473675|71296446a774f3360bcd4c86393d66f3| magnet:?dn=v2v_wdk_Al_Mukaddima_-_Le_Bout_du_Monde_-Anwal_Abdellah_Karroum.ogv&xt=urn%3Asha1%3AWT4I4WLGDDOXJWEFHFBHIEI6LUFR7XFW http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Al_Mukaddima_-_Le_Bout_du_Monde_-Anwal_Abdellah_Karroum.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Anja, Tautvydas and Sören - participants of the Youth Organizing Institute 2008 in Kragujevac - talking about the situation in the countries they live in concerning similar and different kinds of discrimination in society. Besides that they inform about their approaches to research on these topics and how they organize themselves in the struggle for another society. http://www.youthorganizing.net The Youthorganizing Institute is a yearly meeting of young researchers and activists, theorists and artists from the wider south-eastern europa and beyond to discuss experiences and analysis of the participants, develop notions, ideas and concepts. After meeting in summer the development of common projects, the developing discussion and contacts will all be visible on the Youthorganizing website. 3 2008-07-30T13:02+00:00 en 2008 Youthorganizing Net zoki@youthorganizing.net http://www.youthorganizing.net 32089103 00:08:30.400 Ogg Theora/Vorbis - 384x288/Stereo http://borderlineacademy.org/v2v/show/3F4W5ZR42YH6YMVLN4HELTDQRBFQKQYE ed2k://|file|YOI2008_3.ogg|32089103|43de2615396070f559828262a079f623| magnet:?dn=YOI2008_3.ogg&xt=urn%3Asha1%3A3F4W5ZR42YH6YMVLN4HELTDQRBFQKQYE http://borderlineacademy.org/files/ba/torrents/YOI2008_3.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Paula, Olga, Tamara and Vitalie have been participants of the Youth Organizing Institute 2008 in Kragujevac (Serbia). In the following interviews they will talk about their experiences on types of discrimination such as racism and homophobia in their regions and what they are doing to reach a change of the situation there. http://www.youthorganizing.net The Youthorganizing Institute is a yearly meeting of young researchers and activists, theorists and artists from the wider south-eastern europa and beyond to discuss experiences and analysis of the participants, develop notions, ideas and concepts. After meeting in summer the development of common projects, the developing discussion and contacts will all be visible on the Youthorganizing website. 2 2008-07-30T13:01+00:00 en 2008 Youthorganizing Net zoki@youthorganizing.net http://www.youthorganizing.net 26217602 00:08:09.360 Ogg Theora/Vorbis - 384x288/Stereo http://borderlineacademy.org/v2v/show/RMXEGLIBMQVA7M433FHWQPBQSXTZHOQ7 ed2k://|file|YOI2008_2.ogg|26217602|930d8d8462938d9a7b5902621224d566| magnet:?dn=YOI2008_2.ogg&xt=urn%3Asha1%3ARMXEGLIBMQVA7M433FHWQPBQSXTZHOQ7 http://borderlineacademy.org/files/ba/torrents/YOI2008_2.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Giorgi, Sanja, Stevica and Tanja - participants of the Youth Organizing Institute 2008 in Kragujevac (Serbia) - talking about the youth/social centers they are involved with and about their work there. Furthermore they provide some information about forms of racism and exclusion in the regions where they live and how they use the social/youth centers to approach against it. http://www.youthorganizing.net The Youthorganizing Institute is a yearly meeting of young researchers and activists, theorists and artists from the wider south-eastern europa and beyond to discuss experiences and analysis of the participants, develop notions, ideas and concepts. After meeting in summer the development of common projects, the developing discussion and contacts will all be visible on the Youthorganizing website. 1 2008-07-29T18:26+00:00 en 2008 Youthorganizing Net zoki@youthorganizing.net http://www.youthorganizing.net 65937475 00:10:19.920 Ogg Theora/Vorbis - 384x288/Stereo http://borderlineacademy.org/v2v/show/JY6K3Z5CTGZMP3S3CPWZRTRUAA2LNTWQ ed2k://|file|YOI2008_1.ogg|65937475|02f72581a1e8420bd2c4fbea1f2dcc1f| magnet:?dn=YOI2008_1.ogg&xt=urn%3Asha1%3AJY6K3Z5CTGZMP3S3CPWZRTRUAA2LNTWQ http://borderlineacademy.org/files/ba/torrents/YOI2008_1.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Interviews über die Lebensverhältnisse von Flüchtlingen in Frankfurt(Oder) und Eisenhüttenstadt (en/pl/fr/de - subtitle here: http://www.global-progress.org ) Benedikt und Rachel sind Flüchtlinge aus Frankfurt (Oder) und Eisenhüttenstadt, die in der Hoffnung auf ein besseres Leben in die BRD kamen. Beide mussten feststellen, was es heißen kann, hier ein Flüchtling zu sein. Sie berichten von ihren Erfahrungen mit den Behörden, von ihren Lebensbedingungen im Asylbewerberheim und von ihrem Alltag in den Städten. Im Film sprechen auch Frankfurter_innen über ihre Sichtweise auf die Situation von Flüchtlingen und berichten von einem Rassismus auf verschiedenen Ebenen. Außerdem kommt ein Anwalt zu Wort und klärt über die rechtlichen Grundlagen des Asylverfahrens auf. 2008-07-01T15:41+00:00 de 2008 Gruppe Progress progress-ffo@web.de http://www.global-progress.org 110966865 00:33:37.924 Ogg Theora/Vorbis - 384x288/Stereo http://borderlineacademy.org/v2v/show/JMWNPLKMWIHY43Q4USK2GQR5D6OMWP26 ed2k://|file|Progress.ogg|110966865|487de019a95be62817faaedc067b565a| magnet:?dn=Progress.ogg&xt=urn%3Asha1%3AJMWNPLKMWIHY43Q4USK2GQR5D6OMWP26 http://borderlineacademy.org/files/ba/torrents/Progress.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. "digital handcraft" is an educational film, a portrait of the process of computer hardware production. It displays the organisation of production in global value chains and investigates the conditions of life and labour for millions of migrant worker in China's factories, which manufacture the hardware for the immaterial production of the 21st century. This film takes a look at the flipside of globalised computer production, which is incongruous with the "clean" image the industry usually displays. By interviewing both activists and workers, the film investigates the current situation as well as future possibilities for improving their situation. Furthermore, the film looks at issues surrounding the illegal shipping of computer scrap parts from Germany to developing countries.  http://www.pcglobal.org China's global factory for computers 2008-06-19T21:02+00:00 en 2008 by Alexandra Weltz, co-author Sarah Bormann http://www.parkafilm.cc 116792307 00:27:58.840 Ogg Theora/Vorbis - 384x288/Stereo http://borderlineacademy.org/v2v/show/73KQGCVCFRTE2Q2GISOPX3WZKO224D7O ed2k://|file|digital_handcraft.ogg|116792307|1d8e59bac3fb9d29f2e88d89856b3555| magnet:?dn=digital_handcraft.ogg&xt=urn%3Asha1%3A73KQGCVCFRTE2Q2GISOPX3WZKO224D7O http://borderlineacademy.org/files/ba/torrents/digital_handcraft.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Am 06. Juni 2008 wurde die Reichelt Filiale in der Berliner Straße 24 in Berlin-Wilmersdorf von einem Bündnis aus Beschäftigten im Einzelhandel, Ver.di und linken Aktivistinnen dichtgemacht. Von 6:00 bis 12:00 war der Laden von über 150 Menschen bestreikt und blockiert. Ein voller Erfolg für die Streikenden, die sich seit 17 Monaten im Arbeitskampf gegen die Streichung von Lohnzuschlägen bei Spät-, Nacht- und Wochenendarbeit und für Lohnerhöhungen jenseits des Inflationsausgleiches gegen den Arbeitgeberverband. Mit der positiven Erfahrung dieser neuen Aktionsform ist zu hoffen, dass der Streik an Stärke gewinnt und schafft die Einzelhandelskonzerne in die Knie zu zwingen. 2008-06-07T16:42+00:00 de 2008 Kein.TV info@dichtmachen.org http://www.dichtmachen.org 18073643 00:03:22.280 Ogg Theora/Vorbis - 384x288/Stereo http://borderlineacademy.org/v2v/show/7WLOWHF5XZFB2BHCENTACZ7BQGFCNLCI ed2k://|file|Reichelt_Streik_06062008_0c.ogg|18073643|b3bab2d73759e9f921fb9cd9bd318ae0| magnet:?dn=Reichelt_Streik_06062008_0c.ogg&xt=urn%3Asha1%3A7WLOWHF5XZFB2BHCENTACZ7BQGFCNLCI http://borderlineacademy.org/files/ba/torrents/Reichelt_Streik_06062008_0c.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Am 06. Juni 2008 wurde die Reichelt Filiale in der Berliner Straße 24 in Berlin-Wilmersdorf von einem Bündnis aus Beschäftigten im Einzelhandel, Ver.di und linken Aktivistinnen dichtgemacht. Von 6:00 bis 12:00 war der Laden von über 150 Menschen bestreikt und blockiert. Ein voller Erfolg für die Streikenden, die sich seit 17 Monaten im Arbeitskampf gegen die Streichung von Lohnzuschlägen bei Spät-, Nacht- und Wochenendarbeit und für Lohnerhöhungen jenseits des Inflationsausgleiches gegen den Arbeitgeberverband. Mit der positiven Erfahrung dieser neuen Aktionsform ist zu hoffen, dass der Streik an Stärke gewinnt und schafft die Einzelhandelskonzerne in die Knie zu zwingen. 2008-06-07T16:36+00:00 de 2008 Kein.TV info@dichtmachen.org http://www.dichtmachen.org 13236920 00:03:12.000 Ogg Theora/Vorbis - 384x288/Stereo http://borderlineacademy.org/v2v/show/FAJCD5G3W4SP4H27KFGA6JDTPBMIWXFS ed2k://|file|Reichelt_Streik_06062008_0b.ogg|13236920|6c7fd4cbdb0bce630dcf839f0207b9a3| magnet:?dn=Reichelt_Streik_06062008_0b.ogg&xt=urn%3Asha1%3AFAJCD5G3W4SP4H27KFGA6JDTPBMIWXFS http://borderlineacademy.org/files/ba/torrents/Reichelt_Streik_06062008_0b.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Am 06. Juni 2008 wurde die Reichelt Filiale in der Berliner Straße 24 in Berlin-Wilmersdorf von einem Bündnis aus Beschäftigten im Einzelhandel, Ver.di und linken Aktivistinnen dichtgemacht. Von 6:00 bis 12:00 war der Laden von über 150 Menschen bestreikt und blockiert. Ein voller Erfolg für die Streikenden, die sich seit 17 Monaten im Arbeitskampf gegen die Streichung von Lohnzuschlägen bei Spät-, Nacht- und Wochenendarbeit und für Lohnerhöhungen jenseits des Inflationsausgleiches gegen den Arbeitgeberverband. Mit der positiven Erfahrung dieser neuen Aktionsform ist zu hoffen, dass der Streik an Stärke gewinnt und schafft die Einzelhandelskonzerne in die Knie zu zwingen. 2008-06-06T21:02+00:00 de 2008 Kein.TV info@dichtmachen.org http://www.dichtmachen.org 13236920 00:03:12.000 Ogg Theora/Vorbis - 384x288/Stereo http://borderlineacademy.org/v2v/show/IKJDLFJIWIUPQYHOWYBBOMZM4MQESIKY ed2k://|file|Reichelt_Streik_06062008_0a.ogg|7639058|04e54f40e713325a2abc0756de35e20f| magnet:?dn=Reichelt_Streik_2.ogg&xt=urn%3Asha1%3AIKJDLFJIWIUPQYHOWYBBOMZM4MQESIKY http://borderlineacademy.org/files/ba/torrents/Reichelt_Streik_2.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Anläßlich des Jahrestages der bundesweiten Hausdurchsuchungen im Vorfeld des G8-Gipfels am 9. Mai 2007 forderten Katja Kipping (MdB Die Linke), Pedram Shahyar (Mitglied des Attac-Koordinationskreises) und die beiden RechtsanwältInnen Christina Clemm (Berlin) und Alexander Hoffmann (Kiel) die Einstellung der §129a-Verfahren gegen 40 linke Aktivisten. Eingeladen hatten zu der Pressekonferenz in Berlin Beschuldigte aus vier §129(a)-Verfahren. teil 5 2008-05-14T01:32+00:00 de 2008 erpe rene@so36.net http://einstellung.so36.net 16050864 00:05:42.400 Ogg Theora/Vorbis - 384x288/Stereo http://borderlineacademy.org/v2v/show/JCLFJ63JGDT37P2Q2F4ADIQGFTQLEHFH ed2k://|file|05-low.ogg|16050864|2eaab3dcfd2190ce0e5e4b66c33bd3f2| magnet:?dn=05-low.ogg&xt=urn%3Asha1%3AJCLFJ63JGDT37P2Q2F4ADIQGFTQLEHFH http://borderlineacademy.org/files/ba/torrents/05-low.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Anläßlich des Jahrestages der bundesweiten Hausdurchsuchungen im Vorfeld des G8-Gipfels am 9. Mai 2007 forderten Katja Kipping (MdB Die Linke), Pedram Shahyar (Mitglied des Attac-Koordinationskreises) und die beiden RechtsanwältInnen Christina Clemm (Berlin) und Alexander Hoffmann (Kiel) die Einstellung der §129a-Verfahren gegen 40 linke Aktivisten. Eingeladen hatten zu der Pressekonferenz in Berlin Beschuldigte aus vier §129(a)-Verfahren. teil 4 2008-05-14T01:23+00:00 de 2008 erpe rene@so36.net http://einstellung.so36.net 18625792 00:07:11.800 Ogg Theora/Vorbis - 384x288/Stereo http://borderlineacademy.org/v2v/show/I35XTQMZUZBUA524MT64A6TV65CGKDLH ed2k://|file|04-low.ogg|18625792|ab5c7688523030364770b9e2ec6f37f0| magnet:?dn=04-low.ogg&xt=urn%3Asha1%3AI35XTQMZUZBUA524MT64A6TV65CGKDLH http://borderlineacademy.org/files/ba/torrents/04-low.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Anläßlich des Jahrestages der bundesweiten Hausdurchsuchungen im Vorfeld des G8-Gipfels am 9. Mai 2007 forderten Katja Kipping (MdB Die Linke), Pedram Shahyar (Mitglied des Attac-Koordinationskreises) und die beiden RechtsanwältInnen Christina Clemm (Berlin) und Alexander Hoffmann (Kiel) die Einstellung der §129a-Verfahren gegen 40 linke Aktivisten. Eingeladen hatten zu der Pressekonferenz in Berlin Beschuldigte aus vier §129(a)-Verfahren. teil 3 2008-05-14T01:17+00:00 de 2008 erpe rene@so36.net http://einstellung.so36.net 18760454 00:08:39.560 Ogg Theora/Vorbis - 384x288/Stereo http://borderlineacademy.org/v2v/show/CN673SOCEWZZJHLLVA2QTRZQD2TJQZWY ed2k://|file|03-low.ogg|18760454|4e0e62f65cbb0ac8f583dff8fa750e9e| magnet:?dn=03-low.ogg&xt=urn%3Asha1%3ACN673SOCEWZZJHLLVA2QTRZQD2TJQZWY http://borderlineacademy.org/files/ba/torrents/03-low.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Anläßlich des Jahrestages der bundesweiten Hausdurchsuchungen im Vorfeld des G8-Gipfels am 9. Mai 2007 forderten Katja Kipping (MdB Die Linke), Pedram Shahyar (Mitglied des Attac-Koordinationskreises) und die beiden RechtsanwältInnen Christina Clemm (Berlin) und Alexander Hoffmann (Kiel) die Einstellung der §129a-Verfahren gegen 40 linke Aktivisten. Eingeladen hatten zu der Pressekonferenz in Berlin Beschuldigte aus vier §129(a)-Verfahren. pk 2008-05-14T01:08+00:00 en 2008 erpe rene@so36.net http://einstellung.so36.net 21095879 00:09:47.120 Ogg Theora/Vorbis - 384x288/Stereo http://borderlineacademy.org/v2v/show/AR3DVK2ZCIIRGZLNR3OBVLENWDYBYAVI ed2k://|file|02-low.ogg|21095879|81ed0dd75dbbcc0b1b598dadd5d42ee0| magnet:?dn=02-low.ogg&xt=urn%3Asha1%3AAR3DVK2ZCIIRGZLNR3OBVLENWDYBYAVI http://borderlineacademy.org/files/ba/torrents/02-low.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Anläßlich des Jahrestages der bundesweiten Hausdurchsuchungen im Vorfeld des G8-Gipfels am 9. Mai 2007 forderten Katja Kipping (MdB Die Linke), Pedram Shahyar (Mitglied des Attac-Koordinationskreises) und die beiden RechtsanwältInnen Christina Clemm (Berlin) und Alexander Hoffmann (Kiel) die Einstellung der §129a-Verfahren gegen 40 linke Aktivisten. Eingeladen hatten zu der Pressekonferenz in Berlin Beschuldigte aus vier §129(a)-Verfahren. pk 2008-05-14T00:59+00:00 en 2008 erpe rene@so36.net http://einstellung.so36.net 6917838 Unknown Ogg - http://borderlineacademy.org/v2v/show/UY37T7HRHM6DF4QSSQ6ZEVFFUWXF63H4 ed2k://|file|01-low.ogg|6917838|731e94aed07805c79f11cc01776261aa| magnet:?dn=01-low.ogg&xt=urn%3Asha1%3AUY37T7HRHM6DF4QSSQ6ZEVFFUWXF63H4 http://borderlineacademy.org/files/ba/torrents/01-low.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Kosovar Pavilion Venice Biennial 2005, did not confuse only those who cannot distinguish what is an Albanian and what is a Kosovar pavilion, artist or identity but seemingly also players of the great structure of the ancient contemporary art power elite that eventually accepted apologies by the used instrument of this work (e-flux) for challenging their Biennale with a tool of their own system and continued to live on in harmony as nothing had happened in the West (Sunday, color video, 3.01 min.). These works stand and mark a time and a context that is full of Bang! Bang! (Bang! Bang!, color video, 2.20 min.). 2008-03-20T16:12+00:00 en 2008 DICTIONARY OF WAR info@kein.org http://dictionaryofwar.org/ 32670604 00:16:03 Ogg Theora http://borderlineacademy.org/v2v/show/7YSPTUYZIVM4TVJ4OFQGKZ4O6M4LLL36 ed2k://|file|Bang_Bang_-_Albert_Heta.ogg|32670604|e9f020a9808162a5748966979184372d| magnet:?dn=Bang_Bang_-_Albert_Heta.ogg&xt=urn%3Asha1%3A7YSPTUYZIVM4TVJ4OFQGKZ4O6M4LLL36 http://borderlineacademy.org/files/ba/torrents/Bang_Bang_-_Albert_Heta.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. For more than 10 years, Muha writes lyrics that are very much connected with everyday life of the Roma community in Nivi Sad, and turns them into hip-hop songs. In 2007 he made his first professional studio recordings; the album “Crni smo mi” (“We are Black”) was released in July and promoted at the EXIT Festival (MTV Movement campaign). 2008-01-31T12:56+00:00 sr 2008 DICTIONARY OF WAR http://dictionaryofwar.org 52848607 00:15:29 Ogg Theora http://borderlineacademy.org/v2v/show/JNAPMYBDASOTQEXIXKPEGDP7SWMMNLQV ed2k://|file|Without_Title_-_Muha_Blackstazy.ogg|52848607|75b60779905cef38e2a7ee323c69a268| magnet:?dn=Without_Title_-_Muha_Blackstazy.ogg&xt=urn%3Asha1%3AJNAPMYBDASOTQEXIXKPEGDP7SWMMNLQV http://borderlineacademy.org/files/ba/torrents/Without_Title_-_Muha_Blackstazy.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. A novel... The last night I slept at home was the night of December 29th, 1991. After that night I have been going to bed and been waking up in many other places, of which at least one I could , with a lifelong engrafted caution, even call my home, but no, never again after that night have I slept at home, I was never at home at all, nor I will ever be at home again, even if I would go back to that place, the place where the home was. The place, actually, still exists: it was not blown up by a grenade, bomb, dinamite or any kind of explosives, God forbid, we are all civilized people, that house, building actually, still lastingly exists in the world, there it is exactly where it has always been, now on the non-existing address... 2008-01-31T12:38+00:00 sr 2008 DICTIONARY OF WAR http://dictionaryofwar.org 21186667 00:14:10 Ogg Theora http://borderlineacademy.org/v2v/show/MZ3CY5PBHQEVVDPM2UX4KKKOWGJBIY2K ed2k://|file|Kljuc_-_Teofil_Pancic.ogg|21186667|ee66245734f7355bf51167cf48ede07a| magnet:?dn=Kljuc_-_Teofil_Pancic.ogg&xt=urn%3Asha1%3AMZ3CY5PBHQEVVDPM2UX4KKKOWGJBIY2K http://borderlineacademy.org/files/ba/torrents/Kljuc_-_Teofil_Pancic.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. How did these two subjects come together, when it was perfectly clear that we have learned this lesson seven years ago - egzistential problems of the citizens and their families cannot be resolved by resorting to nationalism? The fact that proves that we knew this back then are the citizens who voted for democratic options in 2000 and left nationalist parties without support. Advocating for democratic changes and democratic options secured these parties a 2/3 majority in the parliament - citizens made it possible for the government to start radical changes of the society, without a serious threat of the old regime, and above all to reject the old ways of governance. The government had to change in order to be able to change the others. It couldn't transfer to the others what it did not have in the beginning. Above all, goverment couldn't fight corruption if corruption was in the foundation of its governance, and because of that the most prominent slogans of that time were about the transparency of the government, i.e., the way of governance that allowed citizens to control and waive corruption.
 2008-01-31T12:25+00:00 sr 2008 DICTIONARY OF WAR http://dictionaryofwar.org 21304012 00:14:00 Ogg Theora http://borderlineacademy.org/v2v/show/YL6YNVFFSMQY2LBRYZVU7WOOZVDPCQLD ed2k://|file|Kosovo_i_korupcija-_Verica_Barac.ogg|21304012|db91331e35b86f7e6e251f059151c2a7| magnet:?dn=Kosovo_i_korupcija-_Verica_Barac.ogg&xt=urn%3Asha1%3AYL6YNVFFSMQY2LBRYZVU7WOOZVDPCQLD http://borderlineacademy.org/files/ba/torrents/Kosovo_i_korupcija-_Verica_Barac.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Inscenation of the novel by Ivana Sajko "Rio Bar", which is an intimate history of the war in Croatia  narrated in eight monologs of a certain girl in a wedding dress. In this quoted excerpt, described metamorphosis into a "women-thorn" represents   basis of the concept THORN – practical human nature. 2008-01-31T12:06+00:00 sh 2008 DICTIONARY OF WAR http://dictionaryofwar.org 38943867 00:20:04 Ogg Theora http://borderlineacademy.org/v2v/show/QNBLQ7ZO5D447WIN3XUAEH2L5IXZXLKT ed2k://|file|Thorn_-_Bojan_Djordjev.ogg|38943867|0357c2447c58bdc208b36291850e659a| magnet:?dn=Thorn_-_Bojan_Djordjev.ogg&xt=urn%3Asha1%3AQNBLQ7ZO5D447WIN3XUAEH2L5IXZXLKT http://borderlineacademy.org/files/ba/torrents/Thorn_-_Bojan_Djordjev.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Prologue: you are in darkness of a public room in novi sad, serbia. it is the beginning of what is called new millennium. IMAGINE a time line emerging marking origin and development of the law concepts of war, determining destiny of individuals, nowadays we call them civilians. IMAGINE you are looking into the maelstrom of humanity & civilization, detected by a plummet hanged on your mental thread, rolling off down into the depth of times immemorial, two key words you are looking for in the past: war & civilians [12 letters only]. IMAGINE you are in rome It is the year 390 BC, the future eternal city is conquered by the gallic victor brennus romans must deliver gold as set in terms of peace arrangement, they complain that gauls use excessive weights in measuring gold, then brennus added his sword among weights, exclaiming: VAE VICTIS. 2008-01-31T11:47+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 41632685 00:21:09 Ogg Theora http://borderlineacademy.org/v2v/show/3DJEIEEZ4RXBORVKJEMY6HYS5B4BGIPK ed2k://|file|Vae_Victis_-_Slavko_Bogdanovic.ogg|41632685|75124e2f4d4efffaf5d4623886d24a5b| magnet:?dn=Vae_Victis_-_Slavko_Bogdanovic.ogg&xt=urn%3Asha1%3A3DJEIEEZ4RXBORVKJEMY6HYS5B4BGIPK http://borderlineacademy.org/files/ba/torrents/Vae_Victis_-_Slavko_Bogdanovic.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. NSK Garda refers to the project in which the slovenian art group Irwin collaborates with various European armies. In these actions soldiers, with Malevich's cross on their sleeves, raise and guard the flag of the NSK State in Time. In that sense it is not really a performance but more some sort of tableau vivant of the real army wearing a Malevich cross. Art society and army society are social structures that are usually totally opposite to each other and very rarely mix. With this action Irwin is organizing this encounter. As an art state NSK is in fact in parasitic relation with other, normal states and in this project this is made visible. Dusan Mandic, member of IRWIN, intoduces the recent performance in Kosovo. 2008-01-31T11:21+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 60986122 00:25:07 Ogg Theora http://borderlineacademy.org/v2v/show/VQCW5MGDWVLT53LDWK255OH5Z7DQUZM4 ed2k://|file|NSK_Garda_-_Irwin.ogg|60986122|9b9e3f6be1acdb64d1e9758eae732bb0| magnet:?dn=NSK_Garda_-_Irwin.ogg&xt=urn%3Asha1%3AVQCW5MGDWVLT53LDWK255OH5Z7DQUZM4 http://borderlineacademy.org/files/ba/torrents/NSK_Garda_-_Irwin.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. The wall that separates 'us' from 'them', friend from enemy, organizes the opposition of imaginations. A conflict (or war) of projections, virtual placeholders, where the enemy is designed as an image that will never actualize. But the consequences of the wall are real; information which would allow us to find out whether our outrageous ideas about others hold any truth, is being managed and reduced to the level of images in emerging ‘zero friction zones’; public space, in every aspect, is being reshaped under the imagined threat from the opposite side of the wall. This lecture will describe the wall as an imaginary piece of architecture and rhetorical device from which it is possible to observe conflicts carried out through images. Those conflicts include well-known rhetorical oppositions like Team B versus the 'Soviet threat', the Neocons versus the Axis of Evil, and European 'Leitkultur' versus radical Islam. This talk will address how many simultaneous oppositions are sustained by the wall and how ultimately the wall even separates 'us' from 'us'. 2008-01-31T02:50+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 29122096 00:17:02 Ogg Theora http://borderlineacademy.org/v2v/show/QP73L32COOOP42VGHLLKIROWMS3HGDUA ed2k://|file|Wall_-_Metahaven.ogg|29122096|dc4ec079639fdc39dbec35bc4cbd18ed| magnet:?dn=Wall_-_Metahaven.ogg&xt=urn%3Asha1%3AQP73L32COOOP42VGHLLKIROWMS3HGDUA http://borderlineacademy.org/files/ba/torrents/Wall_-_Metahaven.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Martha Rosler reads from her essay accompanying the re-emergence unchanged of her 1983 videotape A Simple Case for Torture, or How to Sleep at Night, accompanied by a screen saver of images on her computer. 2008-01-31T01:59+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 63635517 00:28:22 Ogg Theora http://borderlineacademy.org/v2v/show/EYUMXZC357XIPOO7YWSV4CLOYHQVI6SW ed2k://|file|Torture_Terror_Tranquility_-_Martha_Rosler.ogg|63635517|1a8ef8f66fe27de07e4c6688a19a61a8| magnet:?dn=Torture_Terror_Tranquility_-_Martha_Rosler.ogg&xt=urn%3Asha1%3AEYUMXZC357XIPOO7YWSV4CLOYHQVI6SW http://borderlineacademy.org/files/ba/torrents/Torture_Terror_Tranquility_-_Martha_Rosler.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. In early 1991, when Croatia received the first international recognitions of its statehood, the euphoria was enormous. Such were the paradoxes of the situation. While the third of the country was yet to feel the war casualties, the state television launched a trashy song "Danke Deutschland" as a mark of gratitude to the first state that gave the recognition. The author researches how the phrase Danke Deutschland changed its meaning through the time, what does it mean today in different sets of memory. The concept consists of a video clip and narration. 2008-01-31T01:23+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 57079890 00:31:55 Ogg Theora http://borderlineacademy.org/v2v/show/ZWMDYUZSW4SL773S22PAQFTB4GTZIZLJ ed2k://|file|Thanksgiving_-_Vesan_Kesic.ogg|57079890|f911454ba0b588fb0f001a624e1758ed| magnet:?dn=Thanksgiving_-_Vesan_Kesic.ogg&xt=urn%3Asha1%3AZWMDYUZSW4SL773S22PAQFTB4GTZIZLJ http://borderlineacademy.org/files/ba/torrents/Thanksgiving_-_Vesan_Kesic.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. The term ›terrorism‹ comes from the Latin word terrere, ›to frighten‹ via the French word terrorisme. The first use of the word ›terrorism‹ referred to state rule by terror. It was coined in the years after the French Revolution – the so-called Reign of Terror – and identified terror as an instrument of state power. Therefore, ›terrorism‹ became popular between 1793 and 1795 during the regime de la terreur. It was the French Revolution leader Robespierre who – just shortly before he himself was killed by his ›Madame Guillotine‹ – proclaimed in 1794: »Terror is nothing other than justice, prompt, severe, inflexible; it is therefore an emanation of virtue; it is not so much a special principle as it is a consequence of the general principle of democracy applied to our country's most urgent needs.« ›Terrorism‹ thus refers to state action. In the interim, with the generalization of the bourgeois national state since the eighteenth century, the power of states and of ruling class ideologies have successfully deflected and redefined terrorism as first and foremost an instrument of anti-state power. Generally speaking, the term is meant to de-legitimize any kind of resistance. A 1988 study by the US Army found 109 definitions of ›terrorism‹ that covered a total of 22 different definitional elements. As the only general characteristic generally agreed upon is that ›terrorism‹ involves violence and the threat of violence, many scholars avoid using this term – except those who are interested in using it for political, ideological and economic reasons. Among these more than hundred definitions, not all recognize the possibility of the legitimate use of violence by civilians against an invader in an occupied country or against ›their‹ government, and would thus label all resistance movements as ›terrorist‹ groups. Ultimately, the distinction is a political judgment. The paper will guide us through its controversial meanings. 2008-01-31T01:03+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 48600944 00:26:07 Ogg Theora http://borderlineacademy.org/v2v/show/I2DXHJREN7ASAISSHLRFH5PUSUWW36LJ ed2k://|file|Terrorism_-_Volker_Eick.ogg|48600944|bc63e620945c6b15b6eddcc80c4f0ec7| magnet:?dn=Terrorism_-_Volker_Eick.ogg&xt=urn%3Asha1%3AI2DXHJREN7ASAISSHLRFH5PUSUWW36LJ http://borderlineacademy.org/files/ba/torrents/Terrorism_-_Volker_Eick.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Embeded Journalism vs. Self-organized Multitude of Observation, Hans Bernhard (A/CH/USA) The current conflict situation in Kenya reflects once again a critical point in our retro-mass media society. The information from inside the country is not valid, the information going to the "world" is twisted to perversion through embedded journalism, dubious sources and combustion point monitoring. The conflict existed before and will exist after the mass media storm, the bloodshet happens within very limited boundaries is mapped on top of the country as a whole - and then broadcast to the world under the assumption of mass media without information. This problem is contraindicated and reflected through the project SLUM-TV - a counter-headlining empowerment of cultural selforganization. SLUM-TV documents the lives of the people in Mathare (500.000 people slum in Nairobi) and reevaluates these lives and their surroundings through the eye of the camera. The local partners film and document their own existence and the social, political and military aspects of living inside such a melting pot. The small movies (newsreels) are put together and broadcast in public places exclusively inside Mathare, reaching the local audience through a variety of self-established cinemas (pirate cinemas reaching very large audiences). Published online, the newsreels plus written reports reach the global audience. The presentation will briefly introduce SLUM-TV and will document the current situation in Kenya (Mathare-Slum) via the performance of texts written and blogged by local SLUM-TV members. 2008-01-31T00:42+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 39622685 00:19:15 Ogg Theora http://borderlineacademy.org/v2v/show/YGS3HM6EC446LJOBDHHFMQ3MDW3PWMNR ed2k://|file|Retro-massmedia_shockwaves_-_Hans_Bernhard.ogg|39622685|2b2be107a7ca848509814f662f0faf73| magnet:?dn=Retro-massmedia_shockwaves_-_Hans_Bernhard.ogg&xt=urn%3Asha1%3AYGS3HM6EC446LJOBDHHFMQ3MDW3PWMNR http://borderlineacademy.org/files/ba/torrents/Retro-massmedia_shockwaves_-_Hans_Bernhard.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Renaming Machine is a war concept that could be interpreted as a subtle but powerful strategy for erasing ethnic, cultural or gender identity without using any aggression or causing any direct material damage. It functions as a conceptual weapon of destruction, as a kind of wage war or a contest between the old and new identity layer. However, renaming simultaneously adds and multiplies a new layer of identity each time it erases one, because the names could be neither stolen nor completely erased: the best example of accumulation by dispossession in David Harvey’s terms. Moreover, according to Jacques Derrida giving names is also an act of love. RM attempts to point to the arbitrariness and contingency of representation that accompany the use of names and to raise the discussion about the invisible ideological patterns of “desiring renaming machine” standing behind the power regimes of representation while dispossessing and giving names. In my presentation I want to focus on the exploration of this clandestine ambivalence within the renaming as a juxtaposition of various identities. It is extremely important to reflect the complex entanglements of the political and cultural processes of renaming and the urgent need for questioning how these processes and patterns influenced the construction and destabilisation of national, cultural and personal identity during the last two decades within the Balkan region. I aim to encompass various art and cultural phenomena attached to renaming in order to explore the scale to which renaming affects visual culture and transgresses cultural identities and subjectivities in the Balkans. Renaming Machine was specifically motivated by the unique and absurd outwitting between Greece and Macedonia about the right to use the name “Macedonia.” This conflict resulted with exhausting processes of negotiations that still trouble the stability of the region. Regardless all paradoxes this “war of names” became an international precedent and the best example that names are overrated as identity insignia and “omen.” 2008-01-31T00:25+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 33250020 00:18:02 Ogg Theora http://borderlineacademy.org/v2v/show/4OODSTAANDN3PHFA7PYK64AR4CJYSQKT ed2k://|file|Renaming_machine_-_Suzana_Milevska.ogg|33250020|e6087a1019f27c53b945eead9e32fc3b| magnet:?dn=Renaming_machine_-_Suzana_Milevska.ogg&xt=urn%3Asha1%3A4OODSTAANDN3PHFA7PYK64AR4CJYSQKT http://borderlineacademy.org/files/ba/torrents/Renaming_machine_-_Suzana_Milevska.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Reconstruction will consist of screening of two videos: “A Reconstruction of an Unimportant Day in Our History” and “A Reconstruction of an Important Day in Our History”, by the artist. First video shows a day in a life of Josip Broz Tito during his stay in country side, in the castle. Castle is also known under the name of „Tito's Castle“. Tito as passionate hunter, often stayed in the Castle hunting wild animals, alone, with his wife Jovanka (who was as well passionate hunter) or with eminent foreign statesmen. Second video reconstructs the meeting of the two presidents: Croatian, Franjo Tuđman and Serbian, Slobodan Milošević. The meeting was held on April 15th, 1991 in Tikveš Castle. First armed conflicts broke out in the region of Slavonia in the beginning of May, 15 to 20 days after that meeting. War reached Tikveš in the beginning of June. For a period of time Castle was used as a headquarters of Arkan's paramilitary group. 2008-01-30T23:47+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 97256418 00:30:09 Ogg Theora http://borderlineacademy.org/v2v/show/N33FE25CZWVJLLJ7GXMP5BBAQWQ3G72A ed2k://|file|Reconstruction_-_Andreja_Kuluncic.ogg|97256418|350f1165e7d409347f65542b76fb6fd3| magnet:?dn=Reconstruction_-_Andreja_Kuluncic.ogg&xt=urn%3Asha1%3AN33FE25CZWVJLLJ7GXMP5BBAQWQ3G72A http://borderlineacademy.org/files/ba/torrents/Reconstruction_-_Andreja_Kuluncic.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Politics, Activism and not at least performative potentials meet in the term “Posse“ as conflictive spaces of emancipatory wars against border- and bio-regimes. In their well known analyses of “Empire“ Antonio Negri and Michael Hardt describe “Posse“ from the latin term as a verb of power, an activity, which refers to the political power and subjectivity of the multitude: Posse is what a mind and a body can do. In a wider context the word also expresses in english the branding of a gang or clique, and in german it's also the theatre-term for a scetch or form of comedy. In the spectacular fields of staged WTO/WEF/G8 Summits, many protest forms of Activism develop techniques of resistance, using Media, Theatre, and Art-tools, and lots of performative and subversive “Posse-Actors“ can be found in the last years: like the Rebel Clown Army, PublixTheatreCaravan, Tutte Bianche, Pink Block, noborder-Activism etc. Their methods of acting provoced in special moments of summit-spectacles the governmental techniques of repressive (police-)representations. Performing Posses refer in this sense more to Slogans like „Another war is possible!“ (noborderlab2003). Their forms of „wargames“ link struggles of social movements with a post-Brechtian and “minor“-acting gestures together. 2008-01-30T23:22+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 27285017 00:12:46 Ogg Theora http://borderlineacademy.org/v2v/show/3EAXW4DOXIWW45VERWJXG7HN3RY2CZ4D ed2k://|file|Perfoming_posses_-_Gini_Mueller.ogg|27285017|41e854ba5b601116af6c1d636b84ffe0| magnet:?dn=Perfoming_posses_-_Gini_Mueller.ogg&xt=urn%3Asha1%3A3EAXW4DOXIWW45VERWJXG7HN3RY2CZ4D http://borderlineacademy.org/files/ba/torrents/Perfoming_posses_-_Gini_Mueller.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Screening of the inserts from Žilnik's movies: OLD TIMER (1988), TITO'S SECOND TIME AMONG THE SERBS (1994), EUROPE NEXT DOOR (2005) and WILD CAPITALISM (2008). Inserts are illustrating thesis how former Yugoslav political elite since the middle of the 1980s, after longterm conflict around Tito's inheritor and heritage, dismissed internationalism and self-management as axioms of the state's foundaments. Engineering of tribalizing of people was put in motion, together with ideology of nationalistic mythomanie and re-sentiments. In difference to the other former socialistic states, this enabled ten more years of plunder of the common goods, to the feudalized and comminuted governing elites of Yugoslavia. Newly produced class posses goods, but it ruined the state and economy, and the people are getting poor, unemployed, sick or leaving the country. New capitalists trends, especially through the example of Serbia, Macedonia, Bosnia and Montenegro, are bringing over again the spirit of fatalism to the Balkan, which reminds us to the last decades of reign of Ottoman Empire. Political and cultural discourse in Serbia is drowned in the Kosovo myth. It is substitution for both past and the future, including the real state. Does in 2008 political class teleports Serbia to year 1808? 2008-01-30T22:32+00:00 sr 2008 DICTIONARY OF WAR http://dictionaryofwar.org 95512267 00:42:17 Ogg Theora http://borderlineacademy.org/v2v/show/VXSXID7DGCICSKYFB6QIT272BESA7QZO ed2k://|file|Nacionalisticka_mitomanija_-_Zelimir_Zilnik.ogg|95512267|99a4c244d261910c147b1f2cb5383c85| magnet:?dn=Nacionalisticka_mitomanija_-_Zelimir_Zilnik.ogg&xt=urn%3Asha1%3AVXSXID7DGCICSKYFB6QIT272BESA7QZO http://borderlineacademy.org/files/ba/torrents/Nacionalisticka_mitomanija_-_Zelimir_Zilnik.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Remotely contributed concept by Jovan Divjak, former general in the Bosnian army during the 1992-1995 Bosnian War. He was the highest ranking ethnic Serb in the army and one of its most educated and experienced officers. On April 8th, 1992, Divjak became Deputy Commander of BiH's Territorial Defense forces and a month later oversaw the defence of Sarajevo from a major JNA attack. In the video, he first explains that the reason why he can not be physically present at the DICTIONARY OF WAR is that government of Republika Srpska (Serbian territory in Bosnia) finds him, among ten other people, responsible for the events on May the 3rd 1992 in Sarajevo. He is found responsible by the government of Republika Srpska for deaths of the soldiers when the units of Territorial Defense of city of Sarajevo attacked one unit of JNA-Yugoslav army. Jovan Divjak talks about constant mythologization as a tool for hegemony of one nationality over the others, which according to him, could lead and led to a bloodshed. As Serb, he is strongly criticizing Serbian nationalism and hegemony in Bosnia, as well as Croatian and Bosnian attempts towardsmythologization. 2008-01-30T22:04+00:00 sr 2008 DICTIONARY OF WAR http://dictionaryofwar.org 33567690 00:20:30 Ogg Theora http://borderlineacademy.org/v2v/show/S4C6UQQBTOV7XTHRI7XSOTSKJMCZ2QBM ed2k://|file|Na_tragu_mitologije_-_Jovan_Divjak.ogg|33567690|64dd70cd6d69012f02f3d9263b192d99| magnet:?dn=Na_tragu_mitologije_-_Jovan_Divjak.ogg&xt=urn%3Asha1%3AS4C6UQQBTOV7XTHRI7XSOTSKJMCZ2QBM http://borderlineacademy.org/files/ba/torrents/Na_tragu_mitologije_-_Jovan_Divjak.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Ghetto Ambient explores urban and rural environments frequently described as “non-places”. Expanding common definitions, which regards such places with limited presence of identity, social relations and history, this project is focusing on "places at the edge of the globalized world" (Spex), where silent and barely visible wars are fought: struggle for economical domination in the Barents (RUS/NO/FIN), new representations of (virtual) Jewishness in Crakovian district of Kazimierz (PL), housing struggle on the outskirts of Algiers (AL), abandoned agricultural and touristic resorts in the Judea desert (IL) and many other places. Meissner uses processed photographic material collected on various geographic locations dissecting it into fragments and re-arranging it to a highly dramatic fictional movie. Moving slowly from one geographic location to another, each sequence is build with “an acute sense of spatial composition and narrative structure which is drawing the listener into a captivating aural tale” (All Music). 2008-01-30T21:18+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 47829686 00:32:48 Ogg Theora http://borderlineacademy.org/v2v/show/2WZVQPZVZ36NVOZTNWQPCT5B2NCS2HVE ed2k://|file|Ghetto_Ambient_-_Sebastian_Meissner.ogg|47829686|f421557c90840c91b43e0e5bc29dbfcd| magnet:?dn=Ghetto_Ambient_-_Sebastian_Meissner.ogg&xt=urn%3Asha1%3A2WZVQPZVZ36NVOZTNWQPCT5B2NCS2HVE http://borderlineacademy.org/files/ba/torrents/Ghetto_Ambient_-_Sebastian_Meissner.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. “Man tries to satisfy his need for aggresion at the expense of his neighbour, to exploit his work without compensation, to use him sexually without his consent, to appropriate his goods, to humiliate him, to inflict suffering on him, to torture and kill him”. (Feud); To find the path of desire is to encounter on routethe bad character of the drives, settled at the heart of all subjects who have to recognise it. Who am I? “You are the waste that fails in the world through the devil's anus.” (Martin Luther); Radical forms of sublimation are attempts to confront and transform the bad character of the drives, salvation holds on by a thread. 2008-01-30T20:10+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 26477931 00:11:34 Ogg Theora http://borderlineacademy.org/v2v/show/PYVVLALZHFN7C5P52Y7DLQCYF4NJMYTS ed2k://|file|Eating_Rawness_-_Jean_Matthee.ogg|26477931|9b7c1a4af6891657ecad40e73fff678f| magnet:?dn=Eating_Rawness_-_Jean_Matthee.ogg&xt=urn%3Asha1%3APYVVLALZHFN7C5P52Y7DLQCYF4NJMYTS http://borderlineacademy.org/files/ba/torrents/Eating_Rawness_-_Jean_Matthee.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. The war in Iraq, from 2003 to the present, is the first war covered by bloggers. Salam Pax caused a stir by reporting online the last months of the Sadam Hussein regime and the US invasion. During the short summer of media freedom (2003-2004) Iraqi weblogs popped up in great numbers. Four years later we find ourselves in midst of a pool of 'digital despair'. Most bloggers have left the country and report from Damascus, Amman or London. Humor and irony have vanished. Some became news professionals, others turned silent. How are modern communication technologies such a blogs used to express emotions about the loss and exile? The tragic condition of the Iraqi blogosphere is used as a case study to investigate blogs as online diaries. Rather than promoting 'citizen journalism', I analyse blogs as 'technologies of the self' (Foucault). 2008-01-30T19:40+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 77116628 00:38:44 Ogg Theora http://borderlineacademy.org/v2v/show/MHWTPBKWYH3PAVDEQM5TDLEF2XML3BTI ed2k://|file|Digital_despair_-_Geert_Lovink.ogg|77116628|381774eeb3643b1fa69bbf6e3b821985| magnet:?dn=Digital_despair_-_Geert_Lovink.ogg&xt=urn%3Asha1%3AMHWTPBKWYH3PAVDEQM5TDLEF2XML3BTI http://borderlineacademy.org/files/ba/torrents/Digital_despair_-_Geert_Lovink.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. After a period of relative normalisation, the politics within the Republic of Turkey has been drifted again into serious conflict. The rise of the governing party, which has its roots from the Islamic movement and which tries now to fuse cultural conservatism with rampant neo-liberalism, has disconcerted the established actors of the regime (army, bureaucracy and the urban bourgeoise) and the urban middle class in the West of the country which feels threatened by the heedless nouveau riche emerging from the conservative provinces. The looming threat of having another military coup was evaded by the landslide election victory of the governing party. The nationalist discourse recovered from the bitter defeat when the Kurdish separatist army decided to resume armed struggle and inflicted serious casualties to the Turkish army. Along the rise of the political tension, the contemporary art scene in Istanbul has experienced a considerable institutionalisation reinforced by the sudden interest of the most prominent bourgeois families and financial corporates into the field. The art practice which has defined itself trough anti-statist, anti-militarist and anti-nationalist stance encountered a bitter dilemma. A strand within these artists surrendered to the recuperative frameworks of the new institutions whereas another strand tried to radicalise it political edge, to the extent of deciding to switch occasionally into anonymous visual production. 2008-01-30T19:17+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 52647103 00:27:01 Ogg Theora http://borderlineacademy.org/v2v/show/KZ7RR3NRSULU2APHL34QU5WAE6W2EJU4 ed2k://|file|Counter_imaging_-_Erden_Kosova.ogg|52647103|e24c0b21fbe4eb6f9f053aeb7b4bbc74| magnet:?dn=Counter_imaging_-_Erden_Kosova.ogg&xt=urn%3Asha1%3AKZ7RR3NRSULU2APHL34QU5WAE6W2EJU4 http://borderlineacademy.org/files/ba/torrents/Counter_imaging_-_Erden_Kosova.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. The guided tour through an art-collection assembled in the period between 1986/7-1996/7, which is the period of the outset and ongoing of wars in Yugoslavia. How social and political agendas were absorbed or radiated through the process of selection - as seen in the content and concept of works. Which ideological and class positioning of the collectioner could generate motives, guide decisions or get blended into todays appearance of the collection. 2008-01-30T18:54+00:00 2008 DICTIONARY OF WAR http://dictionaryofwar.org 54624771 00:22:05 Ogg Theora http://borderlineacademy.org/v2v/show/FEAFCHO344OKZNBBW3QNRGNMQBEY6NY3 ed2k://|file|Collection_-_Nebojsa_Milikic.ogg|54624771|9e5bd551f6b7ba6bfaa530bfbaf5ad70| magnet:?dn=Collection_-_Nebojsa_Milikic.ogg&xt=urn%3Asha1%3AFEAFCHO344OKZNBBW3QNRGNMQBEY6NY3 http://borderlineacademy.org/files/ba/torrents/Collection_-_Nebojsa_Milikic.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. "Collaboration" is a structure, where two or more people work together toward a shared aim―typically for an intellectual or cultural project that is creative in nature. Yet, "Collaboration" acquires a very negative meaning as referring to persons or a groups which help an occupier or enemy of their country. What are the benefits and dangers of cultural collaborative projects between Palestinians and Israelis when any kind of collaborative structure is acknowledged as collaboration with the enemy? 2008-01-30T18:33+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 52075254 00:28:33 Ogg Theora http://borderlineacademy.org/v2v/show/VEWLJBV57KJ7ZJ654BVR6VLR6JRE5GIL ed2k://|file|Collaboration_-_Galit_Eilat.ogg|52075254|99e369f1dedeb30b21b536c59c13d54c| magnet:?dn=Collaboration_-_Galit_Eilat.ogg&xt=urn%3Asha1%3AVEWLJBV57KJ7ZJ654BVR6VLR6JRE5GIL http://borderlineacademy.org/files/ba/torrents/Collaboration_-_Galit_Eilat.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Over the last fifteen years, many parts of the former Soviet Union have been devastated by civil war and other disruptive armed conflicts. Despite this glaring fact, it has often been stated that the break-up of the Soviet Union was a remarkably "bloodless" affair. In a major Russian city like Saint Petersburg, which has seemingly been far from the frontlines in any of these wars, the economic stagnation and chaotic political scene of the eighties and nineties have given way to what the city's current governor calls "aggressive development" and to an apparently well-fed political apathy amongst the previously engaged populace. Here, then, we see the exact opposite of anything resembling civil war -- a stable (albeit dull) civil peace. But what if this peace is, in fact, founded on a "quiet" civil war that has been going on for the past decade -- a war that in many ways has been just as devastating for the "losing" party as the hot civil wars fought in the former Soviet hinterlands? How can we delineate the frontline in this quiet civil war? How do we identify its victims? Its victors? How is it connected to the "real" wars in the former Soviet Union and former Yugoslavia? And what does it have to do with an American band called Beirut and an unhappy Russian girl named Masha? 2008-01-30T18:16+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 33089618 00:17:24 Ogg Theora http://borderlineacademy.org/v2v/show/FT4VPDJSW3HSUBNMFSJLVZZJMRVXDN7S ed2k://|file|Civil_war_-_Thomas_Campbell.ogg|33089618|76c239d3d61094f120b26cbba7f1f62c| magnet:?dn=Civil_war_-_Thomas_Campbell.ogg&xt=urn%3Asha1%3AFT4VPDJSW3HSUBNMFSJLVZZJMRVXDN7S http://borderlineacademy.org/files/ba/torrents/Civil_war_-_Thomas_Campbell.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. "The necessity of not having control over language, of being a foreigner in one's own tongue in order to draw speech to oneself and 'bring something incomprehensible into the world.'" I chose a quote of a quote as the exergue i would like to put in the beginning of the 5th edition of the "Dictionary of war". The exergue is taken from Deleuze and Guattari's "Mille Plateux" but itself it is quoting the german poet, dramatist and writer Heinrich von Kleist: It is a close reading of Kleists famous text "On the Gradual Formation of Ideas in Speech" ("Über die allmächliche Verfertigung der Gedanken beim Reden"), in which Kleist denounces the central interiority of the concept as a means of control--the control of speech, of language, but also of affects, circumstances and even chance. 2008-01-30T17:51+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 37864205 00:16:47 Ogg Theora http://borderlineacademy.org/v2v/show/OV2D6QG3YIOUFCNIP3LYUNEZATBQINRO ed2k://|file|Exergue5_-_Florian_Schneider.ogg|37864205|84115020dce2ec7a1ee8125be328654b| magnet:?dn=Exergue5_-_Florian_Schneider.ogg&xt=urn%3Asha1%3AOV2D6QG3YIOUFCNIP3LYUNEZATBQINRO http://borderlineacademy.org/files/ba/torrents/Exergue5_-_Florian_Schneider.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Impressions from the blockade against the G8 in Börgerende-Rethwisch that took place on June 6th 2007 near Rostock (Germany). In the video an activist explains the tactic and the course of action of the blockade (in german). 2008-01-03T17:31+00:00 de 2007 KEIN.TV multitude@kein.org http://kein.tv 60209088 00:07:52 Ogg Theora http://borderlineacademy.org/v2v/show/WAN5EMW2H4BBKBXO4APPKMMOIM3BZXOQ ed2k://|file|blockg8_voice.ogg|60209088|8194f532e3539233cd0608bb2e94d7a8| magnet:?dn=blockg8_voice.ogg&xt=urn%3Asha1%3AWAN5EMW2H4BBKBXO4APPKMMOIM3BZXOQ http://borderlineacademy.org/files/ba/torrents/blockg8_voice.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. How far can you go within a genre called Exploitation? Stephanie Rothman, known as the first women director in the Roger Corman Clan, talks about the thin lines between MPAA standards, exploitation standards of sex and nudity and her own political visions and aesthetical ambitions. 2007-12-08T01:35+00:00 en 2007 kein.tv info@missingimage.com http://missingimage.com 40443358 00:20:10 Ogg Theora http://borderlineacademy.org/v2v/show/RSYEEHZ2YRIFBXQG5ZKX663IXFAMZXT3 ed2k://|file|stephanie_rothman.ogg|40443358|e68158836603f799f7233816cdb686ea| magnet:?dn=stephanie_rothman.ogg&xt=urn%3Asha1%3ARSYEEHZ2YRIFBXQG5ZKX663IXFAMZXT3 http://borderlineacademy.org/files/ba/torrents/stephanie_rothman.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Two different approaches to film-making and -production: a retrospective view on Hollywood and its B-pictures and a current perspective on independent structures - a dialogue between Stephanie Rothman and Nina Menkes, invited by Viennale 07. But as different as the cinematographic structures, chosen by the directors, may be, there is some important mutual ground for Rothman and Menkes: the strive to communicate feminist ideas. 2007-12-08T00:44+00:00 en 2007 kein.tv info@missingimage.com http://www.missingimage.com 98461990 00:43:40 Ogg Theora http://borderlineacademy.org/v2v/show/BTZBVXQQWFKMJ4IDNRGJUEZIIW2OIQY6 ed2k://|file|rothman_menkes.ogg|98461990|6812430abacd87f136c01127fcefd4aa| magnet:?dn=rothman_menkes.ogg&xt=urn%3Asha1%3ABTZBVXQQWFKMJ4IDNRGJUEZIIW2OIQY6 http://borderlineacademy.org/files/ba/torrents/rothman_menkes.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. What does it mean to work in the porn industry and what difference does it make if a women wrote the script and stands behind the camera? A panel discussion during the 2.Porn Filmfestival in Berlin with Erika Lust (Barcelona), Jennifer Lynn (Melbourne/Berlin), Julia Ostertag (Berlin), Ovidie (Paris), Petra Joy (Brighton) and Audacia Ray (New York). 2007-12-07T23:07+00:00 en 2007 kein.tv info@kein.tv http://kein.tv 227963255 01:09:03 Ogg Theora http://borderlineacademy.org/v2v/show/T4SNKZPEES7INLWAFPD2LX37QDZO2YOB ed2k://|file|berlin_porn.ogg|227963255|1a0af4fed3ecf854a6ff3e29c53c3e3a| magnet:?dn=berlin_porn.ogg&xt=urn%3Asha1%3AT4SNKZPEES7INLWAFPD2LX37QDZO2YOB http://borderlineacademy.org/files/ba/torrents/berlin_porn.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. In the age of digital reproduction, the problem of the “small author” remains: as the problem of the Intellectual Proprietor and his or her material reproduction, but also, and more importantly, as a problem of a specific political mentality. Among the many possible modes of production and subjectivation, the figure of the “small author” - who is always already deprived from the fruits of his hard labor, either by “the industry” or by “the pirates” - may be the most unfortunate one. But for the masses who know that they will never be part of a thriving global middle class of Intellectual Proprietors, there are other options. Not to entrench themselves against technological progress, but to radically embrace it: to explore new forms of collaboration and production beyond traditional authorship, to employ the most advanced methods of digital reproduction, and to reaffirm the instability of property relations. 2007-11-07T00:08+00:00 en 2007 The Oil of the 21st Century oil21@oil21.org http://oil21.org 853077241 01:48:42 Ogg Theora http://borderlineacademy.org/v2v/show/K2VCUPL6NRBXPH4TLKN4ODI5DJRWTQ4F ed2k://|file|Oil21_The_Poverty_of_the_Small_Author.ogg|853077241|4c93e3dbbe81846206996ec3ea69d076| magnet:?dn=Oil21_The_Poverty_of_the_Small_Author.ogg&xt=urn%3Asha1%3AK2VCUPL6NRBXPH4TLKN4ODI5DJRWTQ4F http://borderlineacademy.org/files/ba/torrents/Oil21_The_Poverty_of_the_Small_Author.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Current debates about Intellectual Property are often focused on the level of national law - and the need for its international harmonization - and the sphere of universal rights, like freedom of speech or access to information and medicine. Still, neither the vision of globalized law nor the desire for universal human rights seem to do justice to the facts on the ground, to the specific nature of the contained and often local Intellectual Property conflicts in everyday life. These conflicts are, essentially, cases: not so much applications of universal principles or denials of abstract rights, but rather particular and often unique constellations of power. Strategies for interventions in the field of Intellectual Property may have to acknowledge that they can only operate case by case. 2007-11-06T22:01+00:00 en 2007 The Oil of the 21st Century oil21@oil21.org http://oil21.org 865559096 01:53:31 Ogg Theora http://borderlineacademy.org/v2v/show/CXA25CBE5HUTHTMXQNB5QNBMMFNW6LI4 ed2k://|file|Oil21_Keep_Up_Your_Rights,_Case_by_Case.ogg|865559096|662930591bb830af63a066bfabfa5b1a| magnet:?dn=Oil21_Keep_Up_Your_Rights%2C_Case_by_Case.ogg&xt=urn%3Asha1%3ACXA25CBE5HUTHTMXQNB5QNBMMFNW6LI4 http://borderlineacademy.org/files/ba/torrents/Oil21_Keep_Up_Your_Rights%2C_Case_by_Case.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Peer-to-peer networks are here to stay. Often dismissed as a mere conspiracy of teenage consumers against the media industry, these networks have become one of the most powerful and resilient environments for the collaborative production and reproduction of cultural data. Thus it seems that the question of file-sharing is no longer just a matter of identifying and routing around its corporate adversaries. Instead, it is becoming a question of organization. One can already make out a multitude of new initiatives, groups, alliances, coalitions and business entities that are heavily - and not only ideologically - invested in the future of peer-to-peer protocols and infrastructure. The next Culture Industry may already be in the making. 2007-11-06T20:00+00:00 en 2007 The Oil of the 21st Century oil21@oil21.org http://oil21.org 969936111 01:45:56 Ogg Theora http://borderlineacademy.org/v2v/show/RBY6YIJXVBWWUM2PQVS6XVTEBVBQBWMS ed2k://|file|Oil21_File-Sharing_as_Culture_Industry.ogg|969936111|473b0c7b98a25269b35778adc44f623d| magnet:?dn=Oil21_File-Sharing_as_Culture_Industry.ogg&xt=urn%3Asha1%3ARBY6YIJXVBWWUM2PQVS6XVTEBVBQBWMS http://borderlineacademy.org/files/ba/torrents/Oil21_File-Sharing_as_Culture_Industry.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Digital Rights Management (DRM) not only a proposes a set of new technological measures against unauthorized copying. It also promotes, on a conceptual level, an idea of individual rights that are no longer declared or granted, but  instead directly implemented as  the functionality - or the defects - of technology. Rights Management in general appears to be one of the  most far-reaching new paradigms of control. The field of rights that it promises to manage stretches far beyond the Intellectual Property of the entertainment industry. In its most general form, Digital Rights Management will lead to Political Rights Management: an entirely new framework for various forms of hidden access restrictions and censorship in an increasingly networked world. 2007-11-06T18:57+00:00 en 2007 The Oil of the 21st Century oil21@oil21.org http://oil21.org 518237485 01:02:04 Ogg Theora http://borderlineacademy.org/v2v/show/5GGISIRNP5GEMCYYL3SGAIEXZJYS4BUW ed2k://|file|Oil21_General_Rights_Management.ogg|518237485|859c6c2cecde5aab22a19be57b4ec9a5| magnet:?dn=Oil21_General_Rights_Management.ogg&xt=urn%3Asha1%3A5GGISIRNP5GEMCYYL3SGAIEXZJYS4BUW http://borderlineacademy.org/files/ba/torrents/Oil21_General_Rights_Management.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Ob durch neue Kameras oder dauerhafte Speicherung von Telefondaten, ob sichtbar oder im Verborgenen: Immer mehr Informationen über den Einzelnen werden gesammelt, gespeichert und verknüpft. Alles zur Sicherheit der Bürger und zum Vorteil der Konsumenten? Vollzieht sich ein Wandel im Umgang mit Informationen in der digitalen Welt oder ist es bereits der Weg in den Überwachungsstaat? Spurensuche in Deutschland - ein Video-Feature in vier Teilen. Hunderttausende öffentliche und private Kameras sind in Deutschland installiert. Doch die Forderung nach mehr Videoüberwachung reißt nicht ab. Manche erhoffen sich davon mehr Sicherheit, andere warnen vor der Überwachung - zum Beispiel in Leipzig. Dort setzt die Polizei seit langem auf Kameras. Wer mit wem telefoniert, wo sich Handy-Besitzer aufhalten, jeder Internet-Abruf: Künftig sollen in der EU Kommunikationsdaten in ungeheurem Ausmaß gespeichert werden, zum Schutz vor Terroristen. "Die Bevölkerung wird unter Generalverdacht gestellt", meinen Datenschützer. Peter Strehmel hat schon erfahren, wie sich das anfühlt. Vom Supermarkt-Etikett über das WM-Ticket bis zum Reisepass: In immer mehr Gegenständen stecken winzige Funkchips. Die Industrie verspricht sich von der RFID-Technik billigere Logistik und ihren Kunden individuellere Dienstleistungen. Skeptiker reden dagegen von "Schnüffelchips?. Ob durch Überwachungskameras an der Tankstelle, beim Surfen im Internet oder beim Bezahlen mit einer Treuekarte: Freiwillig oder unfreiwillig hinterlässt jeder Spuren. 44 min. 2007-10-30T00:45+00:00 de 2007 Fiete Stegers, Roman Mischel http://www.r73.net/ 342545378 00:00:00 Ogg Theora http://borderlineacademy.org/v2v/show/C35OYZPPGTGG4WNJBS44CAZVGCIBEPAI ed2k://|file|alltag.ogg|342545378|405ae1bf414a19341c766226d2fd4cf1| magnet:?dn=alltag.ogg&xt=urn%3Asha1%3AC35OYZPPGTGG4WNJBS44CAZVGCIBEPAI http://borderlineacademy.org/files/ba/torrents/alltag.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Liebevolle Star Wars-Parodie zum Thema Bioernährung kontra Ernährung mit Lebensmitteln aus industrieller Massenproduktion. Von den MacherInnen von The Meatrix. 2007-10-28T23:48+00:00 en 2005 Louis Fox http://www.storewars.org 10042033 00:00:00 Ogg Theora http://borderlineacademy.org/v2v/show/Q7XYFCTQMOT572GG2CTVLJ2WD45DCZ72 ed2k://|file|StoreWars_v2v.ogg|10042033|159e58265c9d663e3defe9fabfc8ee0c| magnet:?dn=StoreWars_v2v.ogg&xt=urn%3Asha1%3AQ7XYFCTQMOT572GG2CTVLJ2WD45DCZ72 http://borderlineacademy.org/files/ba/torrents/StoreWars_v2v.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. GET CREATIVE, being the origin and adventures of the creative commons licensing project. 2007-10-28T23:10+00:00 en 2005 Creative Commons Campaign http:// 20635468 00:00:00 Ogg Theora http://borderlineacademy.org/v2v/show/RKK7QO5QZTEJCEYBJZFQA3RC6G3YPXJ3 ed2k://|file|GetCreative.ogg|20635468|68594022c4616e48eb3a1fd1ffbd15a1| magnet:?dn=GetCreative.ogg&xt=urn%3Asha1%3ARKK7QO5QZTEJCEYBJZFQA3RC6G3YPXJ3 http://borderlineacademy.org/files/ba/torrents/GetCreative.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Ein Tag in New Orleans, ein Jahr nach Katrina. Ergreifende Bilder zeichnen die Folgen des Wirbelsturms nach. Zu Wort kommt die Arbeit der NGO „Common Grounds collective“, die sich gegen die Beschlagnahmung von Häusern in vorwiegend von Afro-AmerikanerInnen bewohnten Vierteln wendet. www.droppingknowledge.org 2007-10-28T22:50+00:00 en 2006 Ralf Schmerberg http:// 220853958 00:00:00 Ogg Theora http://borderlineacademy.org/v2v/show/VVIG6NWD27X2C74JQ37LESOIV25IQGVE ed2k://|file|choclate.ogg|220853958|625efae5f1cfeb43ed4acf5975366d41| magnet:?dn=choclate.ogg&xt=urn%3Asha1%3AVVIG6NWD27X2C74JQ37LESOIV25IQGVE http://borderlineacademy.org/files/ba/torrents/choclate.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Die Dokumentation des Protest- und Workshopcamps in Sichtweite des größten Kohlekraftwerks „Drax“ in Großbritannien ist gespickt mit einprägsamen Bildern und erklärenden Interviews zum Klimawandel. Vor allem der CO2-Ausstoß der nördlichen Welt wird in seinen verheerenden sozialen und ökologischen Folgen durch AktivistInnen und ExpertInnen erläutert. Das 10-tägige Camp findet seinen Höhepunkt in der Stilllegung von Drax für einen Tag. Der Film will dazu anregen, in den nächsten Jahren in ganz Europa Klimacamps zu inszenieren: Globale Perspektive – Aufklärung – lokale Aktion. 2007-10-28T00:49+00:00 en 2007 cinerebelde http:// 488012850 00:00:00 Ogg Theora http://borderlineacademy.org/v2v/show/KSFKWEPPXTLWQR6AJH3AUC46GFMVASWL ed2k://|file|reclaim.ogg|488012850|a5852a6146591fd21ca3f8f3d9a5bd48| magnet:?dn=reclaim.ogg&xt=urn%3Asha1%3AKSFKWEPPXTLWQR6AJH3AUC46GFMVASWL http://borderlineacademy.org/files/ba/torrents/reclaim.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. 1984: Durch einen Giftgasunfall in der Chemiefabrik von Union Carbide in Bhopal, Indien, starben unmittelbar 5000 Personen. Weitere 15.000 in den darauf folgenden zwei Jahrzehnten. Seitdem benötigen ca. 120.000 Bhopalis lebenslang medizinische Behandlung. Dow Chemical kaufte 2001 Union Carbide auf, zahlte jedem Opfer einmalig 500 US$ und meinte damit, seine Schuldigkeit getan zu haben. Zum 20. Jahrestag der Katastrophe kontaktierte ein BBC-Reporter den Konzern über DowEthics.com. Er ahnte nicht, dass die Website ein Fake der Yes Men war. So kam der angebliche Sprecher von Dow, Jude Finisterra („Ende der Welt“), auf BBC World TV zum Einsatz. Und endlich sagte jemand die Wahrheit... 2007-10-24T00:09+00:00 en 2005 Yes Men http://theyesmen.org/hijinks/dow/ 111276211 00:00:00 Ogg Theora http://borderlineacademy.org/v2v/show/N6LIEBEFBDIFRJ33XRPCCBGWK6GWBCQX ed2k://|file|dowHoux.ogg|111276211|d856045dd0fc65704ac125641f5c60e7| magnet:?dn=dowHoux.ogg&xt=urn%3Asha1%3AN6LIEBEFBDIFRJ33XRPCCBGWK6GWBCQX http://borderlineacademy.org/files/ba/torrents/dowHoux.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Justin Cone created a short, succinct “commercial” that demonstrates what Creative Commons is, and how it works, in a slick package. 2007-10-23T18:27+00:00 en 2003 Justin Cone http:// 11254832 00:00:00 Ogg Theora http://borderlineacademy.org/v2v/show/UBMVV7JPKIFZWUIZKBNUYUDHPAEELJUB ed2k://|file|BuildingOnThePast.ogg|11254832|e0e3855adba2ae3fd16db1f7beab16f6| magnet:?dn=BuildingOnThePast.ogg&xt=urn%3Asha1%3AUBMVV7JPKIFZWUIZKBNUYUDHPAEELJUB http://borderlineacademy.org/files/ba/torrents/BuildingOnThePast.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Am Freitag, den 5.Oktober 2007 fuhren 100 Streikende aus Haldensleben nach Hamburg, um ihre dort streikenden KollegInnen zu besuchen und zu unterstützen. Dieser Besuch ist der erste dieser Art, eine andere Gelegenheit der Arbeiterinnen und Arbeiter der beiden Standorte sich kennenzulernen, gab es noch nicht. Die Stimmung ist euphorisch, nur geht weder Otto noch Hermes Warehousing Solutions bislang auf die Streikenden zu - der Kampf geht weiter. 2007-10-09T13:48+00:00 de 2007 kein.tv info@hws-im-streik.de http://hws-im-streik.de 60996266 00:08:49 Ogg Theora http://borderlineacademy.org/v2v/show/KJUZG5LU7EIHH2I3JPQ5AIPQB6Y745V6 ed2k://|file|hws_streik_051007_hamburg.ogg|60996266|356a9f16d8920c8e86a2d0bbc09e2752| magnet:?dn=hws_streik_051007_hamburg.ogg&xt=urn%3Asha1%3AKJUZG5LU7EIHH2I3JPQ5AIPQB6Y745V6 http://borderlineacademy.org/files/ba/torrents/hws_streik_051007_hamburg.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Auch am Donnerstag, den 4. Oktober 2007 wird Hermes Warehousing Solutions, die ausgelagerte Otto Tochterfirma, von den Arbeiterinnen in Haldensleben und Hamburg bestreikt. Um ihrem Anliegen mehr Gehör zu verschaffen, fahren die Arbeiterinnen aus Haldensleben am Donnerstag zu einem Aktionstag nach Magdeburg, wo sie in Einkaufszentren und vor dem Arbeitgeberverband demonstrieren und Kundgebungen abhalten. Lautstark ziehen sie durch Magdeburg und fordern von Hermes und Otto an den Verhandlungstisch zu kommen. Mehr Informationen zu diesem Aktionstag unter http://hws-im-streik.de/node/502 Hermes Warehousing Solutions (HWS) reagiert bislang nicht auf die Streikenden 2007-10-07T20:18+00:00 de 2007 kein.tv info@hws-im-streik.de http://hws-im-streik.de 23078736 00:05:31 Ogg Theora http://borderlineacademy.org/v2v/show/53QFDKVDUUSNFD6NNKREEZIXRRLYTLZ6 ed2k://|file|v2v_oktober4_hws.ogg|23078736|3bfb347491b9c30b176949f40e74553c| magnet:?dn=v2v_oktober4_hws.ogg&xt=urn%3Asha1%3A53QFDKVDUUSNFD6NNKREEZIXRRLYTLZ6 http://borderlineacademy.org/files/ba/torrents/v2v_oktober4_hws.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. In den frühen Morgenstunden des 5.Oktober 2007 besuchten 150 Delegierte des in Leipzig stattfindenden Ver.di Bundeskongresses die Streikenden in Haldensleben, um sie zu unterstützen und ihre Solidarität auszudrücken. In Haldensleben (wie auch in Hamburg) wird seit 7 Tagen HWS - Hermes Warehousing Solutions, eine Tochter der Ottogroup, bestreikt. Bislang zeigt sich HWS unnachgiebig und will den Arbeiterinnen und Arbeitern von HWS eine Verschlechterung ihrer Arbeitsbedingungen zumuten, obwohl die Gewinne des Konzerns im letzten Jahr die höchsten seit Konzerngründung waren. 2007-10-07T11:31+00:00 de 2007 kein.tv info@hws-im-streik.de http://hws-im-streik.de 20004041 00:03:19 Ogg Theora http://borderlineacademy.org/v2v/show/CNSXJCS4E6QO63E3GXEBKGSF7YJ7H4ZT ed2k://|file|buko_verdi.ogg|20004041|95ac1f8a00142ab6000eda41d62fc232| magnet:?dn=buko_verdi.ogg&xt=urn%3Asha1%3ACNSXJCS4E6QO63E3GXEBKGSF7YJ7H4ZT http://borderlineacademy.org/files/ba/torrents/buko_verdi.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Volksbühne Berlin - 30.9.2007 Rechtsanwältin Christina Klemm vertritt anwaltschaftlich einen der Beschuldigten und nimmt hier zum Verfahren stellung. Die politische Dimension des §129a 2007-10-05T00:23+00:00 de 2007 erpe rene@so36.net http://einstellung.so36.net 106623930 Unknown Ogg - http://borderlineacademy.org/v2v/show/Z447JK5YWUNQOZWOLL5UZX5555YTSH4X ed2k://|file|beitrag_christina_klemm.ogg|106623930|2d1d9404825dc14b2f7d9a3a1ccecc3e| magnet:?dn=beitrag_christina_klemm.ogg&xt=urn%3Asha1%3AZ447JK5YWUNQOZWOLL5UZX5555YTSH4X http://borderlineacademy.org/files/ba/torrents/beitrag_christina_klemm.ogg.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Volksbühne Berlin - 30.9.2007 Chefdramaturgin Gabriele Gysi spricht die willkommens-worte Die politische Dimension des §129a 2007-10-05T00:13+00:00 de 2007 erpe rene@so36.net http://einstellung.so36.net 6414972 Unknown Ogg - http://borderlineacademy.org/v2v/show/K2IQEECVICFKE7R6I4L6C76JCAQNAIMO ed2k://|file|intro_gabriele_gysi.ogg|6414972|64bacc3bd1f47316e53378d353cbbce5| magnet:?dn=intro_gabriele_gysi.ogg&xt=urn%3Asha1%3AK2IQEECVICFKE7R6I4L6C76JCAQNAIMO http://borderlineacademy.org/files/ba/torrents/intro_gabriele_gysi.ogg.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Volksbühne Berlin - 30.9.2007 Abschlußstatements Die politische Dimension des §129a 2007-10-04T23:50+00:00 de 2007 erpe rene@so36.net http://einstellung.so36.net 34563181 Unknown Ogg - http://borderlineacademy.org/v2v/show/I5UP5JRAVJFMDQQOTZR27PTAU3OJROW6 ed2k://|file|beitrag_schlusswort.ogg|34563181|5952e9a45d9d52d0103a619fb3aea11f| magnet:?dn=beitrag_schlusswort.ogg&xt=urn%3Asha1%3AI5UP5JRAVJFMDQQOTZR27PTAU3OJROW6 http://borderlineacademy.org/files/ba/torrents/beitrag_schlusswort.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Volksbühne Berlin - 30.9.2007 Einführung von Dr. Britta Grell Die politische Dimension des §129a 2007-10-04T23:36+00:00 de 2007 erpe rene@so36.net http://einstellung.so36.net 37059656 Unknown Ogg - http://borderlineacademy.org/v2v/show/27EOEGEQYI5RFOK7B2VCEKGQZSW5ALKB ed2k://|file|intro_britta_grell.ogg|37059656|b69fa321d02c3584808d42ce50472b9d| magnet:?dn=intro_britta_grell.ogg&xt=urn%3Asha1%3A27EOEGEQYI5RFOK7B2VCEKGQZSW5ALKB http://borderlineacademy.org/files/ba/torrents/intro_britta_grell.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Volksbühne Berlin - 30.9.2007 Beitrag von Dr. Rolf Gössner - Internationale Liga für Menschenrechte Die politische Dimension des §129a 2007-10-04T22:32+00:00 de 2007 erpe rene@so36.net http://einstellung.so36.net 72958946 Unknown Ogg - http://borderlineacademy.org/v2v/show/KLPP42FZPY5YBKMQE3GAON7EXTG2FYK5 ed2k://|file|beitrag_rolf_goessner.ogg|72958946|993d9c580a0a02fc7dd584d07c894b94| magnet:?dn=beitrag_rolf_goessner.ogg&xt=urn%3Asha1%3AKLPP42FZPY5YBKMQE3GAON7EXTG2FYK5 http://borderlineacademy.org/files/ba/torrents/beitrag_rolf_goessner.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Veranstaltung in der Volksbühne Berlin - Beitrag von Dr. Fritz Storim die politische Dimension des §129a 2007-10-04T21:18+00:00 de 2007 erpe rene@so36.net http://einstellung.so36.net 105553102 Unknown Ogg - http://borderlineacademy.org/v2v/show/MSHZRYLESMMXEXDSKOD76ZJAGAUHA4PR ed2k://|file|beitrag_fritz_storim.ogg|105553102|884cae90c9da6b5c72f51ff80b3572b6| magnet:?dn=beitrag_fritz_storim.ogg&xt=urn%3Asha1%3AMSHZRYLESMMXEXDSKOD76ZJAGAUHA4PR http://borderlineacademy.org/files/ba/torrents/beitrag_fritz_storim.ogg.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. beitrag von prof.dr. roland roth die politische bedeutung des §129a 2007-10-04T20:18+00:00 en 2007 erpe rene@so36.net http://einstellung.so36.net 85926316 Unknown Ogg - http://borderlineacademy.org/v2v/show/KZPG3BOISNFFLGXGYEN527LOGPQZZPXO ed2k://|file|beitrag_roland_roth.ogg|85926316|0ecb6cb5004f16ef6df28bf06fe3934d| magnet:?dn=beitrag_roland_roth.ogg&xt=urn%3Asha1%3AKZPG3BOISNFFLGXGYEN527LOGPQZZPXO http://borderlineacademy.org/files/ba/torrents/beitrag_roland_roth.ogg.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Auch am 2.10.2007 sind die Arbeiterinnen und Arbeiter von HWS Hermes Warehousing Solutions in Haldensleben und Hamburg im Streik. Anstelle der gewohnten Demonstrationen entschieden sich die Streikenden am Montag für vielfältige Aktionen in anderen Einzelhandelsfilialien: Kaufhof, Appel, Aldi und Lidl, um den dort Tätigen Mut zu machen und aber auch um auf ihren Streik aufmerksam zu machen. Ausführlicher nachzulesen unter: http://www.hws-im-streik.de/node/396 HWS ist weiter im Streik 2007-10-02T14:25+00:00 de 2007 kein.tv aktion@hws-im-streik.de http://hws-im-streik.de 37977126 00:08:24 Ogg Theora http://borderlineacademy.org/v2v/show/NJ7OLRF4A7JPZBOIARMKYOX37CHIEPMN ed2k://|file|montag011007.ogg|37977126|ee4783177d2863612864945c72d0b3dd| magnet:?dn=montag011007.ogg&xt=urn%3Asha1%3ANJ7OLRF4A7JPZBOIARMKYOX37CHIEPMN http://borderlineacademy.org/files/ba/torrents/montag011007.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Eine Streikende erklärt warum ab heute, dem 28.09.2007, die Arbeiterinnen bei Hermes Warehousing Solutions, Tochterfirma des Otto-Konzerns, im unbefristeten Streik sind, was ihre Forderungen und Perspektiven sind. 2007-09-28T15:39+00:00 de 2007 kein.tv info@hws-im-streik.de http://hws-im-streik.de 4951340 00:01:33 Ogg Theora http://borderlineacademy.org/v2v/show/I7HJAQ7PE7NVAVO6YLV5V27PPZ32JME3 ed2k://|file|v2v_hws.ogg|4951340|de281f92852eaa5305b6716699e1681a| magnet:?dn=v2v_hws.ogg&xt=urn%3Asha1%3AI7HJAQ7PE7NVAVO6YLV5V27PPZ32JME3 http://borderlineacademy.org/files/ba/torrents/v2v_hws.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Am 30./31. Juli 2007 hatten die Arbeiter_innen der Otto-Lagerwirtschaft Hermes Warehousing Solutions im Rahmen der Tarifauseinandersetzung im Einzelhandel gestreikt. Der kurze Zusammenschnitt von Videoaufnahmen, soll einen Eindruck vom Streik und den Aktionen geben, die darauf bezogen stattfanden. Bei HWS (Hermes Warehousing Solutions) in Haldesleben befanden sich ca. 2/3 der insgesamt 1800 Arbeiter_innen im Streik. Paralell dazu wurde auch im Hamburger HWS-Werk gestreikt. Bisher gebärdet sich das Management jedoch unnachgiebig und lehnt Verhandlungen ab. Doch die Tarifauseinandersetzungen sind nicht beigelegt, der Kampf geht weiter. 2007-09-25T18:17+00:00 de 2007 kein.tv multitude@kein.tv http://www.hws-im-streik.de 37769768 00:06:10 Ogg Theora http://borderlineacademy.org/v2v/show/5MUSROF6P5Y72CL4V2XZ5KFEUTIVFWLD ed2k://|file|hws_end2.ogg|37769768|dc283493a7ebe807f3963b9ca5101f79| magnet:?dn=hws_end2.ogg&xt=urn%3Asha1%3A5MUSROF6P5Y72CL4V2XZ5KFEUTIVFWLD http://borderlineacademy.org/files/ba/torrents/hws_end2.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. How can we learn to link and connect emerging struggles against precarization? What is the specific link between knowledge and organizing? How can organizing be implemented in Europe? A conversation between Stephen Lerner and Bondgenoten, moderated by Hae-Lin Choi. 2007-09-07T23:48+00:00 en 2007 kein.tv info@kein.tv http://summit.kein.org 209305418 01:29:25 Ogg Theora http://borderlineacademy.org/v2v/show/CDQ2QX3ILK7JZJCHVD4ZKLGM4TG2ZDET ed2k://|file|precarity2.ogg|209305418|caf74b0d93ad985e6bd95d5187e413d7| magnet:?dn=precarity2.ogg&xt=urn%3Asha1%3ACDQ2QX3ILK7JZJCHVD4ZKLGM4TG2ZDET http://borderlineacademy.org/files/ba/torrents/precarity2.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Hosting the general intellect: Closing event of SUMMIT non-aligned initiaives in education culture. With contributions by Franco Bifo Berardi, Charles Esche, Lawrence Liang. Moderated by Irit Rogoff. 2007-09-04T23:38+00:00 en 2007 kein.tv info@kein.tv http://summit.kein.org 473516557 01:45:54 Ogg Theora http://borderlineacademy.org/v2v/show/6477SEITQC7GU73NEB22LUZHSU2EUPOZ ed2k://|file|hosting_the_general_intellect.ogg|473516557|c59174bbf1d7ff1e7ed9912d33d2be26| magnet:?dn=hosting_the_general_intellect.ogg&xt=urn%3Asha1%3A6477SEITQC7GU73NEB22LUZHSU2EUPOZ http://borderlineacademy.org/files/ba/torrents/hosting_the_general_intellect.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. The second History Lesson at SUMMIT non-aligned initiatives in education culture featured a conversation between yugoslavian filmmaker Zelimir Zilnik and Jeebesh Bagchi (Raqs media collective) from Delhi. 2007-09-04T21:00+00:00 en 2007 kein.tv info@kein.tv http://summit.kein.org 333406990 01:39:17 Ogg Theora http://borderlineacademy.org/v2v/show/GUX2JBRWVK5WK2EKJFVWVTZB33DAOMQI ed2k://|file|history_lesson2.ogg|333406990|d6f455672206b60ec801a166c4385e91| magnet:?dn=history_lesson2.ogg&xt=urn%3Asha1%3AGUX2JBRWVK5WK2EKJFVWVTZB33DAOMQI http://borderlineacademy.org/files/ba/torrents/history_lesson2.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. A 3-minutes clip covering parts of the actionday against war, militarism and torture during the g8-meeting in heiligendamm in june 2007 what has heiligendamm got to do with palestine 2007-08-17T20:36+00:00 en 2007 erpe rene@so36.net http:// 123655948 00:03:00 Ogg Theora - 720x576 http://borderlineacademy.org/v2v/show/O7MQKTUA2PR2ELJXOQ2X3PMRG5ZJ3WDS ed2k://|file|cat_v2v.ogg|123655948|4ed70d77b7a1e6f4a17f3ce1e5e1825d| magnet:?dn=cat_v2v.ogg&xt=urn%3Asha1%3AO7MQKTUA2PR2ELJXOQ2X3PMRG5ZJ3WDS http://borderlineacademy.org/files/ba/torrents/cat_v2v.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. 'Learning from Architecture" posits the assumption that rather than learning about architecture, it could be an methodology through which we could learn about that which lies beyond it. A debate featuring Nikolaus Hirsch, Eyal Weizman, John Palmesino, Aristide Antonas, Sandi Hilal, Alessandro Petti, Jesko Jezer and more... 2007-07-20T18:55+00:00 en 2007 kein.tv info@kein.org http://summit.kein.org 385085080 01:46:40 Ogg Theora http://borderlineacademy.org/v2v/show/WSVH7ADTHUQHODEA7ZWL33L7ZVCTZKID ed2k://|file|learning_from_architecture.ogg|385085080|91fc6c114ab53b1d3a880657b808a9d5| magnet:?dn=learning_from_architecture.ogg&xt=urn%3Asha1%3AWSVH7ADTHUQHODEA7ZWL33L7ZVCTZKID http://borderlineacademy.org/files/ba/torrents/learning_from_architecture.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Fragments of a radical pedagogy: The third session of Urgent Thought features contributions by Oliver Marchart, Jan Verwoert and Dieter Lesage. It was recorded at the third day of SUMMIT non-aligned initiatives in education culture. 2007-07-18T10:14+00:00 en 2007 kein.tv info@kein.tv http://summit.kein.org 185788304 00:46:13 Ogg Theora http://borderlineacademy.org/v2v/show/JHD6QVJHN3CBWPIH5DMZS5BSR4NL3J5Y ed2k://|file|urgentthought3.ogg|185788304|60ed73c29e725c7284ddea0a2953c7c0| magnet:?dn=urgentthought3.ogg&xt=urn%3Asha1%3AJHD6QVJHN3CBWPIH5DMZS5BSR4NL3J5Y http://borderlineacademy.org/files/ba/torrents/urgentthought3.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Five Short Texts on the Possibility of Creating an Economy of Equivalence:
Relations of equivalence - three potential endings.
May 11th, 2007
unitednationsplaza, berlin 2007-06-23T19:54+00:00 en 2007 unitednationsplaza http:// 102819867 00:45:33 Ogg Theora http://borderlineacademy.org/v2v/show/A7NYF2BDNBXEGFSA6UFDCGZIWNYVWA34 ed2k://|file|day5.ogg|102819867|1a6ae0c2c6b1b73fc682b861d1d53c56| magnet:?dn=day5.ogg&xt=urn%3Asha1%3AA7NYF2BDNBXEGFSA6UFDCGZIWNYVWA34 http://borderlineacademy.org/files/ba/torrents/day5.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Five Short Texts on the Possibility of Creating an Economy of Equivalence:
Reconfiguring the recent past.
May 10th, 2007
unitednationsplaza, berlin 2007-06-23T16:14+00:00 en 2007 unitednationsplaza http:// 108442938 00:41:46 Ogg Theora http://borderlineacademy.org/v2v/show/3PBCZCCBWYNPXDWXHJCFUKXPFBWAYRHM ed2k://|file|day4.ogg|108442938|9a867480ef753028338c1ca0d80a5ce0| magnet:?dn=day4.ogg&xt=urn%3Asha1%3A3PBCZCCBWYNPXDWXHJCFUKXPFBWAYRHM http://borderlineacademy.org/files/ba/torrents/day4.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Five Short Texts on the Possibility of Creating an Economy of Equivalence:
Reoccupation, recuperation and aimless renovation.
May 9th, 2007
unitednationsplaza, berlin 2007-06-23T04:15+00:00 en 2007 unitednationsplaza http:// 121126083 00:47:25 Ogg Theora http://borderlineacademy.org/v2v/show/TDRESFS7U7FIDRXWQW7DNOIVVIKQH4N3 ed2k://|file|day3.ogg|121126083|f04c899158144c1c4c3d3879e0a94ad5| magnet:?dn=day3.ogg&xt=urn%3Asha1%3ATDRESFS7U7FIDRXWQW7DNOIVVIKQH4N3 http://borderlineacademy.org/files/ba/torrents/day3.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Five Short Texts on the Possibility of Creating an Economy of Equivalence:
Redundancy following the lure of infinite flexibility.
May 8th, 2007
unitednationsplaza, berlin 2007-06-23T00:25+00:00 en 2007 unitednationsplaza http:// 110541811 00:48:22 Ogg Theora http://borderlineacademy.org/v2v/show/QREQF7DL55JO3FLSBXOOAKUIXMITZBSP ed2k://|file|day2.ogg|110541811|20ba0f542d7005d2027b924ed99c0dc2| magnet:?dn=day2.ogg&xt=urn%3Asha1%3AQREQF7DL55JO3FLSBXOOAKUIXMITZBSP http://borderlineacademy.org/files/ba/torrents/day2.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Five Short Texts on the Possibility of Creating an Economy of Equivalence: The day before closure of an experimental factory. May 7th, 2007 unitednationsplaza, berlin 2007-06-22T22:24+00:00 en 2007 unitednationsplaza http:// 71608172 00:41:09 Ogg Theora http://borderlineacademy.org/v2v/show/SQ3F5QFFIWGJ6CWC6QQAX2VK4PKRGQJE ed2k://|file|day1.ogg|71608172|abe7358a551a367a4f38f6e581c66048| magnet:?dn=day1.ogg&xt=urn%3Asha1%3ASQ3F5QFFIWGJ6CWC6QQAX2VK4PKRGQJE http://borderlineacademy.org/files/ba/torrents/day1.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Fragments of a radical pedagogy: The second session of Urgent Thought features contributions by Jeebesh Bagchi, Franco Berardi, Angela Melitopoulos. It was recorded at the second day of SUMMIT non-aligned initiatives in education culture. 2007-06-21T01:39+00:00 en 2007 KEIN.TV info@kein.tv http://summit.kein.org 72273638 00:24:50 Ogg Theora http://borderlineacademy.org/v2v/show/CJDIYICPVNDJUPD5Y7ILF643WWT4P7ER ed2k://|file|urgentthought2.ogg|72273638|3b6cb7ca86f1f9abffe8ed6888f4520f| magnet:?dn=urgentthought2.ogg&xt=urn%3Asha1%3ACJDIYICPVNDJUPD5Y7ILF643WWT4P7ER http://borderlineacademy.org/files/ba/torrents/urgentthought2.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. A look at allergies, yogurt, rye fields, water cannons, tear gas and blue blue sky. medicine and police violence at the G8 protests 2007-06-09T15:59+00:00 en 2007 steev hise info@kein.tv http://detritus.net/steev 20075672 00:02:51 Ogg Theora http://borderlineacademy.org/v2v/show/6XXHO46KXD47DBPQVH6LL66DUJHF6CXP ed2k://|file|coming_through_the_rye.ogg|20075672|f9f527c2880fe461f94b9383b4b4706d| magnet:?dn=coming_through_the_rye.ogg&xt=urn%3Asha1%3A6XXHO46KXD47DBPQVH6LL66DUJHF6CXP http://borderlineacademy.org/files/ba/torrents/coming_through_the_rye.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. what, or who, is a companero? or a comrade, genosse? is a companero the same as a comrade? and who is not a comrade, genosse, companero? across different political languages – not only the tongues in which they're spoken, but the different forms of political life that they express and participate in –, the point of a single-question interview is precisely to help differences appear. 2007-06-09T13:12+00:00 en 2007 rgnunes info@kein.tv http://www.kein.tv 124036641 00:28:40 Ogg Theora http://borderlineacademy.org/v2v/show/2WKQKDZJY5JMEVDZACLMJ622HK4POTSM ed2k://|file|compa-2.ogg|124036641|7bfc82b4802d4c362ebf6867b59cd6a2| magnet:?dn=compa-2.ogg&xt=urn%3Asha1%3A2WKQKDZJY5JMEVDZACLMJ622HK4POTSM http://borderlineacademy.org/files/ba/torrents/compa-2.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. das lied von der erde, ‘the sky remains blue forever/ and the earth will remain for long/ and bloom again/ in spring./ but you, man,/ how long do you have to live?/ not hundred years do you have to enjoy/ all the transient pleasures/ of this earth.’ (music by gustav mahler, poem by li-tai-po, translated from the chinese by hans bethgen) images from the via campesina march in rostock on the 3rd of june. 2007-06-08T21:09+00:00 en 2007 rgnunes info@kein.tv http://www.kein.tv 51613210 00:06:11 Ogg Theora http://borderlineacademy.org/v2v/show/SA345MXV7TOHHYQ2IOV3MN3KIDMRDYNV ed2k://|file|das_lied_von.ogg|51613210|78ae5e2c5be4b1095fc128c05cfdeba4| magnet:?dn=das_lied_von.ogg&xt=urn%3Asha1%3ASA345MXV7TOHHYQ2IOV3MN3KIDMRDYNV http://borderlineacademy.org/files/ba/torrents/das_lied_von.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. ‘enquanto seu lobo nao vem’ while mr. wolf doesn’t come ‘let’s take a walk in the hidden forest, my love/ let’s take a walk in the avenue/ let’s take a walk through the paths, the high roads, my love/ there’s a mountain range under the tarmac (…) (the brass of the military band)/ under the bombs, the flags/ (the brass of the military band)/ under the boots/ (the brass of the military band)/ under the roses, the gardens/ (the brass of the military band)/ under the mud/ (the brass of the military band)/ under the bed…’ (caetano veloso) images of the 2nd june demonstration before it arrived at the harbour and police provocations began. 2007-06-08T20:20+00:00 en 2007 rgnunes info@kein.tv http://www.kein.tv 26364487 00:02:38 Ogg Theora http://borderlineacademy.org/v2v/show/TWODQZTMPATENP6ZJ4XM3AV5VFQVC6DY ed2k://|file|enquanto-lobo.ogg|26364487|88145a1f7bc4588ee8f7027e93b9263a| magnet:?dn=enquanto-lobo.ogg&xt=urn%3Asha1%3ATWODQZTMPATENP6ZJ4XM3AV5VFQVC6DY http://borderlineacademy.org/files/ba/torrents/enquanto-lobo.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Ping Pong d'Amour beginnt mit einer Wohngemeinschaft, die zwischen der geschäftigen Fantasie 'junger Unternehmer' (Start-Up) und real-live Effekten der sog. Doku-Soaps hin und her pendelt. Den Bewohnern gelingt es einfach nicht, ihr Leben mit ihren Jobs in ein Gleichgewicht zu bringen. Aber anders als bei anderen Doku-Soaps sind die Figuren nicht in ihrer propagierten Authentizität gefangen, sondern in eine ironische, intellektualisierte, schein-französische Welt verschoben. Erst darüber kommen die Macher/innen hinter den Figuren zum Vorschein, wird erahnbar, dass hier das 'TeamPing-Pong' eine raffinierte Form gefunden hat, über das eigene Leben zu spre-chen: die vielleicht einzig verbleibende Sprache des Dokumentarischen, nachdem die mediale Inszenierung von Echtheit zum Standard geworden ist. Denn das Ping Pong- Produktionsteam ist identisch mit den Darsteller/innen und ist veranwortlich für die Konstruk-tion der Wirklichkeit, die sie selber ver-körpern. Im gleichen Maße wie Doku-Soaps seit 'Big Brother' letztendlich die beunruhigende Frage entpolitisiert: Was ist, wenn wir auch in unserem 'wirklichen Leben' immer und überall nur bestimmte Rollen spielen, wenn wir nicht sind, was wir sind, sondern uns selbst nur spielen?, entpolitisiert die Ideologie der new economy die Produktionsverhältnisse als reibungsloser Spaß. Dem setzt Le Ping Pong d'Amour die zwei Millimeter Abstand zwischen den Produzent/-innen und den Selbstdarstellungen entgegen, in denen ein anderes Leben potentiell auftauchen könnte -- und nicht wie in einer Soap üblich, die bestehenden Verhältnisse reproduziert. Als könnten im Umweg über diese 'Soap Verité' einige Lektionen Jean-Luc Godards wiederauftauchen: Selber-Machen und sich dabei zeigen. 3te Staffel von "Le Ping Pong d'Amour" 2007-06-08T00:56+00:00 2007 Nicolas Siepen, Claudia Basrawi, Alessio Bonaccorsi nicomat@bbooks.de http:// 192059709 00:32:58 Ogg Theora http://borderlineacademy.org/v2v/show/FZRX5C673EI7W2DAK3PSGMLN4IXXC4GA ed2k://|file|v2v_prisoners_of_love.ogg|192059709|43400e9fcfea6ebd7cc11dd75576848c| magnet:?dn=v2v_prisoners_of_love.ogg&xt=urn%3Asha1%3AFZRX5C673EI7W2DAK3PSGMLN4IXXC4GA http://borderlineacademy.org/files/ba/torrents/v2v_prisoners_of_love.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. what, or who, is a companero? or a comrade, genosse? is a companero the same as a comrade? and who is not a comrade, genosse, companero? across different political languages – not only the tongues in which they're spoken, but the different forms of political life that they express and participate in –, the point of a single-question interview is precisely to help differences appear. whereas a general interview (‘tell me about your struggle, your position on the g8, on africa’ etc.) would tend to reduce those differences to common-places, or make them appear as predictable, traceable diffractions (‘the socialist’, ‘the anarchist’ etc.) a question that tries to probe into the unarticulated background of a political practice can perhaps say more about what it is that constitutes ‘a movement’. 2007-06-07T23:17+00:00 en 2007 Rodrigo Nunes info@kein.tv http://www.kein.tv 50775520 00:08:27 Ogg Theora http://borderlineacademy.org/v2v/show/6GVCUFINEMPUY7KU2WBW5KYV637WOU37 ed2k://|file|Compa-1.ogg|50775520|5d851cedfd8f5a68de14a58718e70472| magnet:?dn=Compa-1.ogg&xt=urn%3Asha1%3A6GVCUFINEMPUY7KU2WBW5KYV637WOU37 http://borderlineacademy.org/files/ba/torrents/Compa-1.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. This is a story of Yugoslavs who left the country in war and spent over ten years in Western Europe as refugees or in asylum. In the second half of the year 2002 European Union sent many of these people back to Serbia and Montenegro together with their families, believing that there were no more reasons for their stay. Procedures for their return were usually very strict. Families would be gathered during the night, transported to the airport and sent to Belgrade on the first flight. To make things more dramatic, the majority of children born in some of the Western European countries speak and write the other language better than the mother tongue. As they sold everything they owned when they were leaving the country, they are facing a situation where normal life is practically impossible. The film is in serbian language, partly in german but english subtitled. 2007-06-07T23:15+00:00 sr 2007 Zelimir Zilnik info@kein.tv http://www.zelimirzilnik.com 355314248 01:14:36 Ogg Theora http://borderlineacademy.org/v2v/show/KQDLTKMQ7SEF6N63G7NR2FJRFFNOOET7 ed2k://|file|v2v_kenedi.ogg|355314248|ce2f592168839932129f0ea7a4ad5a6e| magnet:?dn=v2v_kenedi.ogg&xt=urn%3Asha1%3AKQDLTKMQ7SEF6N63G7NR2FJRFFNOOET7 http://borderlineacademy.org/files/ba/torrents/v2v_kenedi.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Based on a year of ongoing conversations and interviews with migrant workers working as cleaners in the London Underground, this film is about their living and working conditions as as migrants with precarious status, as well as working under the Public Private Partnership of the London Underground. Divided in three parts the film speaks first about the everyday living and working conditions in the Underground. The second part explains the Public Private Partnership under which the cleaning is privatized and outsourced through several layers of contractual relations with a complex web of global companies. Finally the workers involved in the Justice for Cleaners campaign hosted by the Transport and General Workers union (UK) in partnership with the SEIU/ Justice for Janitors (US) outline some the victories as well as difficulties in organizing people with precarious status. We follow some of the actions and demonstrations against the global companies involved in the PPP, as well as the alliances made with social movements in the UK, and globally in the struggle for migrants rights. 2007-06-07T20:46+00:00 en 2007 artemis info@kein.tv http://kein.tv 94466244 00:29:01 Ogg Theora http://borderlineacademy.org/v2v/show/QJ54X3RVSMIZ4UXBO6YISN4IMC7QTAF4 ed2k://|file|janitors.ogg|94466244|55b67da14c1d48dc8d676ef3772b93b7| magnet:?dn=janitors.ogg&xt=urn%3Asha1%3AQJ54X3RVSMIZ4UXBO6YISN4IMC7QTAF4 http://borderlineacademy.org/files/ba/torrents/janitors.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. This is a conversation that was held between Budge, Anja and Manuela on the occasion of the counter G8 rememberance summit in Heiligendamm 2077. Remembering migrancy and conditions for transnational movement, activism, hopes, desires and the general political climate at the beginning of the millenium. 2007-06-07T18:07+00:00 en 2077 future archive http://www.futurearchive.org 58686773 00:21:13 Ogg Theora http://borderlineacademy.org/v2v/show/YOXZH2AQBLORQDRQZSOINEZUFXURWGZB ed2k://|file|budge.ogg|58686773|7db53a139c1c7ac429a8c8f173e31908| magnet:?dn=budge.ogg&xt=urn%3Asha1%3AYOXZH2AQBLORQDRQZSOINEZUFXURWGZB http://borderlineacademy.org/files/ba/torrents/budge.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Celebrated TV pesonality Esteban Caliente, on contract to Kein.TV for the duration of the G8 summit, reports live from the blockade at "Gate 3," near Bogerende. Esteban Caliente in Northern Germany at the G8 2007-06-07T00:34+00:00 en 2007 s. hise info@kein.tv http://kein.tv 6641084 00:00:54 Ogg Theora http://borderlineacademy.org/v2v/show/CGP52ST6KQ3LFMDSTXT25XOLOG6YTGM2 ed2k://|file|esteban_caliente-live-from-gate3.ogg|6641084|24568a890913b7694be9c5031aef3e0f| magnet:?dn=esteban_caliente-live-from-gate3.ogg&xt=urn%3Asha1%3ACGP52ST6KQ3LFMDSTXT25XOLOG6YTGM2 http://borderlineacademy.org/files/ba/torrents/esteban_caliente-live-from-gate3.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. This is a conversation that was held between Elisabeth, Anja and Manuela on the occasion of the counter G8 rememberance summit in heiligendamm 2077. Remembering activism, the beginnings of the urban garden movement, womens work, hopes, desires and the general political climate at the beginning of the millenium. future archive 2007-06-07T00:22+00:00 en 2007 kein.tv info@kein.tv http://futurearchive.org 34688702 00:15:23 Ogg Theora http://borderlineacademy.org/v2v/show/XGLGSONXA2K46TJFJVQ5SFAI5TOZPI3O ed2k://|file|ElisabethMeier.ogg|34688702|1ff0717f5e0ee04f16145b412be2f83a| magnet:?dn=ElisabethMeier.ogg&xt=urn%3Asha1%3AXGLGSONXA2K46TJFJVQ5SFAI5TOZPI3O http://borderlineacademy.org/files/ba/torrents/ElisabethMeier.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Impressions from the blockade against the G8 in Börgerende-Rethwisch that took place on June 6th 2007. The blockade was very successfull and used the so called 5-finger tactic. impressions from the blockades against the G8 on June 6 2007 2007-06-06T23:55+00:00 de 2007 KEIN multitude@kein.org http://kein.tv 45595885 00:05:35 Ogg Theora http://borderlineacademy.org/v2v/show/4CIFWEGDKQMYUNXO5W5P62762KO3NO4N ed2k://|file|v2v_blockg8.ogg|45595885|eefec658283e3156d9cbb98d9f4dd24c| magnet:?dn=v2v_blockg8.ogg&xt=urn%3Asha1%3A4CIFWEGDKQMYUNXO5W5P62762KO3NO4N http://borderlineacademy.org/files/ba/torrents/v2v_blockg8.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. "Marching martians" documents Monday's demonstration for global freedom of movement in Rostock. Impressions of the demo contains interviews with martians, parody news updates and ads, and brief music sequences. 2007-06-06T18:01+00:00 en 2007 rodrigo nunes info@kein.org http://kein.tv 175212785 00:23:26 Ogg Theora http://borderlineacademy.org/v2v/show/PDK4MEPNZAZCE5WTGO6V5TEJKHYIHHSN ed2k://|file|martians.ogg|175212785|df779633a2db5f91035f4c0a1ccbeb0e| magnet:?dn=martians.ogg&xt=urn%3Asha1%3APDK4MEPNZAZCE5WTGO6V5TEJKHYIHHSN http://borderlineacademy.org/files/ba/torrents/martians.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. "Freedom of movement vs. global apartheid": A roundtable talk from the anti-G8 action day on migration featuring Solange Kon, CADTM (Alliance against indebtedness), Ivory Coast; Maksym Butkevich, Noborder Kiev, Ukraine; Valery Alzaga, global SEIU (Services trade union), USA/Mexico; Lawrence Liang, Alternative Law Forum, Bagalore, India; Sunny Omwenyeke, The Voice Africa Forum, Nigeria/Germany. The debate took place in english language with a consecutive translation to german (or vice versa). 2007-06-06T16:05+00:00 en 2007 KEIN TV info@kein.tv http://kein.tv 272177299 01:39:05 Ogg Theora http://borderlineacademy.org/v2v/show/DW3JQK34QZZXCWXOU4G7TZLA3SD5PIJJ ed2k://|file|migration.ogg|272177299|131ea4f1097e67b4e8512eec75785475| magnet:?dn=migration.ogg&xt=urn%3Asha1%3ADW3JQK34QZZXCWXOU4G7TZLA3SD5PIJJ http://borderlineacademy.org/files/ba/torrents/migration.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Coverage of three migration related actions in Rosotck on June 4th, 2007. 2007-06-06T01:47+00:00 en 2007 steev hise info@kein.tv http://detritus.net/steev 61072806 00:07:50 Ogg Theora http://borderlineacademy.org/v2v/show/UYM7TALMUXSX2F4Z5GHHUOZQBQFSJP7M ed2k://|file|monday-migration.ogg|61072806|eb937a9d80cc308d98364de7ab69653c| magnet:?dn=monday-migration.ogg&xt=urn%3Asha1%3AUYM7TALMUXSX2F4Z5GHHUOZQBQFSJP7M http://borderlineacademy.org/files/ba/torrents/monday-migration.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. The future archive is a project that issues a series of responses to the problem of how to perform futures. It engages interview- conversations that are set in possible times and spaces to come, which two or more people performatively inhabit as proposed versions of futurity. From there, contemporary society is remembered. Upon every conversation, a different future is at stake. 2007-06-05T21:31+00:00 en 2007 kein.tv info@kein.tv http://futurearchive.org 68525430 00:18:13 Ogg Theora http://borderlineacademy.org/v2v/show/YBF3LYTCIC4WWS2RFCDXOXJS6YAFYRC7 ed2k://|file|futurearchive1.ogg|68525430|60e43d00b3411e18b9c83c9111a432e9| magnet:?dn=futurearchive1.ogg&xt=urn%3Asha1%3AYBF3LYTCIC4WWS2RFCDXOXJS6YAFYRC7 http://borderlineacademy.org/files/ba/torrents/futurearchive1.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. The first History Lesson at SUMMIT non-aligned initiatives in education culture featured a conversation between John Akomfrah and Kodwo Eshun. Black Audio Film Collective was founded at Portsmouth Polytechnic in 1982 by sociology, fine art and psychology students John Akomfrah, Reece Auguiste, Edward George, Lina Gopaul, Avril Johnson, Claire Joseph and Trevor Mathison. The group who later relocated to London produced some of the most influential films and videos of recent times before formerly dissolving in 1988. Despite its currency the group's work owes little to the present; it is singular, it inhabits a dimension of timely untimeliness. 2007-06-05T19:01+00:00 en 2007 kein.tv info@kein.org http://summit.kein.org 260756626 01:36:04 Ogg Theora http://borderlineacademy.org/v2v/show/HNJZNJJGGE5EH2PQGAWR6XHLK3APF26B ed2k://|file|blackaudio.ogg|260756626|9e736d3e66525c446b5799785c1ff250| magnet:?dn=blackaudio.ogg&xt=urn%3Asha1%3AHNJZNJJGGE5EH2PQGAWR6XHLK3APF26B http://borderlineacademy.org/files/ba/torrents/blackaudio.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. SUMMIT non-aligned initiatives in education culture starts an opening ceremony in Hebbeltheater Berlin. Kodwo Eshun, Susanne Lang, Irit Rogoff, Florian Schneider, Nicolas Siepen, Nora Sternfeld present the SUMMIT project and its background. The opening session will also introduce into the program and the goals of SUMMIT. 2007-06-04T23:24+00:00 en 2007 kein tv info@kein.org http://summit.kein.org 233699739 01:15:52 Ogg Theora http://borderlineacademy.org/v2v/show/4TIJLUX6W4PRQTSBD7DKMTMALUXT2MW4 ed2k://|file|summit_opening.ogg|233699739|dc1aeb36f91320159dd51389c9c1b557| magnet:?dn=summit_opening.ogg&xt=urn%3Asha1%3A4TIJLUX6W4PRQTSBD7DKMTMALUXT2MW4 http://borderlineacademy.org/files/ba/torrents/summit_opening.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Lawrence Liang, Sebastian Luetgert, Shaina Anand and Ashok Sukumaran in conversation about pirate cinemas, distributed archives, peer-to-peer film studies and the post-copyright futures of cinema. 2007-06-04T12:16+00:00 en 2007 KEIN TV info@kein.org http://kein.tv 97960605 00:35:56 Ogg Theora http://borderlineacademy.org/v2v/show/HXIFXECHRIHUVAOFXYJ2DBDONHCU7BXX ed2k://|file|piracy_talk.ogg|97960605|a021cc79e17dcb5e1beb3a64c387aa28| magnet:?dn=piracy_talk.ogg&xt=urn%3Asha1%3AHXIFXECHRIHUVAOFXYJ2DBDONHCU7BXX http://borderlineacademy.org/files/ba/torrents/piracy_talk.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. One week prior to the World Information conference and exhibition in Bangalore, a group of students, filmmakers, media jammers and DV rookies occupied the terrace room of Lawyers Collective in Tasker Town, Shivaji Nagar. Here, WI City TV 's open studio was set up, with the support and cooperation of fellow artists and organizers. With 3 editing computers, and a mixed bag of cameras; the studio worked around the clock and produced a range of content for WI city TV -that served over 3000 homes in Shivaji Nagar via their 'informal' cable channel parallel to and independent of the conference. Sanjay Bhangar and Sravanthi K spent a few days in Shivaji Nagar and at National Market looking at the 'digital moment' and what it has meant for local economy and world information. They ended up with a footage source, comprising shots of cyber cafés and shop fronts offering dtp, call center coaching, and language translation facilities, computer classes, dvd's and vcd's. Interviews with vendors and users and with Shivaji Nagar local and renegade IP law-breaker Lawrence Liang in Hindi, shot with a rather 'odd' frame formed the backbone of the film. Footage of the World Info poster campaign, the IT corridor, Forum Mall, image searches, movie clips and a gleaning of Alternative Law Forums's CD compilations on IPR, censorship and cinema, combined with visuals from the footage bank and manic editing by Sooraj Ravindran resulted in COPYRIGHT THIS. The film is subtitled in english. 2007-06-04T12:06+00:00 hi 2007 Sanjay Bhangar and Sravanthi K info@kein.org http://chitrakarkhana.net/copyrightthis.htm 127409846 00:00:00 Ogg Theora http://borderlineacademy.org/v2v/show/GU6YZWR32ADET3XDEPQNBE3OMST7HEHL ed2k://|file|copyrightthis.ogg|127409846|89c5a217e892620d0e100b2adf2d5eb7| magnet:?dn=copyrightthis.ogg&xt=urn%3Asha1%3AGU6YZWR32ADET3XDEPQNBE3OMST7HEHL http://borderlineacademy.org/files/ba/torrents/copyrightthis.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Fragments of a radical pedagogy: The first session of Urgent Thought features contributions by Avery Gordon, Munir Fasheh, Ana Vujanovic. It was recorded at the first day of SUMMIT non-aligned initiatives in education culture. 2007-06-04T01:27+00:00 en 2007 KEIN TV info@kein.org http://summit.kein.org 202892437 01:04:35 Ogg Theora http://borderlineacademy.org/v2v/show/KYXWH3G7X7MPXTIJ2MFT2GYBSX6JOXEF ed2k://|file|urgentthought1.ogg|202892437|31976edfbd764cd938428a5710af18e8| magnet:?dn=urgentthought1.ogg&xt=urn%3Asha1%3AKYXWH3G7X7MPXTIJ2MFT2GYBSX6JOXEF http://borderlineacademy.org/files/ba/torrents/urgentthought1.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Vom 06. – 08. Juni 2007, wird in Deutschland das Treffen der so genannten Gruppe der Acht, kurz G8, stattfinden. Hierzu werden die Regierungschefs der sieben führenden Industrienationen und Russlands in den Badeort Heiligendamm an der Ostseeküste, nahe Rostock kommen. Doch gegen diesen G8-Gipfel als Symbol der herrschenden Weltordnung regt sich Widerstand. Zig tausende DemonstrantInnen werden Anfang Juni ebenfalls vor Ort sein, um den Gipfel zu blockieren, zu stören oder einfach nur laut "Ya basta" - "Es reicht" - zu schreien. Nein zu Kapitalismus, Rassismus, Antisemitismus, Sexismus und Krieg - für ein besseres Leben für alle, und für eine Welt ohne Grenzen und Nationen. "Move Against G8", ein Zusammenschluss linker KulturaktivistInnen, ist Teil der bundesweiten Mobilisierung zu den Protesten gegen das Gipfeltreffen. Ziel der auf der 2. Rostocker Aktionskonferenz initiierten Kampagne ist die kulturelle Unterstützung der Aktivitäten gegen den Gipfel. "Move Against G8" organisiert das Kulturprogramm als integralen Bestandteil der Mobilisierung nach und Ausdrucksform während der Gipfelproteste. Auch im Vorfeld soll "Move Against G8" dazu beitragen, den Widerstand gegen das G8-Treffen sichtbar zu machen. So wird es in vielen Städten Soli-Konzerte zur Finanzierung des Kulturprogramms in oder um Heiligendamm geben. Die Kampagne ist aber auch aufs Mitmachen angelegt: JedeR kann sich einreihen, sei es durch Soli-Konzerte, Parties, Lesungen,...der Fantasie sind keine Grenzen gesetzt. Setzt das "Move Against G8"-Logo auf eure Flyer und Poster, verteilt Flyer oder Zeitschriften auf Konzerten oder überredet eure Lieblingsband, auf ihrer Tour ein Banner auf die Bühne zu hängen oder eine Ansage zum G8 zu machen. Bringt euch ein! Nur so kann aus dem Move Against G8 auch ein Movement Against G8 entstehen! 2007-05-09T00:09+00:00 de 2007 verena vargas, www.exilfilm.net exilfilm@gmail.com http://www.move-against-g8.de/mobilisierungsclip 361134890 00:15:58 Ogg Theora http://borderlineacademy.org/v2v/show/35HWXAHHVJA45Y3C7R34J2UPDG2R7DAF ed2k://|file|VTS_01_1.ogg|361134890|ec1d452ccf8346c6ec73b7431cb45063| magnet:?dn=VTS_01_1.ogg&xt=urn%3Asha1%3A35HWXAHHVJA45Y3C7R34J2UPDG2R7DAF http://borderlineacademy.org/files/ba/torrents/VTS_01_1.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Seminar4 - day 8 Tirdard Zolghadr That’s Why You Always Find me in the Kitchen at Parties YouTube Oratorship with Hito Steyerl March 21th, 2007 unitednationsplaza, Berlin 2007-04-23T20:56+00:00 en 2007 unitednationsplaza http:// 106873630 00:52:59 Ogg Theora http://borderlineacademy.org/v2v/show/AXXSILBBCGGSYGCJRKUQ3OGO7M57TUCN ed2k://|file|-day8.ogg|106873630|f3fa5feddbfdd8c123db284070079721| magnet:?dn=-day8.ogg&xt=urn%3Asha1%3AAXXSILBBCGGSYGCJRKUQ3OGO7M57TUCN http://borderlineacademy.org/files/ba/torrents/-day8.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Seminar 4 - Day 1 Tirdad Zolghadr: That’s Why You Always Find me
in the Kitchen at Partie - introduction March 12th, 2007 unitednationsplaza, Berlin 2007-04-23T14:37+00:00 en 2007 unitednationsplaza http:// 154514450 01:22:12 Ogg Theora http://borderlineacademy.org/v2v/show/WNYVPDTEQ2TGDNOYL2MEV5NCZ6WH56LO ed2k://|file|-day1n.ogg|154514450|b5dd38794590b3c09fa71329797f5e98| magnet:?dn=-day1n.ogg&xt=urn%3Asha1%3AWNYVPDTEQ2TGDNOYL2MEV5NCZ6WH56LO http://borderlineacademy.org/files/ba/torrents/-day1n.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Seminar 4 - Day 6 Tirdad Zolghadr: That’s Why You Always Find me in the Kitchen at Parties Operative Authority and The Art of Rhetoric. With Bibiana Beglau and Jan Verwoert March 19th, 2007 unitednationsplaza, Berlin - 2007-04-06T23:01+00:00 en 2007 unitednationsplaza http:// 292462421 02:26:42 Ogg Theora http://borderlineacademy.org/v2v/show/S45IFUBEI7BHV42D3K42SFXQAGCDL6IW ed2k://|file|-day6.ogg|292462421|a2856e426de3006441ff540fccf55f4a| magnet:?dn=-day6.ogg&xt=urn%3Asha1%3AS45IFUBEI7BHV42D3K42SFXQAGCDL6IW http://borderlineacademy.org/files/ba/torrents/-day6.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Seminar 4 - Day 4 Tirdad Zolghadr: That’s Why You Always Find me in the Kitchen at Parties Institutional Critique as Institution. "Theses On Feuerbach" a Jackson Pollock Bar theory installation based on a script by Art & Language. Actors: Martin Horn, Peter Cieslinski, and others. Director: Christian Matthiessen. March 15th, 2007 unitednationsplaza, Berlin "Theses On Feuerbach" a Jackson Pollock Bar theory installation based on a script by Art & Language. Actors: Martin Horn, Peter Cieslinski, and others. Director: Christian Matthiessen. 2007-04-04T18:52+00:00 en 2007 unitednationsplaza http:// 133347742 00:58:18 Ogg Theora http://borderlineacademy.org/v2v/show/DQ6K2C47GX63KKOC3GN7AW2NAE5PKGFW ed2k://|file|-day4.ogg|133347742|9966f1c657e7c6e39044e2e7408dcd2a| magnet:?dn=-day4.ogg&xt=urn%3Asha1%3ADQ6K2C47GX63KKOC3GN7AW2NAE5PKGFW http://borderlineacademy.org/files/ba/torrents/-day4.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Seminar 4 - Day 1 Tirdad Zolghadr: That’s Why You Always Find me in the Kitchen at Parties Introduction March 12th, 2007 unitednationsplaza, Berlin 2007-04-04T14:40+00:00 en 2007 unitednationsplaza http:// 158210903 01:19:12 Ogg Theora http://borderlineacademy.org/v2v/show/HK7UUUQ3ODSJVL5CDSROON56NBATBOUR ed2k://|file|-day1.ogg|158210903|6056a8bce7f82f7f95cc9bc3829ce053| magnet:?dn=-day1.ogg&xt=urn%3Asha1%3AHK7UUUQ3ODSJVL5CDSROON56NBATBOUR http://borderlineacademy.org/files/ba/torrents/-day1.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. A documentary on the physical and human landscape between the valleys of Kashmir and Ladakh. Encounter gods and demons, mystic mountains and lakes, contemporary fact and fiction in this journey through the Himalayas- accompanied by a genteel Japanese voice-of-godess. Structured as a televised 'serial' the film welcomes you back to another episode of Himalayan Tales, recapping the previous episode. What follows are a series of short vignettes recounting tales, places and legends. This simple structure and the use of Voice-of-God narration, with its naive and truncated sweeps across complex histories and civilisations, its calm and soothing belief in myth and beauty, its reading as fact, all coupled with the slight and deliberate shifts in 'gaze' underlying the films progression allow for a meditative and transparent examinaton of the nature of documentary. Himalayan Tales 2007-03-18T11:13+00:00 2005 shaina anand kalakamra@gmail.com http://www.chitrakarkhana.net 208019294 00:00:00 Ogg Theora http://borderlineacademy.org/v2v/show/LQN4BIT7IWB3LKI3LWRXBTE6FR7S77XD ed2k://|file|HimalayanMonogatari.ogg|208019294|064cfd5f99bc90c4f54f5eeeadc7e421| magnet:?dn=HimalayanMonogatari.ogg&xt=urn%3Asha1%3ALQN4BIT7IWB3LKI3LWRXBTE6FR7S77XD http://borderlineacademy.org/files/ba/torrents/HimalayanMonogatari.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Galit Eilat, director of Digital ArtLab, the Israeli Center for Digital Art, interviews Kutlug Ataman at the occasion of the opening of “De-Regulation" in Herzliya, Museum of Contemporary Art. “De-Regulation with the work of Kutlug Ataman” is an ongoing exhibition project that brings the work of Turkish filmmaker and video artist Kutlug Ataman together with a visual essay by Stefan Roemer and several archives of documentary materials from Istanbul. The show is curated by Irit Rogoff. 2007-03-09T00:43+00:00 en 2007 studio 2 benhagari@sarig1.co.il http://de-regulation.org 71507968 00:57:24 Ogg Theora http://borderlineacademy.org/v2v/show/YTTQT4S4ECJKXB5CYZHURSNLSPZQP6G5 ed2k://|file|k12.ogg|71507968|249c97a8f15dc383aed3bb33044b20e8| magnet:?dn=k12.ogg&xt=urn%3Asha1%3AYTTQT4S4ECJKXB5CYZHURSNLSPZQP6G5 http://borderlineacademy.org/files/ba/torrents/k12.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Seminar 3 - day 9 Walid Raad & Jalal Troufic: the withdrawal of Tradition Past a Surpassing Disaster february 8th, 2007 unitednationsplaza, berlin 2007-03-07T17:09+00:00 en 2007 unitednationsplaza magdalena@unitednationsplaza.org http:// 122603107 01:15:37 Ogg Theora http://borderlineacademy.org/v2v/show/O6DWY5LP5QM34BMULAYIWFG7IEH25IKT ed2k://|file|walid-day9.ogg|122603107|5a1d8280cb78d67c14152cfbd9684907| magnet:?dn=walid-day9.ogg&xt=urn%3Asha1%3AO6DWY5LP5QM34BMULAYIWFG7IEH25IKT http://borderlineacademy.org/files/ba/torrents/walid-day9.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Seminar 3 - Day 6
Walid Raad & Jalal Toufic:
The Withdrawal of Tradition
Past a Surpassing Disaster
February 5th, 2007
unitednationsplaza, berlin 2007-03-06T22:05+00:00 en 2007 unitednationsplaza magdalena@unitednationsplaza.org http:// 234044317 01:55:02 Ogg Theora http://borderlineacademy.org/v2v/show/355QRJNYNXT3F3EAQSKT7UZ5PI5QHRJX ed2k://|file|walid-day6.ogg|234044317|16d0f6ac1367e17adf4d9b0786a5b07d| magnet:?dn=walid-day6.ogg&xt=urn%3Asha1%3A355QRJNYNXT3F3EAQSKT7UZ5PI5QHRJX http://borderlineacademy.org/files/ba/torrents/walid-day6.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Seminar 3 - Day 5
Walid Raad & Jalal Toufic:
The Withdrawal of Tradition
Past a Surpassing Disaster February 4th, 2007
unitednationsplaza, berlin 2007-03-06T17:21+00:00 en 2007 unitednationsplaza magdalena@unitednationsplaza.org http:// 221904709 01:57:49 Ogg Theora http://borderlineacademy.org/v2v/show/NQY4UTLH5MDKTY4523XT53XIBAQX4C55 ed2k://|file|walid-day5.ogg|221904709|8fc2b00daed220a3075b52994f737d2c| magnet:?dn=walid-day5.ogg&xt=urn%3Asha1%3ANQY4UTLH5MDKTY4523XT53XIBAQX4C55 http://borderlineacademy.org/files/ba/torrents/walid-day5.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Seminar 3 - Day 2 Walid Raad & Jalal Toufic: The Withdrawal of Tradition Past a Surpassing Disaster February 1st, 2007 unitednationsplaza, berlin 2007-03-06T02:55+00:00 en 2007 unitednationsplaza magdalena@unitednationsplaza.org http:// 260872606 02:14:47 Ogg Theora http://borderlineacademy.org/v2v/show/WEJGUQPRZVFC44KF74VQJ4BRQQPA4MS3 ed2k://|file|walid-day2.ogg|260872606|d3f6b7367ad25b01a60ddb65907cbefb| magnet:?dn=walid-day2.ogg&xt=urn%3Asha1%3AWEJGUQPRZVFC44KF74VQJ4BRQQPA4MS3 http://borderlineacademy.org/files/ba/torrents/walid-day2.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Seminar 2 Martha Rosler: Art & Social Life; the case of Video Art opening lecture, december 10th, 2007 unitednationsplaza, berlin 2007-03-05T21:20+00:00 en 2007 unitednationsplaza magdalena@unitednationsplaza.org http:// 297028744 02:38:02 Ogg Theora http://borderlineacademy.org/v2v/show/T6BHUA2EIU23AWIMNBN2CYESAFR6L2AD ed2k://|file|martha-day1.ogg|297028744|53aaf8cdeac27e27f6d5a51942ffbaa3| magnet:?dn=martha-day1.ogg&xt=urn%3Asha1%3AT6BHUA2EIU23AWIMNBN2CYESAFR6L2AD http://borderlineacademy.org/files/ba/torrents/martha-day1.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Seminar 3 - Day 1 Walid Raad & Jalal Toufic: The Withdrawal of Tradition Past a Surpassing Disaster Opening lecture January 31th, 2007 unitednationsplaza, berlin 2007-03-05T19:33+00:00 en 2007 unitednationsplaza magdalena@unitednationsplaza.org http:// 71807234 00:54:03 Ogg Theora http://borderlineacademy.org/v2v/show/4KMBSWMJDN6VUUZK5A2VQCVUPIZ2FKIQ ed2k://|file|walid-day1.ogg|71807234|3dd6dcf33cb10314325c215179424a17| magnet:?dn=walid-day1.ogg&xt=urn%3Asha1%3A4KMBSWMJDN6VUUZK5A2VQCVUPIZ2FKIQ http://borderlineacademy.org/files/ba/torrents/walid-day1.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. After The Red Square a seminar with Boris Groys opening lecture, october 30th 2006 unitednationsplaza, berlin boris-day1 2007-03-05T14:41+00:00 en 2007 unitednationsplaza periferic@gmx.de http:// 212477627 01:58:15 Ogg Theora http://borderlineacademy.org/v2v/show/F6IGVKUU2MWHFQMA4DRSI24CE3IAOB6N ed2k://|file|boris-day1.ogg|212477627|fca1ababd63cbfcb591fdd9a60bd0a78| magnet:?dn=boris-day1.ogg&xt=urn%3Asha1%3AF6IGVKUU2MWHFQMA4DRSI24CE3IAOB6N http://borderlineacademy.org/files/ba/torrents/boris-day1.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Lecture by Jérôme Bel, Oct. 2nd, 2005. Part of the ongoing program "Performing Lectures" by Unfriendly Takeover. 2007-03-04T19:47+00:00 en 2005 Unfriendly Takeover info@unfriendly-takeover.de http://www.unfriendly-takeover.de 164631463 01:30:07 Ogg Theora http://borderlineacademy.org/v2v/show/GSMXMXYU62MARWNS336GAEESYRR5BHL7 ed2k://|file|v2v_ut_bel.ogg|164631463|a3a907d2778fda67fed0983c867a26e3| magnet:?dn=v2v_ut_bel.ogg&xt=urn%3Asha1%3AGSMXMXYU62MARWNS336GAEESYRR5BHL7 http://borderlineacademy.org/files/ba/torrents/v2v_ut_bel.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. God Bless America EXTRA CHEESE SAUSAGE MUSHROOM PEPPERONI CB/HAM BLACK OLIVES BEEF ONIONS SPECIAL CUSTOMER 2007-02-28T12:59+00:00 en 2007 DICTIONARY OF WAR http://dictionaryofwar.org 72613888 00:21:11 Ogg Theora http://borderlineacademy.org/v2v/show/T2YRAFP36DSHYMOKGKHLJPXWJXEK3VMK ed2k://|file|v2v_wdk_Homefront_Michalis_Pichler.ogg|72613888|0261785fe5b527cea1a94afeefebf7ef| magnet:?dn=v2v_wdk_Homefront_Michalis_Pichler.ogg&xt=urn%3Asha1%3AT2YRAFP36DSHYMOKGKHLJPXWJXEK3VMK http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Homefront_Michalis_Pichler.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Saturday, February 24th, 2007 2007-02-28T09:21+00:00 en 2007 DICTIONARY OF WAR http://dictionaryofwar.org 73429138 00:21:33 Ogg Theora http://borderlineacademy.org/v2v/show/TRK73WIGTQKQNHZSP56LOSXGYSPSVJ6R ed2k://|file|v2v_wdk_War,_Nuclear_Darius_James_Quio_Yo_Mama_s_Mayhem.ogg|73429138|766299cce846d795c472c010e650f590| magnet:?dn=v2v_wdk_War%2C_Nuclear_Darius_James_Quio_Yo_Mama_s_Mayhem.ogg&xt=urn%3Asha1%3ATRK73WIGTQKQNHZSP56LOSXGYSPSVJ6R http://borderlineacademy.org/files/ba/torrents/v2v_wdk_War%2C_Nuclear_Darius_James_Quio_Yo_Mama_s_Mayhem.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Der Krieg im Osten 1941-1945, der mehr als 30 Millionen Menschen das Leben kostete, sprengte alle Grenzen zwischen „erlaubtem“ Töten feindlicher Soldaten im Kampf und dem Mord an Gefangenen und Zivilisten. „Zig Millionen“ zivile Opfer sah schon die deutsche Planung vor, die folgende Kriegsrealität war der Planung adäquat. Unter den Faktoren, die einen derart enthemmten Krieg möglich machten, wird hier das deutsche Feindbild des slawischen Untermenschen thematisiert: Inhalt, Kontext, Funktion, Tradition. 2007-02-28T09:20+00:00 de 2007 DICTIONARY OF WAR http://dictionaryofwar.org 34848888 00:16:25 Ogg Theora http://borderlineacademy.org/v2v/show/SKARFJWW7LKJQDLYNX7EZAT7ODIJZMDE ed2k://|file|v2v_wdk_Untermensch_im_Osten_Peter_Jahn.ogg|34848888|0b78e4314fabafb07132c2d9652aaed6| magnet:?dn=v2v_wdk_Untermensch_im_Osten_Peter_Jahn.ogg&xt=urn%3Asha1%3ASKARFJWW7LKJQDLYNX7EZAT7ODIJZMDE http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Untermensch_im_Osten_Peter_Jahn.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Saturday, February 24th, 2007 2007-02-28T09:19+00:00 en 2007 DICTIONARY OF WAR http://dictionaryofwar.org 51939778 00:22:55 Ogg Theora http://borderlineacademy.org/v2v/show/L2SQX73UY6MCISTEVSDECEVFCFQ5FXOK ed2k://|file|v2v_wdk_Stance_Khalo_Matabane.ogg|51939778|a21522dd4cb0418369348252cb8d9d0a| magnet:?dn=v2v_wdk_Stance_Khalo_Matabane.ogg&xt=urn%3Asha1%3AL2SQX73UY6MCISTEVSDECEVFCFQ5FXOK http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Stance_Khalo_Matabane.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Safe Distance is video that was recorded during NATO air strikes against FR Yugoslavia. Videotape shows electronic cockpit of the US Air Force plane. There were 4 airplanes flying from NATO-base from Italy to destination in Yugoslavia. Mission objective was to bomb several targets in the area around city of Novi Sad. On the way back, after mission was completed, plane was shot. Tape (Sony Video 8) was found near crashed plane in Fruska Gora mountain in Srem region. It shows electronic cockpit with basic graphical interface and voice communication between pilots. Videotape is a regular document of flight used by command structures to analyze its efficiency and success after very mission. Tape presents these last moments before plain was crashed. 2007-02-28T09:18+00:00 en 2007 DICTIONARY OF WAR http://dictionaryofwar.org 63857716 00:32:03 Ogg Theora http://borderlineacademy.org/v2v/show/K5NZB5UGHGMPNDPJO7LBGJUUCNUAULAO ed2k://|file|v2v_wdk_Safe_Distance_kuda.org.ogg|63857716|df43fb5e0cd7f57c943da8b039a3bb51| magnet:?dn=v2v_wdk_Safe_Distance_kuda.org.ogg&xt=urn%3Asha1%3AK5NZB5UGHGMPNDPJO7LBGJUUCNUAULAO http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Safe_Distance_kuda.org.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. The two Vietnam Veterans and Anti-War activists Darnell Stephen Summers and Dave Blalock with their definition of Resist...Refuse...Rebell Darnell »Stephen« Summers was born on July 9, 1947 in Detroit Michigan, USA. He volunteered for the US Army and served from 1966 to 1970. While home on leave before going to Vietnam in 1968 he became involved in the struggle to found the »Malcolm X Cultural Center« (MXCC) in Inkster Michigan, a suburb of Detroit and was one of the spokespersons for the »MXCC«. His political affiliations included membership in the Black Workers Congress, Viet Nam Veterans Against The War / Viet Nam Veterans Against The War (Anti-Imperialist), chartermember of the Malcolm X Cultural Center(Inkster Michigan). As a Black man inside the Army he was confronted by not only by racism but also the fact that he was in a military organization that was murdering people across the globe. Since then Summers has been active in the struggles against racism and U.S. instigated aggression. He was instrumental in organizing the STOP THE WAR BRIGADE in Germany during the Gulf war to build support for anti-war GIs. Darnell has professional experience as a Musician, Film Director, Actor, Media Editor, Composer, Cameraman, Producer and Sound Technician. He presently lives in Germany and has 4 children. Dave Blalock (born 1950 in Johnstown, Pennsylvania) volunteered for the US Army and served from 1968 to 1971. After being AWOL for nine days in basic training he was court-martialed and spent one month out of a possible six-month prison term doing »Hard Labor« time in the Fort Jackson stockade. He then spent one year in Vietnam (1969-1970) where he became politicized by his experiences there. After returning, he spent his last 15 months in the army by joining the large anti war movement that had existed within the US military and actively worked inside one of the many underground GI organizations. In 1989 Blalock, along with three other people burned American flags on the steps of the US Capital building in protest against the new Flag Protection Act of 1989. They were arrested for this and their case ended up in the Supreme Court, which ruled the law un-constitutional. From Vietnam, to the 1980’s counter-insurgency wars in Central America, to the ‘91 Gulf War, to the ’99 Kosovar war, to 2001 bombing of Afghanistan, to the present war on Iraq he has been active in the fight to expose and oppose all US war moves around the world. He puts special emphasis on building support for the GI anti war resisters inside the armed forces. Blalock and Summers are also playing themselves in the Rimini-Protokoll theatrical production of Schiller’s »Wallenstein« where they among a cast of ten people out of real life take this opportunity to tell their story in the midst of Intrigue, War & Death 2007-02-28T09:15+00:00 en 2007 DICTIONARY OF WAR http://dictionaryofwar.org 59558030 00:24:33 Ogg Theora http://borderlineacademy.org/v2v/show/LSUVZE3N3IIWQEMH3D6HVU7TSXQAWNZG ed2k://|file|v2v_wdk_Resist,_Refuse,_Rebel_Rimini_Protokoll.ogg|59558030|d67970a1007262533dd4d04a22cd3332| magnet:?dn=v2v_wdk_Resist%2C_Refuse%2C_Rebel_Rimini_Protokoll.ogg&xt=urn%3Asha1%3ALSUVZE3N3IIWQEMH3D6HVU7TSXQAWNZG http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Resist%2C_Refuse%2C_Rebel_Rimini_Protokoll.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Saturday, February 24th, 2007 2007-02-28T09:14+00:00 en 2007 DICTIONARY OF WAR http://dictionaryofwar.org 33334503 00:17:39 Ogg Theora http://borderlineacademy.org/v2v/show/5PKX4PHVI5UOTEX3QEFFGZEA64K2452O ed2k://|file|v2v_wdk_Raw_Arianna_Bove.ogg|33334503|a79f3086275c22abcdc62893218e8f9a| magnet:?dn=v2v_wdk_Raw_Arianna_Bove.ogg&xt=urn%3Asha1%3A5PKX4PHVI5UOTEX3QEFFGZEA64K2452O http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Raw_Arianna_Bove.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Eine kurze Ökonomie des Kriegs als Dienstleistung: Was wird beim Krieg verdient. Wer bietet den Service an. Zu welchem Preis. Wer kauft. Wer zahlt. Wie sieht der Markt aus. 2007-02-28T09:12+00:00 de 2007 DICTIONARY OF WAR http://dictionaryofwar.org 63001503 00:24:55 Ogg Theora http://borderlineacademy.org/v2v/show/JDFRX7SA3EIGCACPUHRCI7TP45Q65Z6A ed2k://|file|v2v_wdk_Profit_Stefan_Heidenreich.ogg|63001503|3082ff206bf3b5439cfc3f32f60539ca| magnet:?dn=v2v_wdk_Profit_Stefan_Heidenreich.ogg&xt=urn%3Asha1%3AJDFRX7SA3EIGCACPUHRCI7TP45Q65Z6A http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Profit_Stefan_Heidenreich.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. During my military time in former yugoslavia i had to photograph more than 4500 soldiers for their military IDs. This happened 3 years before the war, which started 91. In the age of 19 and not enough politically grown to realize what i ve got in my hands, the negatives were just trash for me, after i printed 4 copies for each soldier. So all together something like 18000 prints in B/W. Then in 91 i went to the croatian war as a war photographer. During and especially after the war i had to think about all this young boys, i was taken a photographs of. What happend to them? Are they killed? Tortured? Or became killing machines? I cant tell...i only know that these images with the green shirt, fresh cut hair and a scary expression in their face are in my mind until today. These mug shots were my biggest project concerning war i have ever done. Now with the DOW i start from the beginning. Collecting the first 100 faces of an anti-military collaboration. I changed green into white. The colour for mourning and peace in the same moment. There are hundreds of war images by photographers like James Nachtwey, Franklin Stuart, Robert Capa and many others who create images of war and gave it a „face“. I couldn't and cant use those images of thousands of „faces“ of the soldiers to do something with it. So i started from the beginning. And i have to say that... “At least, when we create images, we are doing something.” 2007-02-28T09:10+00:00 en 2007 DICTIONARY OF WAR http://dictionaryofwar.org 14937177 00:07:56 Ogg Theora http://borderlineacademy.org/v2v/show/HY33FZEB263YMBISGDWTW3ZP7F2B66I3 ed2k://|file|v2v_wdk_Portrait_Mugshot_Armin_Smailovic.ogg|14937177|9e69c29b0f2f680fc619e9724cccd6bf| magnet:?dn=v2v_wdk_Portrait_Mugshot_Armin_Smailovic.ogg&xt=urn%3Asha1%3AHY33FZEB263YMBISGDWTW3ZP7F2B66I3 http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Portrait_Mugshot_Armin_Smailovic.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. „Shoplifters of the world, unite and take over“, sangen die Smiths 1986. Das destabilisierende Potenzial des kollektiven Ladendiebstahls scheint ungleich geringer gegenüber dem des Plünderns, und doch setzten bereits die Smiths auf das Aushebeln jener Tauschgesetzmäßigkeit „Geld gegen Ware“, auf denen der ökonomische Imperativ des Systems Kapitalismus nun einmal basiert. Die romantische Vorstellung des kollektiven Ladendiebstahls funktioniert jedoch nur in Friedenszeiten. Im Krieg wird geplündert, und das heißt die willkürlich Aneignung von Besitz, die der Logik des entfesselten Haben-Wollens folgt. 2007-02-28T09:09+00:00 de 2007 DICTIONARY OF WAR http://dictionaryofwar.org 23817308 00:13:12 Ogg Theora http://borderlineacademy.org/v2v/show/IK2DHALUSVWYIFMWUABMWM27IJMG4VMS ed2k://|file|v2v_wdk_Pluendern_Vanessa_Joan_Mueller.ogg|23817308|b22b1b4f007c726577fe0f9c9d31d4c6| magnet:?dn=v2v_wdk_Pluendern_Vanessa_Joan_Mueller.ogg&xt=urn%3Asha1%3AIK2DHALUSVWYIFMWUABMWM27IJMG4VMS http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Pluendern_Vanessa_Joan_Mueller.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Saturday, February 24th, 2007 2007-02-28T09:08+00:00 en 2007 DICTIONARY OF WAR http://dictionaryofwar.org 41294868 00:34:26 Ogg Theora http://borderlineacademy.org/v2v/show/2B3PFSGCNSJXDVXM5YE5IRPQPGMLGJPB ed2k://|file|v2v_wdk_Perception_Attack_Brian_Massumi.ogg|41294868|1195de79d387df193a9f1d152ac37107| magnet:?dn=v2v_wdk_Perception_Attack_Brian_Massumi.ogg&xt=urn%3Asha1%3A2B3PFSGCNSJXDVXM5YE5IRPQPGMLGJPB http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Perception_Attack_Brian_Massumi.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. »Once we fully recognise secular magic's role as a cultural agent, our sensitivity to the play of puzzlement, fictiveness, and contingency in modernity will be heightened.« Simon During, Modern Enchantments (Harvard 2002) »The purpose of this paper is to instruct the reader so he may learn to perform a variety of acts secretly and undetectably. In short, here are instructions for deception.« Some Operational Uses for the Art of Deception, Commissioned for MKULTRA (CIA) from magician John Mulholland in 1954. 2007-02-28T09:07+00:00 en 2007 DICTIONARY OF WAR http://dictionaryofwar.org 46574344 00:27:53 Ogg Theora http://borderlineacademy.org/v2v/show/KAWHW6QVGGZG3YMZAESYT6F7TJUS7CZZ ed2k://|file|v2v_wdk_Magician_Jonathan_Allen.ogg|46574344|2b0cd784eaa8fe7ce48cd79185830c84| magnet:?dn=v2v_wdk_Magician_Jonathan_Allen.ogg&xt=urn%3Asha1%3AKAWHW6QVGGZG3YMZAESYT6F7TJUS7CZZ http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Magician_Jonathan_Allen.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Since 2002, a blueprint for escape route coding has been in place in the United States: the colour-coded terror alert levels set by the US Department of Homeland Security (DHS), called “5 Codes”. Even though the colour sequence does not correspond with the rising wavelength of the colours in the spectrum (blue comes before green), the US government was still clever to choose the rainbow motif, as the “Rainbow Warrior” Isaac Newton with his prismatic analysis of “white divine light” made a major contribution to the dawn of the age of risk . The 5 Codes are exit and relaxation codifications in the age of an outside inside the law. Woven into them is a subtext of readiness, flight and evacuation measures. Sometimes they keep a population on their toes, sometimes not, they slow the tempo down and speed it up as well. They are invisible distribution corridors with regulators for the flow of movement, rudimentary notations of a state choreography for a country that is escaping. 2007-02-28T09:06+00:00 en 2007 DICTIONARY OF WAR http://dictionaryofwar.org 34118552 00:17:54 Ogg Theora http://borderlineacademy.org/v2v/show/YBDOFZVDXI52V56UUSPB2LWD4ZTFQB2V ed2k://|file|v2v_wdk_Homeland_Security_Advisory_System_Stephan_Trueby.ogg|34118552|eb82a5d729b94da9a9f7692aa61ebaed| magnet:?dn=v2v_wdk_Homeland_Security_Advisory_System_Stephan_Trueby.ogg&xt=urn%3Asha1%3AYBDOFZVDXI52V56UUSPB2LWD4ZTFQB2V http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Homeland_Security_Advisory_System_Stephan_Trueby.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Heraklit ist der Philosoph, der die Welt, d.h. die Seinstotalität, als KRIEG gedacht hat, als POLEMOS, WIDERSTREIT (eris), AUSEINANDERSETZUNG, ZWIETRACHT, WERDEN. Mit Heraklit ist der KRIEG zu einer ONTOLOGISCHEN GRÖSSE erhoben. Seitdem gibt es ONTOLOGIE nur als ONTOLOGIE DES KRIEGES und als KRIEGERISCHE ONTOLOGIE. Vielleicht ist Heraklit der PHILOSOPH, von dem sich die ABENDLÄNDISCHE PHILOSOPHIE (d.h. Die PHILOSOPHIE ÜBERHAUPT) nicht erholen kann und nie wird erholen können. Vielleicht liegt hier das ERBE der HERAKLITISCHEN KRIEGSKUNST: das DENKEN, die PHILOSOPHIE, jenseits der PAZIFIERUNG zu situieren. 2007-02-28T09:05+00:00 de 2007 DICTIONARY OF WAR http://dictionaryofwar.org 24616746 00:12:56 Ogg Theora http://borderlineacademy.org/v2v/show/5AAOSCO7SOBS35E5O3GW5SAP2ZPH65YR ed2k://|file|v2v_wdk_Heraklit_Marcus_Steinweg.ogg|24616746|a40d6c0152b6d600f6b6a213115822b2| magnet:?dn=v2v_wdk_Heraklit_Marcus_Steinweg.ogg&xt=urn%3Asha1%3A5AAOSCO7SOBS35E5O3GW5SAP2ZPH65YR http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Heraklit_Marcus_Steinweg.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. The essence or the hidden identity of the helicopter appear as a dichotomy; on the one hand a total threat coming from above, something you cannot possibly escape from, the all-seeing flying eye in the sky, the omnidirectional warmachine; and at the same time, its opposite: a rescuer coming from the air, from heaven above, as an angel. One aspect of this idea is of release (or freedom): Release from threat and fear but also freedom that can be attained if you grow above and beyond yourself. This cipher of evil and illumination is united in the image of the dragon, the snake of fire or the plumed snake. Such basic figures emerge from an meta-individual archetypal reservoir of images of the human psyche traversing the mythologies of many different peoples. 2007-02-28T09:04+00:00 de 2007 DICTIONARY OF WAR http://dictionaryofwar.org 83264814 00:40:10 Ogg Theora http://borderlineacademy.org/v2v/show/LHFHKVX4J5HFNWOO4RCTI3R3EKKDFY6Y ed2k://|file|v2v_wdk_Helikopter_Heinrich_Dubel.ogg|83264814|cf3570437bd7361fdec7a7ef1d986548| magnet:?dn=v2v_wdk_Helikopter_Heinrich_Dubel.ogg&xt=urn%3Asha1%3ALHFHKVX4J5HFNWOO4RCTI3R3EKKDFY6Y http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Helikopter_Heinrich_Dubel.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. »Flintenweib« ist eine auf deutscher Seite gebräuchliche feindliche Bezeichnung für die sowjetische Soldatin im Zweiten Weltkrieg, sie wurde in Propaganda und Befehlsgebung der Wehrmacht angewandt – mit mörderischer Konsequenz. Der Begriff „Flintenweib“ äußert auch eine soziale Konstruktion des Weiblichen und Männlichen im Krieg. 2007-02-26T19:59+00:00 de 2007 DICTIONARY OF WAR http://dictionaryofwar.org 38482360 00:16:10 Ogg Theora http://borderlineacademy.org/v2v/show/O3WSNAKTHDBJC3VDP26QVCQTITIEV7FP ed2k://|file|v2v_wdk_Flintenweib_Andrea_Moll.ogg|38482360|c600fe4290fbafff30851b21f121887b| magnet:?dn=v2v_wdk_Flintenweib_Andrea_Moll.ogg&xt=urn%3Asha1%3AO3WSNAKTHDBJC3VDP26QVCQTITIEV7FP http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Flintenweib_Andrea_Moll.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. and to present various approaches to entertainment in different armies today as well as to question why don't we have entertainment for peacekeeping soldiers on international level. Lecture will consist on presenting documents as well as a part of documentary about American Military Theatre festival I am busy with. 2007-02-26T19:58+00:00 en 2007 DICTIONARY OF WAR http://dictionaryofwar.org 72593006 00:25:46 Ogg Theora http://borderlineacademy.org/v2v/show/YUXYRKCCHMEORNZF4XGDFFBQ3CXNTJ66 ed2k://|file|v2v_wdk_Entertainment_Emil_Hrvatin.ogg|72593006|6838182926a031b37e940e478c42b102| magnet:?dn=v2v_wdk_Entertainment_Emil_Hrvatin.ogg&xt=urn%3Asha1%3AYUXYRKCCHMEORNZF4XGDFFBQ3CXNTJ66 http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Entertainment_Emil_Hrvatin.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Friday, February 23th, 2007 2007-02-26T19:57+00:00 en 2007 DICTIONARY OF WAR http://dictionaryofwar.org 59528169 00:22:40 Ogg Theora http://borderlineacademy.org/v2v/show/JMGTJPYCCANKF4X5ZDG2AXRBDPK2QE4L ed2k://|file|v2v_wdk_Disappeared_Sylvere_Lotringer.ogg|59528169|32b8bea4693bd41a69c8608fb0aad37f| magnet:?dn=v2v_wdk_Disappeared_Sylvere_Lotringer.ogg&xt=urn%3Asha1%3AJMGTJPYCCANKF4X5ZDG2AXRBDPK2QE4L http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Disappeared_Sylvere_Lotringer.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. exploitation imagineered urbanism islamic banking laundered dollars permanent exception slavery in the 21st century The World Economic Forum Davos "The world" island resort, Dubai 2007-02-26T19:54+00:00 en 2007 DICTIONARY OF WAR http://dictionaryofwar.org 98833234 00:23:18 Ogg Theora http://borderlineacademy.org/v2v/show/Z2WECHHH2ZNKGVT462QVYN6VKR363Y4I ed2k://|file|v2v_wdk_Davos_Dubai_Christian_von_Borries.ogg|98833234|a6b565b519b221f904ccb6ec7f97f5fd| magnet:?dn=v2v_wdk_Davos_Dubai_Christian_von_Borries.ogg&xt=urn%3Asha1%3AZ2WECHHH2ZNKGVT462QVYN6VKR363Y4I http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Davos_Dubai_Christian_von_Borries.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Coloniality, no longer an awkward major paradigm but an agile minor concept, enters the mise en scène of William Kentridge's »black box« (Germany/South Africa 2005) and its reenactment of Germany's most recent Historikerstreit to report on various passions for the real. 2007-02-26T19:53+00:00 en 2007 DICTIONARY OF WAR http://dictionaryofwar.org 17017780 00:08:00 Ogg Theora http://borderlineacademy.org/v2v/show/7NFYKLEOBXDFQKXED4W362IWWRMBSN7W ed2k://|file|v2v_wdk_Coloniality_Soenke_Zehle.ogg|17017780|f472811cc9dcd7c0b51c25c3ec602708| magnet:?dn=v2v_wdk_Coloniality_Soenke_Zehle.ogg&xt=urn%3Asha1%3A7NFYKLEOBXDFQKXED4W362IWWRMBSN7W http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Coloniality_Soenke_Zehle.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Autoxylopyrocycloboros (2006) took the form of self-defeating journey in a small wooden steam boat. The voyage, made on the waters of Loch Long, Scotland, home to the Trident submarine base and neighbouring peace camp, was fuelled with wood from the boat itself, as plank by plank, piece by piece, it was feed to its own boiler, until inevitably disappearing into the submarine infested depths of the Loch. 2007-02-26T19:52+00:00 en 2007 DICTIONARY OF WAR http://dictionaryofwar.org 20640844 00:11:44 Ogg Theora http://borderlineacademy.org/v2v/show/WY4SIHIFFMS25RPNBLRDFZSQT5PXMHZE ed2k://|file|v2v_wdk_Autoxylopyrocycloboros_Simon_Starling.ogg|20640844|f2effb8ebed6e70775e3586599549d7e| magnet:?dn=v2v_wdk_Autoxylopyrocycloboros_Simon_Starling.ogg&xt=urn%3Asha1%3AWY4SIHIFFMS25RPNBLRDFZSQT5PXMHZE http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Autoxylopyrocycloboros_Simon_Starling.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Friday, February 23th, 2007 2007-02-26T19:50+00:00 en 2007 DICTIONARY OF WAR http://dictionaryofwar.org 61647472 00:25:30 Ogg Theora http://borderlineacademy.org/v2v/show/DBOSQ5HMEF4JHN53NZWLNTDDESCUZJSO ed2k://|file|v2v_wdk_Anxiety_Felix_Ensslin.ogg|61647472|e0c4b96ad3ccd97bc41c6b67c44150b0| magnet:?dn=v2v_wdk_Anxiety_Felix_Ensslin.ogg&xt=urn%3Asha1%3ADBOSQ5HMEF4JHN53NZWLNTDDESCUZJSO http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Anxiety_Felix_Ensslin.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Friday, February 23th, 2007 2007-02-26T19:47+00:00 en 2007 DICTIONARY OF WAR http://dictionaryofwar.org 61240005 00:24:32 Ogg Theora http://borderlineacademy.org/v2v/show/VBWGZ3I4FLGXHIGSA5XWFUL2ZENUCA7F ed2k://|file|v2v_wdk_Anti-War_Saskia_Sassen.ogg|61240005|7da419b244a388d27a5c7464b13975c8| magnet:?dn=v2v_wdk_Anti-War_Saskia_Sassen.ogg&xt=urn%3Asha1%3AVBWGZ3I4FLGXHIGSA5XWFUL2ZENUCA7F http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Anti-War_Saskia_Sassen.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. An occupation, military or civilian, is lived out at many different levels, modalities and distances. The suffering that is visited upon those whose freedoms are curtailed, whose movement is blocked and whose lives are threatened is rarely matched by the misgivings of those implicated in inflicting the occupation, or those associated with it through citizenship or other modes of inscription. Our concern here is with the question of how the occupiers might vigilantly live out an occupation beyond the simple rhetorics of resistance. There are many levels to such a living – out ; the need to be alert and vigilant in seeing what is actually going on, the need to document it, the need to find ways of incorporating what one sees into one’s work – often in oblique and indirect modes. At times one is close to the action taking place, close enough to have each and every detail register on one’s consciousness and at times one is distant , distant enough to observe the larger framework of what all this is leading to. To understand how an occupation not just restricts those occupied, but how it corrupts and erodes those who are occupying. The supposed boundaries between occupier and occupied are far more porous, far more eroded than one would tend to think and vigilance serves the purpose of keeping them so. 2007-02-26T19:17+00:00 en 2007 DICTIONARY OF WAR http://dictionaryofwar.org 75606969 00:29:20 Ogg Theora http://borderlineacademy.org/v2v/show/IWJHOT5WSN6HHL7RCMEOEGDMXN4HBMXR ed2k://|file|v2v_wdk_Alert_Irit_Rogoff_Meir_Wigoder.ogg|75606969|2589cd05013344ab7066a21903c32b2b| magnet:?dn=v2v_wdk_Alert_Irit_Rogoff_Meir_Wigoder.ogg&xt=urn%3Asha1%3AIWJHOT5WSN6HHL7RCMEOEGDMXN4HBMXR http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Alert_Irit_Rogoff_Meir_Wigoder.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Giorgio Agamben, renowned philosopher, engages in particular with language and social conflicts, teaches at the Universit‡ IUAV di Venezia, CollËge International de Philosophie, Paris. Among his books are: Homo Sacer: Sovereign Power and Bare Life, Remnants of Auschwitz: The Witness and the Archive and The Open: Man and Animal. His most recent works are: State of Exception, and The Time that Remains: A Commentary on the Letter to the Romans. Talk by Giorgio Agamben 2007-02-14T10:36+00:00 en 2007 iram@sarai.net http:// 105494259 00:53:56 Ogg Theora http://borderlineacademy.org/v2v/show/MU37NGYDV4DNGBESGGHOETU2NPMZP56W ed2k://|file|Giorgio_Agamben.ogg|105494259|4669199c3d3e01e820d2bda5d62235e8| magnet:?dn=Giorgio_Agamben.ogg&xt=urn%3Asha1%3AMU37NGYDV4DNGBESGGHOETU2NPMZP56W http://borderlineacademy.org/files/ba/torrents/Giorgio_Agamben.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Lecture Performance by Ottmar Wagner und Florian Feigl, September 14th, 2006, in at Atelierfrankfurt in Frankfurt/Main. Part of the ongoing programme "Performing Lectures" by Unfriendly Takeover. 2007-02-11T15:45+00:00 de 2006 Unfriendly Takeover info@unfriendly-takeover.de http://www.unfriendly-takeover.de 133988178 01:05:24 Ogg Theora http://borderlineacademy.org/v2v/show/YIX6XDU5KZMT6BFZWPQ6SGR3A7FZKUEB ed2k://|file|v2v_ut_wagnerfeigl.ogg|133988178|12b482606f015e3227d4f4768d302c0f| magnet:?dn=v2v_ut_wagnerfeigl.ogg&xt=urn%3Asha1%3AYIX6XDU5KZMT6BFZWPQ6SGR3A7FZKUEB http://borderlineacademy.org/files/ba/torrents/v2v_ut_wagnerfeigl.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Lecture Performance by Paul Granjon, October 26th, 2006, in Frankfurt/Main. Part of the ongoing programme "Performing Lectures" by Unfriendly Takeover. 2007-02-09T21:29+00:00 en 2006 Unfriendly Takeover info@unfriendly-takeover.de http://www.unfriendly-takeover.de 119172717 00:39:46 Ogg Theora http://borderlineacademy.org/v2v/show/PBTSHYOCE6HSPYKZUS3W25MZV3BVT3QM ed2k://|file|Granjon.ogg|119172717|d77db975bb9cd70d9da43766400d2efb| magnet:?dn=Granjon.ogg&xt=urn%3Asha1%3APBTSHYOCE6HSPYKZUS3W25MZV3BVT3QM http://borderlineacademy.org/files/ba/torrents/Granjon.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Mission: Art Center is documenting the ways, the municipality is using in its absurd war against cultural, artistic and developmental center – Art center in Goričko. In this video you can hear absurd claims, such as, that the program of Art center would be suitable for big metropolis such as Berlin, but not in the rural areas. Background story: in Goričko, the most de-privileged part of Slovenia, a group of enthusiasts established Art center, the first residential artistic center in Slovenia. Financed mostly from EU funds and based exclusively on voluntary work. Art center is combining international artistic residences with local developmental projects and informal education. However, the mayor of Moravske Toplice, which is itself a co-founder of Art center, decided, that he doesn't want art, culture and development in his municipality and started a war against the group of artists. Through illegally elected active manager Petra Pika Pevec, he managed to block the account, cut the phone and internet and destroy the contracts with the EU and even evict the working team. 2007-01-02T04:21+00:00 en 2006 Art center http://www.artcenter-slovenia.org/ 34203686 00:16:54 Ogg Theora http://borderlineacademy.org/v2v/show/KRETACID3S3PKCUPXE53SMLMQTVBVA2C ed2k://|file|Mission_Art_Center.ogg|34203686|f77fbc14dbdf43c0c34322a45c8ee6e6| magnet:?dn=Mission_Art_Center.ogg&xt=urn%3Asha1%3AKRETACID3S3PKCUPXE53SMLMQTVBVA2C http://borderlineacademy.org/files/ba/torrents/Mission_Art_Center.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. This documentary video is based on contradictory public statements of the mayor of Moravske Toplice and Pika Petra Pevec – the illegally installed active manager of Art center in Goričko. Background story: in Goričko, the most de-privileged part of Slovenia, a group of enthusiasts established Art center, the first residential artistic center in Slovenia. Financed mostly from EU funds and based exclusively on voluntary work. Art center is combining international artistic residences with local developmental projects and informal education. However, the mayor of Moravske Toplice, which is itself a co-founder of Art center, decided, that he doesn't want art, culture and development in his municipality and started a war against the group of artists. Through illegally elected active manager Petra Pika Pevec, he managed to block the account, cut the phone and internet and destroy the contracts with the EU and even evict the working team. 2007-01-02T04:08+00:00 sl 2006 Art center http://www.artcenter-slovenia.org/ 35880507 00:10:54 Ogg Theora http://borderlineacademy.org/v2v/show/RGVGE3ALUOTGVCIBFKPVLNM3NW5XPX5P ed2k://|file|Ljubezen_do_umetnosti.ogg|35880507|112af7540b70c14992b739f49554428f| magnet:?dn=Ljubezen_do_umetnosti.ogg&xt=urn%3Asha1%3ARGVGE3ALUOTGVCIBFKPVLNM3NW5XPX5P http://borderlineacademy.org/files/ba/torrents/Ljubezen_do_umetnosti.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. This is a four minute documented conversation between the working team of Art center in Goričko and Art center's illegally imposed active manager Petra Pika Pevec, who in more than 9 months, though being payed, didn't manage to come to Art center, but did manage to block the account, destroy several project financed by EU and national founds, cut the phone and internet and evict the working team. Background story: in Goričko, the most de-privileged part of Slovenia, a group of enthusiasts established Art center, the first residential artistic center in Slovenia. Financed mostly from EU funds and based exclusively on voluntary work. Art center is combining international artistic residences with local developmental projects and informal education. However, the mayor of Moravske Toplice, which is itself a co-founder of Art center, decided, that he doesn't want art, culture and development in his municipality and started a war against the group of artists. The illegally elected active manager Petra Pika Pevec is doing the dirty work. 2007-01-02T03:37+00:00 sl 2006 Art center http://www.artcenter-slovenia.org/ 6841817 00:05:09 Ogg Theora http://borderlineacademy.org/v2v/show/KEWN6O442P5RNPHZ5RWJYNYSN44RFLOU ed2k://|file|Skrb_Petre_Pike_Pevec_za_Art_center.ogg|6841817|2e2a9ecc6cde4ea0a47f12b516bcfc8d| magnet:?dn=Skrb_Petre_Pike_Pevec_za_Art_center.ogg&xt=urn%3Asha1%3AKEWN6O442P5RNPHZ5RWJYNYSN44RFLOU http://borderlineacademy.org/files/ba/torrents/Skrb_Petre_Pike_Pevec_za_Art_center.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Saturday, October 14, 2006 2006-10-18T16:18+00:00 de 2006 DICTIONARY OF WAR http://dictionaryofwar.org 48841256 00:22:11 Ogg Theora http://borderlineacademy.org/v2v/show/ZMDPXOI6AMJFSQY4AJI3N3MS3JJFDLGY ed2k://|file|v2v_wdk_PartisanInnen,_Kaerntner_Tina_Leisch.ogg|48841256|9a33c96cbf13be48bc2f335deedd1b9b| magnet:?dn=v2v_wdk_PartisanInnen%2C_Kaerntner_Tina_Leisch.ogg&xt=urn%3Asha1%3AZMDPXOI6AMJFSQY4AJI3N3MS3JJFDLGY http://borderlineacademy.org/files/ba/torrents/v2v_wdk_PartisanInnen%2C_Kaerntner_Tina_Leisch.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. What does the war on the poor sound like? 2006-10-18T14:18+00:00 en 2006 DICTIONARY OF WAR http://dictionaryofwar.org 87411311 00:35:42 Ogg Theora http://borderlineacademy.org/v2v/show/JLP24W5LQG34BQ3IKKVI4LA2RN5ALXHJ ed2k://|file|v2v_wdk_War_on_the_Poor_Ultrared.ogg|87411311|5e1ff24f3911927448f35be290eab921| magnet:?dn=v2v_wdk_War_on_the_Poor_Ultrared.ogg&xt=urn%3Asha1%3AJLP24W5LQG34BQ3IKKVI4LA2RN5ALXHJ http://borderlineacademy.org/files/ba/torrents/v2v_wdk_War_on_the_Poor_Ultrared.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Saturday, October 14, 2006 2006-10-18T14:16+00:00 en 2006 DICTIONARY OF WAR http://dictionaryofwar.org 72482676 00:30:20 Ogg Theora http://borderlineacademy.org/v2v/show/BLPCNZYHAVTXZAOPUC6U3HRH2DABOCJ5 ed2k://|file|v2v_wdk_Verfassungskriege_Peter_Weibel.ogg|72482676|7a05538d576cecf03c32b24468255669| magnet:?dn=v2v_wdk_Verfassungskriege_Peter_Weibel.ogg&xt=urn%3Asha1%3ABLPCNZYHAVTXZAOPUC6U3HRH2DABOCJ5 http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Verfassungskriege_Peter_Weibel.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Saturday, October 14, 2006 2006-10-18T14:15+00:00 en 2006 DICTIONARY OF WAR http://dictionaryofwar.org 71121564 00:34:34 Ogg Theora http://borderlineacademy.org/v2v/show/VJ3FZX7ZSV65SPDWR6GAPOJWYUT4I4ZY ed2k://|file|v2v_wdk_Tracking_Jordan_Crandall.ogg|71121564|2ba1c40d0e34005a4efdfcf1ab7862db| magnet:?dn=v2v_wdk_Tracking_Jordan_Crandall.ogg&xt=urn%3Asha1%3AVJ3FZX7ZSV65SPDWR6GAPOJWYUT4I4ZY http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Tracking_Jordan_Crandall.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. 1. patterns of location in past wars / 2. threat to territory as rationale for war / 3. outer space as the upcoming field of war 2006-10-18T14:14+00:00 en 2006 DICTIONARY OF WAR http://dictionaryofwar.org 52878611 00:18:47 Ogg Theora http://borderlineacademy.org/v2v/show/CAJGAKKT3WWKSONK3WZGOXNATHIZU2R6 ed2k://|file|v2v_wdk_Territory_Peter_Fend.ogg|52878611|3aa5e3dbf2db4d1037f58009023592cc| magnet:?dn=v2v_wdk_Territory_Peter_Fend.ogg&xt=urn%3Asha1%3ACAJGAKKT3WWKSONK3WZGOXNATHIZU2R6 http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Territory_Peter_Fend.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Saturday, October 14, 2006 2006-10-18T14:13+00:00 en 2006 DICTIONARY OF WAR http://dictionaryofwar.org 16386240 00:12:54 Ogg Theora http://borderlineacademy.org/v2v/show/2KDG4Q6OTTAPERK7KAYKV5CIFXT2V6JE ed2k://|file|v2v_wdk_Surface_Tris_Vonna-Michell.ogg|16386240|edd2b79f094309db037c14420ce17041| magnet:?dn=v2v_wdk_Surface_Tris_Vonna-Michell.ogg&xt=urn%3Asha1%3A2KDG4Q6OTTAPERK7KAYKV5CIFXT2V6JE http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Surface_Tris_Vonna-Michell.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Saturday, October 14, 2006 2006-10-18T14:11+00:00 en 2006 DICTIONARY OF WAR http://dictionaryofwar.org 42333760 00:17:30 Ogg Theora http://borderlineacademy.org/v2v/show/OS4SUXT356EPDUB4TIW3S3R7PRZEH2I4 ed2k://|file|v2v_wdk_Staged_Revolution_Oleg_Kireev.ogg|42333760|5f39dd3c8c59bc2af04aaa7f5fbfd656| magnet:?dn=v2v_wdk_Staged_Revolution_Oleg_Kireev.ogg&xt=urn%3Asha1%3AOS4SUXT356EPDUB4TIW3S3R7PRZEH2I4 http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Staged_Revolution_Oleg_Kireev.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Saturday, October 14, 2006 2006-10-18T14:09+00:00 en 2006 DICTIONARY OF WAR http://dictionaryofwar.org 59188035 00:22:13 Ogg Theora http://borderlineacademy.org/v2v/show/67IKHSDJWLKKCWFHHSGFM6SM7UA5UQ7D ed2k://|file|v2v_wdk_Sensibilita_Franco_Berardi.ogg|59188035|91fe21881100c7712571e0abbb9e46b0| magnet:?dn=v2v_wdk_Sensibilita_Franco_Berardi.ogg&xt=urn%3Asha1%3A67IKHSDJWLKKCWFHHSGFM6SM7UA5UQ7D http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Sensibilita_Franco_Berardi.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. "An eye for an eye makes the whole world blind." - Mahatma Gandhi 2006-10-18T14:08+00:00 en 2006 DICTIONARY OF WAR http://dictionaryofwar.org 72126423 00:29:03 Ogg Theora http://borderlineacademy.org/v2v/show/GEAMP2A2ML5I3AR2WLHOFTHBQM7FHCEZ ed2k://|file|v2v_wdk_Revenge_Warren_Neidich.ogg|72126423|953c2318fd1ac18ba8fca14c11e9acd5| magnet:?dn=v2v_wdk_Revenge_Warren_Neidich.ogg&xt=urn%3Asha1%3AGEAMP2A2ML5I3AR2WLHOFTHBQM7FHCEZ http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Revenge_Warren_Neidich.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Provocation is a means of visualizing a religious identity in a secular context. As a hybrid of the notions of vocation, "a divine call to God’s service," and provocation, "a means of arousing or stirring to action", provocation can be understood a means of asserting a believer's democratic rights to practice his or her religion fearlessly. 2006-10-18T14:07+00:00 en 2006 DICTIONARY OF WAR http://dictionaryofwar.org 53662932 00:27:03 Ogg Theora http://borderlineacademy.org/v2v/show/ADHNR7N4IHQPQKOPPUXTH6IPFRJMTSH7 ed2k://|file|v2v_wdk_Pro-vocation_Azra_Aksamija.ogg|53662932|47bb37ccab726a0db0ec5716c9466411| magnet:?dn=v2v_wdk_Pro-vocation_Azra_Aksamija.ogg&xt=urn%3Asha1%3AADHNR7N4IHQPQKOPPUXTH6IPFRJMTSH7 http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Pro-vocation_Azra_Aksamija.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Saturday, October 14, 2006 2006-10-18T14:06+00:00 en 2006 DICTIONARY OF WAR http://dictionaryofwar.org 58090753 00:25:29 Ogg Theora http://borderlineacademy.org/v2v/show/DSYJZZQAAG6N3MOE47GT465B3ZPUCHP2 ed2k://|file|v2v_wdk_Power_Points_DeeDee_Halleck.ogg|58090753|cdab7db8f651fceb526326f03fd13871| magnet:?dn=v2v_wdk_Power_Points_DeeDee_Halleck.ogg&xt=urn%3Asha1%3ADSYJZZQAAG6N3MOE47GT465B3ZPUCHP2 http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Power_Points_DeeDee_Halleck.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Saturday, October 14, 2006 2006-10-18T13:54+00:00 en 2006 DICTIONARY OF WAR http://dictionaryofwar.org 31033692 00:13:53 Ogg Theora http://borderlineacademy.org/v2v/show/YKQWAHCS5Y5QYDEVIPTIA6K3TIBH5VXM ed2k://|file|v2v_wdk_Negotiation_Sergej_Goran_Pristas_Ivana_Ivkovic.ogg|31033692|0ba2ab9faeaedb104520bf2ae8da15c4| magnet:?dn=v2v_wdk_Negotiation_Sergej_Goran_Pristas_Ivana_Ivkovic.ogg&xt=urn%3Asha1%3AYKQWAHCS5Y5QYDEVIPTIA6K3TIBH5VXM http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Negotiation_Sergej_Goran_Pristas_Ivana_Ivkovic.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Saturday, October 14, 2006 2006-10-18T13:53+00:00 de 2006 DICTIONARY OF WAR http://dictionaryofwar.org 56457476 00:22:24 Ogg Theora http://borderlineacademy.org/v2v/show/XS3TMMSH2BBIYERRY24N4EMIHJ4CBTCI ed2k://|file|v2v_wdk_Kriegsgefangenenlager_Andreas_Hiepko.ogg|56457476|150405936501650cc5362ea427c4b5ec| magnet:?dn=v2v_wdk_Kriegsgefangenenlager_Andreas_Hiepko.ogg&xt=urn%3Asha1%3AXS3TMMSH2BBIYERRY24N4EMIHJ4CBTCI http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Kriegsgefangenenlager_Andreas_Hiepko.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Saturday, October 14, 2006 2006-10-18T13:51+00:00 de 2006 DICTIONARY OF WAR http://dictionaryofwar.org 75186222 00:22:40 Ogg Theora http://borderlineacademy.org/v2v/show/3TOFC6JMFNPAUKPTGXMO5PEPNSNNQMLV ed2k://|file|v2v_wdk_Komplizenschaft_Gesa_Ziemer.ogg|75186222|215b7a11ea1f4f4c4825797cbded91ff| magnet:?dn=v2v_wdk_Komplizenschaft_Gesa_Ziemer.ogg&xt=urn%3Asha1%3A3TOFC6JMFNPAUKPTGXMO5PEPNSNNQMLV http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Komplizenschaft_Gesa_Ziemer.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Abstract wars demand abstract enemies, and the Hostis Humani Generis (or the enemy against all mankind) is a title that has been bestowed on a host of figures; starting with the pirate and now the terrorist, I seek to understand the links between property, piracy and terrorism and propose that the concept of Hostis Humani Generis helps us understand the idea of war as a continuation of property by other means. 2006-10-18T13:50+00:00 en 2006 DICTIONARY OF WAR http://dictionaryofwar.org 89930241 00:32:10 Ogg Theora http://borderlineacademy.org/v2v/show/7PLMYYINRCEHFPTJLYSY44RBUANBQAFP ed2k://|file|v2v_wdk_Hostis_Humani_Generis_Lawrence_Liang.ogg|89930241|96b86fa221986f03344cbf57e1914efa| magnet:?dn=v2v_wdk_Hostis_Humani_Generis_Lawrence_Liang.ogg&xt=urn%3Asha1%3A7PLMYYINRCEHFPTJLYSY44RBUANBQAFP http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Hostis_Humani_Generis_Lawrence_Liang.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Friday, October 13, 2006 2006-10-14T23:48+00:00 en 2006 DICTIONARY OF WAR http://dictionaryofwar.org 32734652 00:09:45 Ogg Theora http://borderlineacademy.org/v2v/show/PH64LEVCTX3AU6NZ5NWWQFQAAYYWXQT6 ed2k://|file|v2v_wdk_Heroes_Thomas_Draschan.ogg|32734652|cba51a1386e9048db06cc391b662f184| magnet:?dn=v2v_wdk_Heroes_Thomas_Draschan.ogg&xt=urn%3Asha1%3APH64LEVCTX3AU6NZ5NWWQFQAAYYWXQT6 http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Heroes_Thomas_Draschan.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Friday, October 13, 2006 2006-10-14T23:42+00:00 de 2006 DICTIONARY OF WAR http://dictionaryofwar.org 51039331 00:24:59 Ogg Theora http://borderlineacademy.org/v2v/show/PL5O5YBNM2FAZIKGJKM73MIM67IKY24N ed2k://|file|v2v_wdk_Electronic_Soldier_Stefan_Kaufmann.ogg|51039331|c5d231085b473b8052da41afcad5c2fa| magnet:?dn=v2v_wdk_Electronic_Soldier_Stefan_Kaufmann.ogg&xt=urn%3Asha1%3APL5O5YBNM2FAZIKGJKM73MIM67IKY24N http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Electronic_Soldier_Stefan_Kaufmann.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Friday, October 13, 2006 Der Begriff der "Entwurzelung" orientiert sich an dem von Pierre Bourdieu gewählten Begriff "Déracinement / Uprooting", der gleichzeitig den Titel eines von ihm in Zusammenarbeit mit Abdelmalek Sayad 1964 veröffentlichten Buches bildet. Gegenstand dieser Studie sind die tiefgreifenden gesellschaftlichen Auswirkungen der französischen Kolonialpolitik (seit 1830) und des Unabhängigkeitskrieges (1954-1962) auf die algerische Bevölkerung. Vor allem die Umsiedlung großer Bevölkerungsgruppen insbesondere im ländlichen Raum in die Centres de regroupement, von der über 2 Millionen Algerier (ein Viertel der Gesamtbevölkerung) betroffen waren, ist eine der brutalsten Vorgänge dieser Art der Geschichte und wurde von Bourdieu/Sayad in ihrer Studie exemplarisch analysiert 2006-10-14T23:39+00:00 en 2006 DICTIONARY OF WAR http://dictionaryofwar.org 42959709 00:23:00 Ogg Theora http://borderlineacademy.org/v2v/show/7F5INWDETP4I4AVOJMLK5X73FRWMMW3H ed2k://|file|v2v_wdk_Deracinement_Christine_Frisinghelli.ogg|42959709|d6081f8b4fce4540a6ab594b95f1ca6b| magnet:?dn=v2v_wdk_Deracinement_Christine_Frisinghelli.ogg&xt=urn%3Asha1%3A7F5INWDETP4I4AVOJMLK5X73FRWMMW3H http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Deracinement_Christine_Frisinghelli.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Friday, October 13, 2006 2006-10-14T23:35+00:00 en 2006 DICTIONARY OF WAR http://dictionaryofwar.org 89036696 00:32:16 Ogg Theora http://borderlineacademy.org/v2v/show/4RFL44K2JTEHFR37TSQZ4GPIMIKDNEYZ ed2k://|file|v2v_wdk_Conditional_Surrender_to_the_City_of_Gardens_The_Errorists.ogg|89036696|35f255f41ce4f00508d31439091a8981| magnet:?dn=v2v_wdk_Conditional_Surrender_to_the_City_of_Gardens_The_Errorists.ogg&xt=urn%3Asha1%3A4RFL44K2JTEHFR37TSQZ4GPIMIKDNEYZ http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Conditional_Surrender_to_the_City_of_Gardens_The_Errorists.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Friday, October 13, 2006 2006-10-14T23:27+00:00 en 2006 DICTIONARY OF WAR http://dictionaryofwar.org 43850945 00:19:23 Ogg Theora http://borderlineacademy.org/v2v/show/EQPGAYMXEMQOGOBBMWJYLCUE4ZDELTTC ed2k://|file|v2v_wdk_Ausnahme_Michael_Hirsch.ogg|43850945|499591fda6ae0274aab53116771d4003| magnet:?dn=v2v_wdk_Ausnahme_Michael_Hirsch.ogg&xt=urn%3Asha1%3AEQPGAYMXEMQOGOBBMWJYLCUE4ZDELTTC http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Ausnahme_Michael_Hirsch.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. (1) the image of people cleaning up their houses and streets, and what's left of it after they been attacked, bombed etc. (2) the myth of Trümmerfrauen cleaning up the rubble in post-war Germany, when, at the same time, the trope auf cleaning up was strong as a right wing trope of law and order, and even war (3) the antagonism of negentropic cleaning up and entropic war 2006-10-14T23:24+00:00 de 2006 DICTIONARY OF WAR http://dictionaryofwar.org 91590879 00:29:35 Ogg Theora http://borderlineacademy.org/v2v/show/HSH4K5M22GGGDUE7FSI3PZNMOTJC4DFF ed2k://|file|v2v_wdk_Aufrauumen_Diedrich_Diederichsen.ogg|91590879|443360b08c1d420be2770b9d8909ac52| magnet:?dn=v2v_wdk_Aufrauumen_Diedrich_Diederichsen.ogg&xt=urn%3Asha1%3AHSH4K5M22GGGDUE7FSI3PZNMOTJC4DFF http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Aufrauumen_Diedrich_Diederichsen.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Friday, October 13, 2006 2006-10-14T23:16+00:00 2006 DICTIONARY OF WAR http://dictionaryofwar.org 44920690 00:19:25 Ogg Theora http://borderlineacademy.org/v2v/show/ZBOEZSPG2FIQPYIZ4GCANLAZ43AC2CMX ed2k://|file|v2v_wdk_Attitudes_Edgar_Schmitz.ogg|44920690|6c3242bac3123b4a263eeffbdd3b3189| magnet:?dn=v2v_wdk_Attitudes_Edgar_Schmitz.ogg&xt=urn%3Asha1%3AZBOEZSPG2FIQPYIZ4GCANLAZ43AC2CMX http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Attitudes_Edgar_Schmitz.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Friday, October 13, 2006 2006-10-14T23:11+00:00 de 2006 DICTIONARY OF WAR http://dictionaryofwar.org 82658087 00:31:30 Ogg Theora http://borderlineacademy.org/v2v/show/6HAZEBRJ7V4AHKIAJPRYC6Z3PQ7E3ZFU ed2k://|file|v2v_wdk_Asymmetric_Warfare_Raul_Zelik.ogg|82658087|ced40525af0f7d02066ac9a36b13a269| magnet:?dn=v2v_wdk_Asymmetric_Warfare_Raul_Zelik.ogg&xt=urn%3Asha1%3A6HAZEBRJ7V4AHKIAJPRYC6Z3PQ7E3ZFU http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Asymmetric_Warfare_Raul_Zelik.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Ashwatthama is a character in the Mahabharata, cursed to live forever, as a kind of wandering warrior. 2006-10-14T22:41+00:00 en 2006 DICTIONARY OF WAR http://dictionaryofwar.org 34985616 00:15:48 Ogg Theora http://borderlineacademy.org/v2v/show/YBQKBBSRW7XOJ7EVBX3UF32CPA76L3A6 ed2k://|file|v2v_wdk_Ashwatthama_Raqs_Media_Collective.ogg|34985616|f0bbea357a189f1482a52592bb187ad0| magnet:?dn=v2v_wdk_Ashwatthama_Raqs_Media_Collective.ogg&xt=urn%3Asha1%3AYBQKBBSRW7XOJ7EVBX3UF32CPA76L3A6 http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Ashwatthama_Raqs_Media_Collective.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. 654.965 2006-10-14T22:26+00:00 en 2006 DICTIONARY OF WAR http://dictionaryofwar.org 45037485 00:20:42 Ogg Theora http://borderlineacademy.org/v2v/show/R3GTG4UWFI2B5NFM3W7R345CH32CPODG ed2k://|file|v2v_wdk_Exergue_Mansur_Jacoubi.ogg|45037485|845d96b391e563672f397a4360f1b634| magnet:?dn=v2v_wdk_Exergue_Mansur_Jacoubi.ogg&xt=urn%3Asha1%3AR3GTG4UWFI2B5NFM3W7R345CH32CPODG http://borderlineacademy.org/files/ba/torrents/v2v_wdk_Exergue_Mansur_Jacoubi.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. This panel with Irit Rogoff and Lawrence Liang, moderated by Florian Schneider, took place on Oktober 11th 2006 in the context of the Workshop on "Collaboration". The Workshop took place at the Steirischer Herbst, from Oktober 7th - 13th 2006 and discussed and explored different notions on collaboration. 2006-10-12T13:49+00:00 en 2006 KEIN TV multitude@kein.org http://kein.org/collaboration 278940834 01:34:54 Ogg Theora http://borderlineacademy.org/v2v/show/PNNWOTJSUFPCL3QP7X3RDU4XVUTPFWDI ed2k://|file|collaboration.ogg|278940834|5b91819f7d56397ffedbc36e285d2eb2| magnet:?dn=collaboration.ogg&xt=urn%3Asha1%3APNNWOTJSUFPCL3QP7X3RDU4XVUTPFWDI http://borderlineacademy.org/files/ba/torrents/collaboration.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Der Film ist im Rahmen einer Diplomarbeit an der Hochschule für Gestaltung, Offenbach am Main entstanden. Untersucht wird die Informations- und Medienarbeit der Bundeswehr. Ausgehend vom “sicherheitspolitischen Paradigmenwechsel” am Ende des kalten Krieges werden Kontinuitäten und Wechsel in diesem Bereich betrachtet. Anhand von Zeitzeugeninterviews mit Soldaten aus Einheiten für “Psychologische Kampfführung” (PSK) bzw. “Psychologische Verteidigung” (PSV) wird deren vornehmlich gegen die DDR gerichtete Propaganda- und Zersetzungstätigkeit beschrieben. Der Apparat der PSK bzw. PSV wurde einhergehend mit einer Skandalisierung seiner verdeckt ausgeführten Ausforschungs- und Einwirkungstätigkeit im bundesdeutschen Inland zum Ende der 80er Jahre aufgelöst. Über eine sogenannte “Studiengesellschaft für Zeitprobleme e.V.” waren getarnte Propagandaprodukte der Bundeswehr an vermeintlich wehrkritische Zielgruppen in der BRD lanciert worden. Aus der in Waldbröl angesiedelten “Akademie für Psychologische Verteidigung” wird 1990 die “Akademie für Information- und Kommunikation der Bundeswehr” (AIK). Spezialisten der PSV übernehmen die leitenden Positionen der neuen Dienststelle, die dem Presse- und Informationsstab des Verteidigungsministeriums zugeordnet wird. Sie untersteht direkt dem zeitgleich im PR-/ Infostab neu gegründeten “Grundsatzreferat” und dient als “Thinktank” für die Öffentlichkeitsarbeit im Inland. Wie der Film belegt, werden wesentliche Tätigkeiten der PSV-Akademie fortgeführt, allerdings mit neu formuliertem Auftrag und mit neuen Zielsetzungen. Das Führungspersonal der 1994 nach Strausberg bei Berlin verlegten AIK gibt im Film ausführlich Auskunft über Auftrag und Tätigkeiten der Akademie. Eine wesentliche Aufgabe bestand nach der Wende in der Grundlagenbeschaffung zur sicherheitspolitischen “Umorientierung” der ehemaligen DDR-Bevölkerung. Neben der Ausbildung von Fachpersonal der Presse- und Informationsarbeit wird auch heute im Rahmen von Seminaren ein “sicherheitspolitischer Dialog” mit “interessierten Bürgern” geführt. Dabei handelt es sich vornehmlich um sogenannte Multiplikatoren wie Journalisten; Richter, Staatsanwälte und Polizisten werden zu Seminaren über die “Vernetzung von innerer und aüßerer Sicherheit” eingeladen. Um weitere Bevölkerungskreise zu erreichen, arbeitet man in Strausberg mit Wissenschaftlern, Universitätsdozenten und Lehrern zusammen. Neben der AIK ist aus der “Psychologischen Verteidigung” auch die “Truppe für Operative Information” (OpInfo) hervorgegangen. Bezeichnenderweise trägt sie im NATO-Sprachgebrauch weiterhin die Bezeichnung “Psychological Operations” (PSYOPS). Die bundesdeutschen PSYOPS-Truppen sind heute in Mayen stationiert. Dem dortigen Zentrum Operative Information (ZOpInfo) ist ein zusätzliches “Einsatzbataillon” in Koblenz unterstellt. Soldaten der OpInfo werden seit 1993/94 im Rahmen von bewaffneten Auslandsoperationen der Bundeswehr eingesetzt und wirken mit propagandistischen Mitteln auf Zielgruppen im Einsatzgebiet ein. Im Film wird hauptsächlich die Tätigkeit des ZOpInfo im Dezernat “Video” dargestellt. Die OpInfo verfügt über weitere Kapazitäten in den Bereichen “Print”, “Radio”, “Neue Medien” “Lautsprecher” und in der Direktkommunikation. Im ZOpInfo ist auch das “Dezernat Einsatzkamera” (Combat Camera) angesiedelt. Sogenannte Einsatzkamerateams (EKT) dokumentieren weltweit Einsätze der Bundeswehr und erstellen oft schon vor der Ankunft regulärer Truppen Lageberichte für Führungsstab und Einsatzführungskommando der Bundeswehr sowie für das Verteidigungsministerium. “Auch eine Weitergabe an die Medien wäre denkbar, wenn es ein konkretes Interesse gäbe”, hieß es bereits im Mai 2003 in der Publikation Bw Aktuell. Ganz sicher jedoch wird nach entsprechender Freigabe Material der EKTs an den internen Fernsehsender der Bundeswehr, BwTv weitergegeben. Die EKTs können bei Bedarf live aus dem Einsatzgebiet senden. BwTv wiederum ist Teil des “internen Medienmix” der Bundeswehr und wird verschlüsselt per Satellit ausgestrahlt, da den Streitkräften eine direkte Einflußnahme auf die eigene Bevölkerung gesetzlich verboten ist. Das Studio von BwTv ist im Hause der Informations- und Medienzentrale (IMZBw) der Bundeswehr in St. Augustin bei Bonn untergebracht. Hier wird neben der Koordinierung der Mitarbeiterkommunikation auch der Öffentlichkeitsarbeit zugearbeitet; die IMZBw verwaltet das Bildarchiv der Bundeswehr und beherbergt Onlineredaktionen für verschiedene Webseiten der Bundeswehr. BwTv wurde 2002 mit Hilfe der PR-Agentur Atkon AG aufgebaut. Wie die Recherchen zum Film ergaben, wurde eine 100% Tochterfirma der Atkon AG, die Atkon TV Service GmbH damit beauftragt, sendefertige Fernsehbeiträge an private und öffentlich-rechtliche Fernsehanstalten abzugeben. Beiträge aus Material von Bundeswehr TV werden dazu über die Internetseite www.tvservicebox.de angeboten und können dann in Sendequalität bestellt werden. Die Filme bestehen aus ungekennzeichnetem Material – ein Verweis auf die Quelle wird der abnehmenden Redaktion überlassen. Völlig unklar bleibt für den unbedarften Betrachter, ob nicht auch Videomaterial der EKTs via BwTv in die Beiträge gelangt. Die Informations- und Medienzentrale besteht darauf, dass durch dieses Vorgehen keinesfalls gegen das Verbot eines Staatsfernsehens verstoßen würde. Vielmehr könnten die Journalisten die Beiträge redaktionell bearbeiten. Gemeint ist damit vor allem, dass die Beiträge auf die entsprechenden Magazinformate zugeschnitten werden dürfen. Wie die Geschäftsbedingungen der Servicebox zeigen, ist eine “inhaltliche Sinn- und Zweckentfremdung” ausdrücklich untersagt. Atkon TV Service verfügt über ein Netzwerk von Journalisten, die im Auftrag der Bundeswehr mit Themenvorschlägen, Kontakten und Material beliefert werden (“Media Relations”) Erst kürzlich hat das Verteidigungsministerium ein Besuchsverbot u. A. für Journalisten und Parlamentarier beim Afghanistan-Kontingent erlassen. Desweiteren werden Informationen über Anschläge auf das Kontingent nur noch auf direkte Anfrage der Presse herausgegeben. Einer freien Berichterstattung über die Bundeswehr und ihre Einsätze soll mit den dargestellten Beeinflussungs- und Zensurmaßnahmen augenscheinlich das Wasser abgegraben werden. Offenbar fürchten Ministerium und militärische Führung, die von der AIK als “konditional” bewertete Zustimmung der Bevölkerung zum Auftrag der Bundeswehr im Falle von Berichten über Verluste oder intensive Kampfhandlungen rasch zu verlieren. Länge: 62´14 min Entstehungsjahr: 2006 (Dreh Mai-Juni) Drehformat: DVC Pro 25/ MiniDV, 4:3 Onlineformat: OggTheora (384x288) 182,7 MB kostenloser Player unter www.videolan.org (VLC) Mitwirkende: Oberst i.G. Thomas Beier – Kommandeur Informations- und Medienzentrale der Bundeswehr (St. Augustin) Oberleutnant Martin Besinger – Redakteuroffizier Einsatz Kamera Trupp (EKT), Zentrum Operative Information (Mayen) Oberstleutnant Reinhard Busch – Leiter Bundeswehr TV, Informations- und Medienzentrale der Bundeswehr (St. Augustin) Oberstleutnant Hartmut Dressel – Leiter Zielgruppenanalyse Zentrum Operative Information (Mayen), ehem. Soldat im PSV-Bataillon Clausthal-Zellerfeld Claudia Haydt – Soziologin und Religionswissenschaftlerin, Informationsstelle Militarisierung (IMI) www.imi-online.de Dipl. Psych. Dr. Hans-Victor Hoffmann – Wiss. Direktor FB Kommunikation der Akademie für Information und Kommunikation der Bundeswehr (Strausberg) Oberstleutnant Michael Kötting – Leiter Bereich Lehre der Akademie für Information und Kommunikation der Bundeswehr (Strausberg) Oberst i.G. Horst Matzeit – 1988 Kommandeur der Akademie für Psychologische Verteidigung (Waldbröl) (Archivmaterial) Dr. Alfred Mechtersheimer – ehem. Ausbildungsoffizier an der Schule für Psychologische Kampfführung (Schloß Alfter bei Bonn), dann u.A. MdB (Die Grünen) und Gründer der rechtsextremen Deutschland-Bewegung (Archivmaterial) Thomas Mielke – Schriftsteller und Werbefachmann (Berlin), ehem. Soldat der Psychologischen Kampfführung Hauptfeldwebel Stephan Schwaldat – Kameramann EKT, ZOpInfo Bw (Mayen) Oberst Rainer Senger – seit 11/2002 Kommandeur der Akademie für Information und Kommunikation der Bundeswehr (Strausberg) Dr. Olaf Theiler – Leiter FB Information der Akademie für Information und Kommunikation der Bundeswehr (Strausberg) weitere Stichworte: Dr. Eberhard Taubert, Dr. Werner Marx, Franz Josef Strauss, Helmut Kamphausen, Jörg Lolland, Ortwin Buchbender, Horst Schuh, Briefzensur, Zoll- und Devisenverbringungsstelle Hannover, Organisation Gehlen, Bundesnachrichtendienst, Prof. Renate Riemeck, Deutsche Friedensunion, Friedensbewegung, Ostermärsche, Impuls TV, Münchner Sicherheitskonferenz 2006, SIKO ein Dokumentarfilm von Steven Hutchings 2006-09-09T19:30+00:00 de 2006 Steven Hutchings s.hutchings@web.de http:// 191644903 01:01:54 Ogg Theora http://borderlineacademy.org/v2v/show/FI6BZZRKIS6V7TZF7WLADBGLQ5F4M3AH ed2k://|file|gesteuerte_demokratie.ogg|191644903|77f9107d503e381b331cdf5fe36d02d7| magnet:?dn=gesteuerte_demokratie.ogg&xt=urn%3Asha1%3AFI6BZZRKIS6V7TZF7WLADBGLQ5F4M3AH http://borderlineacademy.org/files/ba/torrents/gesteuerte_demokratie.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. In 2006, a group of friends decided to make a film about filesharing that *we* would recognise. There have been a few documentaries by 'old media' crews who don't understand the net and see peer-to-peer organisation as a threat to their livelihoods. They have no reason to represent the filesharing movement positively, and no capacity to represent it lucidly. We wanted to make a film that would explore this huge popular movement in a way that excited us, engaged us, and most importantly, focussed on what we know to be the positive and optimistic vision many filesharers and artists (they are often one) have for the future of creativity. Hopefully you'll enjoy the first part of Steal this Film ('stockholm, summer 2006'). It achieves some, but by no means all, of our goals. To continue we need your help. this film is free for you to share, watch on your dvd player or on your ipod, or show in cinemas. But if you like the work we've done and want us to carry on, use our donate link to send us a couple of dollars or euros. We will start making the second part straight away, and release it on this site and on major bittorrent trackers, when it's done. Each part, we estimate, will take about 2 months to complete. the plan for the second part is on our wiki. Feel free to add suggestions. The league of noble peers. august 2006 - à nous la liberté! stockholm, summer 2006 2006-08-24T10:28+00:00 en 2006 The league of noble peers peers@stealthisfilm.com http:/